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John Hollander

Biographic Data

ID3681639
NAMEJohn Hollander
GIVEN NAMESJohn
FAMILY NAMEHollander
SIGNATUREHOLLANDER J
AFFILIATIONSArkansas State University
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS39
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Religiosity and Sexual Intentions Among Mexican Catholic Adolescents: The Mediating Role of Values

    Open Access•Noraan Mohamed, Angel Hernandez Moran et al.•ARTICLE•Sexuality & Culture•2026

  • Extracting blinks from continuous eye-tracking data in a mind wandering paradigm

    Open Access•Jocelyn Hollander, John Hollander et al.•ARTICLE•Consciousness and Cognition•2022

  • Planning in advance: Exploring end-of-life hopes and fears among healthy young people

    Alissa Dark-Freudeman, Christian Terry et al.•ARTICLE•Mortality•2021

    Discussions regarding end-of-life (EOL) preferences often occur late in the course of a disease leading to rushed clinical decisions misaligned with patient goals. Thus, the purpose of the current study was to identify EOL goals among a healthy sample of young adults (N = 305) through a possible selves framework. Common EOL hopes included: having loved ones present, closure, and living a full life. Common EOL fears included: pain and suffering, s…

  • Literature and Technology: "Nature's "Lawful Offspring in Man's Art

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2004

    John Hollander Literature and Technology: Nature’s “Lawful Offspring in Man’s Art” MY RUBRIC MAY BE THOUGHT TO COVER AT LEAST THREE DIFFERENT questions, each of them vast and complex. The first concerns the tech­ nologies contributing to and shaping the formation of the activities and institutions of literature throughout history. The second comprises the matter of technology as represented in or by literature. I shall be more concerned with the …

  • Fear Itself

    John Hollander, John M Hollander•ARTICLE•Social research•2004•Cited by: 1

    John Hollander Fear Itself AS A PRELIMINARY TO FURTHER CONSIDERATIONS OF FEAR, PARTICULARLY in a political context, I would like to comment on the language by which we have traditionally designated fear of various kinds: for exam­ ple, acute (such as fright) and chronic (such as dread), personal and collective. I shall discuss one celebrated pronouncement about fear in a political context at the beginning: it is only toward the end of my remarks …

  • Remarks at New School University's Sixty-seventh Commencement Ceremony

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2003

    A UNIVERSITY commencement is an occasion for congratulations to those awarded degrees, and for celebration of the occasion itself. Let me begin my remarks this afternoon by saying how pleased I am to participate in this celebration, and all the more because it is a great honor to be honored by an institution of higher learning whose history I have known and admired and that has been uniquely important in the life of the mind in New York City. I c…

  • Honor Dishonorable: Shameful Shame

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2003•Cited by: 4

    MUCH modern sensibility feels that it is a shame that shame exists. This paradox is seemingly dissolved because the first use of shame, in an easy, common, colloquial phrase, engages a different sense of the word from the second one. In “it’s a shame that” = “it’s too bad—or to be regretted—that,” we seem to be using the word as if all the issues it raises for the papers in the current issue of this journal arose from some archaic and obsolete me…

  • The Figure on the Page: Words and Images in Wright Morris's The Home Place

    Jocelyn Hollander, John Hollander•ARTICLE•Yale journal of criticism/ The…•1996

    The Figure on the Page: Words and Images in Wright Morris’s The Home Place John Hollander (bio) Ecphrastic treatments of photographs in modern literary verse and prose construe their images as invented pictures in themselves as well as confronting their documentary status. Until very recently, most photographs to which poems have been addressed have been portraits, and the text speaks to their subjects as rendered, and perhaps to the occasion of …

  • Crashing through the Picturesque

    Gavin Thomas, Lucy Shelton et al.•ARTICLE•The Musical Times•1995

  • Verseform: A Comparative Bibliography

    B Mch, T V F Brogan et al.•ARTICLE•Poetics Today•1990

  • Haunted Words, or Deconstruction Echoed

    Jefferson Humphries, Jocelyn Hollander et al.•ARTICLE•diacritics•1983

  • The Figure of Echo: A Mode of Allusion in Milton and After

    Jocelyn Hollander, John Hollander•ARTICLE•Poetics Today•1983•Cited by: 33

  • Stanley Cavell and 'The Claim of Reason

    Jocelyn Hollander, John Hollander•ARTICLE•Critical Inquiry•1980•Cited by: 1

  • Proteus, His Lies, His Truth: Discussions of Literary Translation

    Jocelyn Hollander, John Hollander et al.•ARTICLE•Comparative Literature•1976

  • The Knife in the Stone: Essays in Literary Theory

    John Hollander, Frederic Will•ARTICLE•Modern Language Notes•1975

  • Spenser and the Mingled Measure

    Open Access•Jocelyn Hollander, John Hollander•ARTICLE•English Literary Renaissance•1971

  • Needle's eye gates

    Open Access•Jocelyn Hollander, John Hollander•ARTICLE•The Urban Review•1968

  • The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700

    Calvin S Brown, Jocelyn Hollander et al.•ARTICLE•Comparative Literature•1962

  • The Figure of Echo: A Mode of Allusion in Milton and After

    Jocelyn Hollander, John Hollander•ARTICLE•Poetics Today•1983•Cited by: 33

  • Honor Dishonorable: Shameful Shame

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2003•Cited by: 4

    MUCH modern sensibility feels that it is a shame that shame exists. This paradox is seemingly dissolved because the first use of shame, in an easy, common, colloquial phrase, engages a different sense of the word from the second one. In “it’s a shame that” = “it’s too bad—or to be regretted—that,” we seem to be using the word as if all the issues it raises for the papers in the current issue of this journal arose from some archaic and obsolete me…

  • Fear Itself

    John Hollander, John M Hollander•ARTICLE•Social research•2004•Cited by: 1

    John Hollander Fear Itself AS A PRELIMINARY TO FURTHER CONSIDERATIONS OF FEAR, PARTICULARLY in a political context, I would like to comment on the language by which we have traditionally designated fear of various kinds: for exam­ ple, acute (such as fright) and chronic (such as dread), personal and collective. I shall discuss one celebrated pronouncement about fear in a political context at the beginning: it is only toward the end of my remarks …

  • Stanley Cavell and 'The Claim of Reason

    Jocelyn Hollander, John Hollander•ARTICLE•Critical Inquiry•1980•Cited by: 1

  • The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700

    Calvin S Brown, Jocelyn Hollander et al.•ARTICLE•Comparative Literature•1962

  • Needle's eye gates

    Open Access•Jocelyn Hollander, John Hollander•ARTICLE•The Urban Review•1968

  • Spenser and the Mingled Measure

    Open Access•Jocelyn Hollander, John Hollander•ARTICLE•English Literary Renaissance•1971

  • The Knife in the Stone: Essays in Literary Theory

    John Hollander, Frederic Will•ARTICLE•Modern Language Notes•1975

  • Proteus, His Lies, His Truth: Discussions of Literary Translation

    Jocelyn Hollander, John Hollander et al.•ARTICLE•Comparative Literature•1976

  • Stanley Cavell and 'The Claim of Reason

    Jocelyn Hollander, John Hollander•ARTICLE•Critical Inquiry•1980•Cited by: 1

  • Haunted Words, or Deconstruction Echoed

    Jefferson Humphries, Jocelyn Hollander et al.•ARTICLE•diacritics•1983

  • The Figure of Echo: A Mode of Allusion in Milton and After

    Jocelyn Hollander, John Hollander•ARTICLE•Poetics Today•1983•Cited by: 33

  • Verseform: A Comparative Bibliography

    B Mch, T V F Brogan et al.•ARTICLE•Poetics Today•1990

  • Crashing through the Picturesque

    Gavin Thomas, Lucy Shelton et al.•ARTICLE•The Musical Times•1995

  • The Figure on the Page: Words and Images in Wright Morris's The Home Place

    Jocelyn Hollander, John Hollander•ARTICLE•Yale journal of criticism/ The…•1996

    The Figure on the Page: Words and Images in Wright Morris’s The Home Place John Hollander (bio) Ecphrastic treatments of photographs in modern literary verse and prose construe their images as invented pictures in themselves as well as confronting their documentary status. Until very recently, most photographs to which poems have been addressed have been portraits, and the text speaks to their subjects as rendered, and perhaps to the occasion of …

  • Remarks at New School University's Sixty-seventh Commencement Ceremony

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2003

    A UNIVERSITY commencement is an occasion for congratulations to those awarded degrees, and for celebration of the occasion itself. Let me begin my remarks this afternoon by saying how pleased I am to participate in this celebration, and all the more because it is a great honor to be honored by an institution of higher learning whose history I have known and admired and that has been uniquely important in the life of the mind in New York City. I c…

  • Honor Dishonorable: Shameful Shame

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2003•Cited by: 4

    MUCH modern sensibility feels that it is a shame that shame exists. This paradox is seemingly dissolved because the first use of shame, in an easy, common, colloquial phrase, engages a different sense of the word from the second one. In “it’s a shame that” = “it’s too bad—or to be regretted—that,” we seem to be using the word as if all the issues it raises for the papers in the current issue of this journal arose from some archaic and obsolete me…

  • Literature and Technology: "Nature's "Lawful Offspring in Man's Art

    Jocelyn Hollander, John Hollander•ARTICLE•Social research•2004

    John Hollander Literature and Technology: Nature’s “Lawful Offspring in Man’s Art” MY RUBRIC MAY BE THOUGHT TO COVER AT LEAST THREE DIFFERENT questions, each of them vast and complex. The first concerns the tech­ nologies contributing to and shaping the formation of the activities and institutions of literature throughout history. The second comprises the matter of technology as represented in or by literature. I shall be more concerned with the …

  • Fear Itself

    John Hollander, John M Hollander•ARTICLE•Social research•2004•Cited by: 1

    John Hollander Fear Itself AS A PRELIMINARY TO FURTHER CONSIDERATIONS OF FEAR, PARTICULARLY in a political context, I would like to comment on the language by which we have traditionally designated fear of various kinds: for exam­ ple, acute (such as fright) and chronic (such as dread), personal and collective. I shall discuss one celebrated pronouncement about fear in a political context at the beginning: it is only toward the end of my remarks …

  • Planning in advance: Exploring end-of-life hopes and fears among healthy young people

    Alissa Dark-Freudeman, Christian Terry et al.•ARTICLE•Mortality•2021

    Discussions regarding end-of-life (EOL) preferences often occur late in the course of a disease leading to rushed clinical decisions misaligned with patient goals. Thus, the purpose of the current study was to identify EOL goals among a healthy sample of young adults (N = 305) through a possible selves framework. Common EOL hopes included: having loved ones present, closure, and living a full life. Common EOL fears included: pain and suffering, s…

  • Extracting blinks from continuous eye-tracking data in a mind wandering paradigm

    Open Access•Jocelyn Hollander, John Hollander et al.•ARTICLE•Consciousness and Cognition•2022

  • Religiosity and Sexual Intentions Among Mexican Catholic Adolescents: The Mediating Role of Values

    Open Access•Noraan Mohamed, Angel Hernandez Moran et al.•ARTICLE•Sexuality & Culture•2026

Art (10 works) · Philosophy (10 works) · Computer Science (9 works) · History (9 works) · Literature (8 works) · Psychology (7 works) · Linguistics (6 works) · Sociology (5 works) · Art history (3 works) · Aesthetics (2 works)

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