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Marilyn Miller

Biographic Data

ID3681455
NAMEMarilyn Miller
GIVEN NAMESMarilyn
FAMILY NAMEMiller
SIGNATUREMILLER M
AFFILIATIONSTulane University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Lecciones para el presente que deja la Ley del Extranjero Enemigo y la deportación de latinoamericanos a Estados Unidos durante la Segunda Guerra Mundial

    Open Access•Marilyn Miller•ARTICLE•Tabula rasa•2020

    Following the bombing of Pearl Harbor in late 1941, the United States enacted a new version of the Alien Enemy Act originally signed in the 18th century, allowing for the forced displacement and detention of civilians considered enemies or potential enemies both within and beyond its borders. Under the Latin American Alien Enemy Control Program, some 31,0000 men, women, and children of European and Japanese descent were apprehended and interned i…

  • Ringside with Cuba’s National Poet

    Marilyn Miller•ARTICLE•Hispania•2015

    Nicolás Guillén’s “Pequeña oda a Kid Chocolate,” written in the late 1920s, is not only the celebrated Cuban author’s first “black poem,” but also foreshadows several central themes of his long career. Some themes include the praise and defense of Afro-diasporic vernacular culture and Cuban popular culture more generally, and the denunciation of US socioeconomic bullying on the island. Guillén’s ode casts the illiterate featherweight champion box…

  • The Color of Citizenship

    Marilyn Miller•ARTICLE•Hispanic American Historical Review•2015

    In this ambitious study, Diego von Vacano aspires to rescue the concepts of mixed race and race more generally both from neglect within his own field of political theory and from the kind of racialized thinking that informed the renowned colonial casta paintings. Casta portraits, as elaborate pseudoscientific catalogues of the specific human results of reproductive encounters between racially marked peoples in the Americas (such as the painting o…

  • Lives and Afterlives Of José María Silva's Gardel Portraits

    Marilyn G Miller, Marilyn Miller•ARTICLE•Journal of Latin American…•2013•References: 9

    Uruguayan photographer José María Silva's studio portraits of Carlos Gardel immortalized the early 20th-century tango singer as the first Latin American superstar, and consecrated the cameraman as el fotógrafo de Gardel. His 'stock' photos of Gardel from 1917 to 1933 coincided with the evolution of tango from a dance and music form based on payador and other oral traditions, to a polished and urbane performance genre exploited by the mass media. …

  • Reading Juan Francisco Manzano in the wake of Alexander von Humboldt

    Marilyn Miller•ARTICLE•Atlantic Studies•2010•References: 5

    Colonial scholars have recently begun to pay closer attention to the traffic of the work of Cuban poet Juan Francisco Manzano between the Caribbean and Europe, pointing out that the first version of his so-called slave narrative, along with a selection of his poetry, was first published in English translation in London in 1840. This recent shift in Manzano studies signals a growing recognition of the Cuban poet's circulation in an international a…

  • Imitation and Improvisation in Juan Francisco Manzano's Zafira

    Marilyn Miller, Marilyn Grace Miller•ARTICLE•Colonial Latin American Review•2008•References: 4

  • Rise and Fall of the Cosmic Race

    Marilyn G Miller, Marilyn Miller•BOOK•Rise and Fall of the Cosmic Race•2004

    Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct l…

  • Mixedblood Mediation and Territorial Re-Inscription in Ceremony

    Marilyn Miller, Marilyn L Miller•ARTICLE•Meridians•2000

    Research Article| September 01 2000 Mixedblood Mediation and Territorial Re-Inscription in Ceremony Marilyn Miller Marilyn Miller marilyn miller is assistant professor of Latin American and comparative literatures at the Catholic University of America, where she also directs the Latin American and Latino studies program. She is working on a book that examines national engagements with mestizaje in various times and locations in Latin America. Sea…

  • Covert Mestizaje and the strategy of “passing” in Diego Muñoz Camargo's Historia de Tlaxcala

    Marilyn Miller, Marilyn L Miller•ARTICLE•Colonial Latin American Review•1997•References: 5

    (1997). Covert Mestizaje and the strategy of “passing” in Diego Munoz Camargo's Historia de Tlaxcala. Colonial Latin American Review: Vol. 6, No. 1, pp. 41-58

No prominent works on this page.

  • Covert Mestizaje and the strategy of “passing” in Diego Muñoz Camargo's Historia de Tlaxcala

    Marilyn Miller, Marilyn L Miller•ARTICLE•Colonial Latin American Review•1997•References: 5

    (1997). Covert Mestizaje and the strategy of “passing” in Diego Munoz Camargo's Historia de Tlaxcala. Colonial Latin American Review: Vol. 6, No. 1, pp. 41-58

  • Mixedblood Mediation and Territorial Re-Inscription in Ceremony

    Marilyn Miller, Marilyn L Miller•ARTICLE•Meridians•2000

    Research Article| September 01 2000 Mixedblood Mediation and Territorial Re-Inscription in Ceremony Marilyn Miller Marilyn Miller marilyn miller is assistant professor of Latin American and comparative literatures at the Catholic University of America, where she also directs the Latin American and Latino studies program. She is working on a book that examines national engagements with mestizaje in various times and locations in Latin America. Sea…

  • Rise and Fall of the Cosmic Race

    Marilyn G Miller, Marilyn Miller•BOOK•Rise and Fall of the Cosmic Race•2004

    Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct l…

  • Imitation and Improvisation in Juan Francisco Manzano's Zafira

    Marilyn Miller, Marilyn Grace Miller•ARTICLE•Colonial Latin American Review•2008•References: 4

  • Reading Juan Francisco Manzano in the wake of Alexander von Humboldt

    Marilyn Miller•ARTICLE•Atlantic Studies•2010•References: 5

    Colonial scholars have recently begun to pay closer attention to the traffic of the work of Cuban poet Juan Francisco Manzano between the Caribbean and Europe, pointing out that the first version of his so-called slave narrative, along with a selection of his poetry, was first published in English translation in London in 1840. This recent shift in Manzano studies signals a growing recognition of the Cuban poet's circulation in an international a…

  • Lives and Afterlives Of José María Silva's Gardel Portraits

    Marilyn G Miller, Marilyn Miller•ARTICLE•Journal of Latin American…•2013•References: 9

    Uruguayan photographer José María Silva's studio portraits of Carlos Gardel immortalized the early 20th-century tango singer as the first Latin American superstar, and consecrated the cameraman as el fotógrafo de Gardel. His 'stock' photos of Gardel from 1917 to 1933 coincided with the evolution of tango from a dance and music form based on payador and other oral traditions, to a polished and urbane performance genre exploited by the mass media. …

  • Ringside with Cuba’s National Poet

    Marilyn Miller•ARTICLE•Hispania•2015

    Nicolás Guillén’s “Pequeña oda a Kid Chocolate,” written in the late 1920s, is not only the celebrated Cuban author’s first “black poem,” but also foreshadows several central themes of his long career. Some themes include the praise and defense of Afro-diasporic vernacular culture and Cuban popular culture more generally, and the denunciation of US socioeconomic bullying on the island. Guillén’s ode casts the illiterate featherweight champion box…

  • The Color of Citizenship

    Marilyn Miller•ARTICLE•Hispanic American Historical Review•2015

    In this ambitious study, Diego von Vacano aspires to rescue the concepts of mixed race and race more generally both from neglect within his own field of political theory and from the kind of racialized thinking that informed the renowned colonial casta paintings. Casta portraits, as elaborate pseudoscientific catalogues of the specific human results of reproductive encounters between racially marked peoples in the Americas (such as the painting o…

  • Lecciones para el presente que deja la Ley del Extranjero Enemigo y la deportación de latinoamericanos a Estados Unidos durante la Segunda Guerra Mundial

    Open Access•Marilyn Miller•ARTICLE•Tabula rasa•2020

    Following the bombing of Pearl Harbor in late 1941, the United States enacted a new version of the Alien Enemy Act originally signed in the 18th century, allowing for the forced displacement and detention of civilians considered enemies or potential enemies both within and beyond its borders. Under the Latin American Alien Enemy Control Program, some 31,0000 men, women, and children of European and Japanese descent were apprehended and interned i…

Art (8 works) · History (6 works) · Political science (6 works) · Humanities (5 works) · Law (5 works) · Sociology (4 works) · Archaeology (3 works) · History (3 works) · Latin Americans (3 works) · Philosophy (3 works)

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