D A Miller
Biographic Data
| ID | 3681497 |
|---|---|
| NAME | D A Miller |
| GIVEN NAMES | D A |
| FAMILY NAME | Miller |
| SIGNATURE | MILLER D A |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Hitchcock's Understyle: A Too-Close View of Rope
Disorganizing the narrative economy of Hitchcockian suspense and at odds with the formal perfection of the director's acclaimed style, Rope's secret understyle traffics in faults, oversights, and inelegancies of various kinds, all strangely accepted and even flaunted, rather than hidden, by the film. Though visible only to those who view Rope too closely, these errors touch on a central aspect of Hitchcock's perfectionist art, disclosing an essen…
Where is the Why if the What is in How? The Issue of Intent in “Unintentional Ideal Communities”
This article examines the place of intent in the development of “unintentional ideal” communities in relation to the wider realm of utopian practice. A utopian intent may seem to be inherent to utopia, indeed as crucial in identifying or establishing a “utopia”. Intent might be assumed to be less of an issue in utopian practice than with utopian literature; for the latter, the intentions of the creators or founders of a community may be found in …
Eight and a Half (Otto e mezzo)
Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Martin Scor…
Foutre! Bougre! Ecriture
Our growing indifference to Roland Barthes's thought suggests that the reactionaries were right after all. What had seemed a stupid complaint during his heyday now, twenty years after his death, proves prophetic: Roland Barthes has nothing to say. Yet it is precisely at a moment when few read Barthes for his ideas, that the complaint seems most foolish, in having imagined that anyone ever read Barthes, ever could read him, just for these. Hadn't …
Material Cultures: Why Some Things Matter
Part I The domestic sphere: Radio texture - between self and others, Jo Tacchi As seen on TV: socialization of the tele-visual consumer, Alison Clarke From woollen carpet to grass carpet: bridging house and garden in an English suburbia, Sophie Chevalier. Part II The public sphere: The message in paper, Andrea Pellegram Material of culture, fabric of indentity, Neil Jarman Calypso's consequence, Justin Finden-Croft. Part III The global sphere: Co…
Visual Pleasure in 1959
Peculiarly unlucky in love, Miss Catherine: when her lustful male admirers are not bent on molesting her, they seem no less compulsively determined to make her a front for enacting, or otherwise entertaining, their desire to manhandle each other. This homosexual front may wear its crudest aspect on the beach of Cabeza de Lobo, where her cousin Sebastian Venable first launches her to fish into his clutch the local youths who eventually murder and …
Anal Rope
Research Article| October 01 1990 Anal Rope D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1990) 32: 114–133. https://doi.org/10.2307/2928797 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation D. A. Miller; Anal Rope. Representations …
Anal Rope
Functional Operations and Oppositions in the Thought-World of the Sagas
Novel and The Police
Cage Aux Folles: Sensation and Gender in Wilkie Collins's The Woman in White
Under Capricorn
Research Article| April 01 1984 Under Capricorn D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 6: 124–129. https://doi.org/10.2307/2928542 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation D. A. Miller; Under Capricorn. Represe…
Discipline in Different Voices: Bureaucracy, Police, Family, and Bleak House
Research Article| February 01 1983 Discipline in Different Voices: Bureaucracy, Police, Family, and Bleak House D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1983) 1: 59–89. https://doi.org/10.2307/3043760 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Ci…
Anal Rope
Anal Rope
Research Article| October 01 1990 Anal Rope D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1990) 32: 114–133. https://doi.org/10.2307/2928797 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation D. A. Miller; Anal Rope. Representations …
Hitchcock's Understyle: A Too-Close View of Rope
Disorganizing the narrative economy of Hitchcockian suspense and at odds with the formal perfection of the director's acclaimed style, Rope's secret understyle traffics in faults, oversights, and inelegancies of various kinds, all strangely accepted and even flaunted, rather than hidden, by the film. Though visible only to those who view Rope too closely, these errors touch on a central aspect of Hitchcock's perfectionist art, disclosing an essen…
Cage Aux Folles: Sensation and Gender in Wilkie Collins's The Woman in White
Discipline in Different Voices: Bureaucracy, Police, Family, and Bleak House
Research Article| February 01 1983 Discipline in Different Voices: Bureaucracy, Police, Family, and Bleak House D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1983) 1: 59–89. https://doi.org/10.2307/3043760 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Ci…
Under Capricorn
Research Article| April 01 1984 Under Capricorn D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 6: 124–129. https://doi.org/10.2307/2928542 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation D. A. Miller; Under Capricorn. Represe…
Cage Aux Folles: Sensation and Gender in Wilkie Collins's The Woman in White
Novel and The Police
Functional Operations and Oppositions in the Thought-World of the Sagas
Anal Rope
Research Article| October 01 1990 Anal Rope D. A. Miller D. A. Miller Search for other works by this author on: This Site PubMed Google Scholar Representations (1990) 32: 114–133. https://doi.org/10.2307/2928797 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation D. A. Miller; Anal Rope. Representations …
Anal Rope
Material Cultures: Why Some Things Matter
Part I The domestic sphere: Radio texture - between self and others, Jo Tacchi As seen on TV: socialization of the tele-visual consumer, Alison Clarke From woollen carpet to grass carpet: bridging house and garden in an English suburbia, Sophie Chevalier. Part II The public sphere: The message in paper, Andrea Pellegram Material of culture, fabric of indentity, Neil Jarman Calypso's consequence, Justin Finden-Croft. Part III The global sphere: Co…
Visual Pleasure in 1959
Peculiarly unlucky in love, Miss Catherine: when her lustful male admirers are not bent on molesting her, they seem no less compulsively determined to make her a front for enacting, or otherwise entertaining, their desire to manhandle each other. This homosexual front may wear its crudest aspect on the beach of Cabeza de Lobo, where her cousin Sebastian Venable first launches her to fish into his clutch the local youths who eventually murder and …
Foutre! Bougre! Ecriture
Our growing indifference to Roland Barthes's thought suggests that the reactionaries were right after all. What had seemed a stupid complaint during his heyday now, twenty years after his death, proves prophetic: Roland Barthes has nothing to say. Yet it is precisely at a moment when few read Barthes for his ideas, that the complaint seems most foolish, in having imagined that anyone ever read Barthes, ever could read him, just for these. Hadn't …
Eight and a Half (Otto e mezzo)
Federico Fellini's masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini's mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Martin Scor…
Where is the Why if the What is in How? The Issue of Intent in “Unintentional Ideal Communities”
This article examines the place of intent in the development of “unintentional ideal” communities in relation to the wider realm of utopian practice. A utopian intent may seem to be inherent to utopia, indeed as crucial in identifying or establishing a “utopia”. Intent might be assumed to be less of an issue in utopian practice than with utopian literature; for the latter, the intentions of the creators or founders of a community may be found in …
Hitchcock's Understyle: A Too-Close View of Rope
Disorganizing the narrative economy of Hitchcockian suspense and at odds with the formal perfection of the director's acclaimed style, Rope's secret understyle traffics in faults, oversights, and inelegancies of various kinds, all strangely accepted and even flaunted, rather than hidden, by the film. Though visible only to those who view Rope too closely, these errors touch on a central aspect of Hitchcock's perfectionist art, disclosing an essen…
Aesthetics (6 works) · Art (6 works) · Computer Science (6 works) · Miller (6 works) · Epistemology (5 works) · Philosophy (5 works) · Sociology (5 works) · Download (4 works) · Law (4 works) · Psychology (4 works)