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Donald G Marshall

Biographic Data

ID3681646
NAMEDonald G Marshall
GIVEN NAMESDonald G
FAMILY NAMEMarshall
SIGNATUREMARSHALL D G
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS2
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2002
H-INDEX1
  • Northrop Frye on Religion

    Donald G Marshall•ARTICLE•The Journal of Religion•2002

  • A New Bibliography of Critical Theory

    Gyorgy C Kalman, Donald G Marshall•ARTICLE•Poetics Today•1997

  • Foucault and Literature

    Nick Groom, Simon During et al.•ARTICLE•The Modern Language Review•1996

  • Literature as Philosophy, Philosophy as Literature

    Martin Melaver, Donald G Marshall•ARTICLE•Poetics Today•1988

  • In Dora's Case

    Donald G Marshall, Charles Bernheimer et al.•ARTICLE•Poetics Today•1986

  • The Necessity of Writing Death and Imagination in Maurice Blanchot's L'Espace Litteraire

    Donald G Marshall•ARTICLE•boundary 2•1985

    In 1902, the Austrian writer Hugo von Hofmannsthal assumed the persona of sixteenth-century Englishman, Lord Chandos, to probe his own distrust of language and especially of writing. Replying to the inquiries of his friend Francis Bacon, Chandos explains why he has given up all literary activity. Though precociously brilliant and ambitious writer, Chandos now finds that words crumble in his mouth like moldy mushrooms. He is overcome by strange di…

  • Ideas and History

    Donald G Marshall•ARTICLE•boundary 2•1982

    Many of us take for granted that in some sense is the preeminent characteristic both of literature and of the literary artist. Yet Aristotle in the Poetics uses no such term or notion. He insists that a poet may invent his plot; that he shows things as they ought to be (and therefore as they are not); that he should prefer even certain impossible things to some actual facts. Yet Aristotle never deviates from mimesis, imitation, to name not just t…

  • Truth or Consequences

    Donald G Marshall•ARTICLE•diacritics•1980

    Combative and far-ranging, Gerald Graff's Literature Against Itself [Chicago and London: University of Chicago Press, 19791 has littered critical landscape with gored oxen and mangled sacred cows. Owners of former and worshippers of latter have protested loudly, accusing Graff of willful distortion, wild generalization, and collusion with forces of political and social reaction. Onlookers who applaud Graff's attacks frequently make him vehicle of…

  • [The Eminent Text and Its Truth]

    Gerald Graff, Gerald L Bruns et al.•ARTICLE•The Bulletin of the Midwest…•1980

    Gerald Graff, Gerald L. Bruns, Tom Conley, Donald G. Marshall, [The Eminent Text and Its Truth]: Responses and Discussion, The Bulletin of the Midwest Modern Language Association, Vol. 13, No. 1 (Spring, 1980), pp. 11-23

  • Truth, Tradition, and Understanding

    Donald G Marshall•ARTICLE•diacritics•1977

  • Plot as Trap; Plot as Mediation

    Donald G Marshall•ARTICLE•The Bulletin of the Midwest…•1977

  • The Ontology of the Literary Sign

    Donald G Marshall•ARTICLE•boundary 2•1976•Cited by: 1

    entities in grammar, Saussure says that sum of the and methodical classifications made by the grammarian who studies a language-state without bringing in history must coincide with the associations, or not, that are set up in speaking (GL, 137-38). The end of the section makes explicit what the phrase conscious or not implies, that the associations are a transcendental rather than empirical

  • Wordsworth and Goethe in Literary History

    Geoffrey H Hartman, Donald G Marshall•ARTICLE•New Literary History•1975•Cited by: 1

    importance for the person we consider its principal founder. I may soon persecute you with a Psychology drawn from the poems of Ossian, Herder warns the reader in his letters on German Art published in I773-1 psychology he refers to is clearly what we now call historicism. The human race is destined to undergo a procession of scenes, of types of culture and manners: woe to the man who does not like his part in the drama in which he must act out a…

  • The Ontology of the Literary Sign

    Donald G Marshall•ARTICLE•boundary 2•1976•Cited by: 1

    entities in grammar, Saussure says that sum of the and methodical classifications made by the grammarian who studies a language-state without bringing in history must coincide with the associations, or not, that are set up in speaking (GL, 137-38). The end of the section makes explicit what the phrase conscious or not implies, that the associations are a transcendental rather than empirical

  • Wordsworth and Goethe in Literary History

    Geoffrey H Hartman, Donald G Marshall•ARTICLE•New Literary History•1975•Cited by: 1

    importance for the person we consider its principal founder. I may soon persecute you with a Psychology drawn from the poems of Ossian, Herder warns the reader in his letters on German Art published in I773-1 psychology he refers to is clearly what we now call historicism. The human race is destined to undergo a procession of scenes, of types of culture and manners: woe to the man who does not like his part in the drama in which he must act out a…

  • Wordsworth and Goethe in Literary History

    Geoffrey H Hartman, Donald G Marshall•ARTICLE•New Literary History•1975•Cited by: 1

    importance for the person we consider its principal founder. I may soon persecute you with a Psychology drawn from the poems of Ossian, Herder warns the reader in his letters on German Art published in I773-1 psychology he refers to is clearly what we now call historicism. The human race is destined to undergo a procession of scenes, of types of culture and manners: woe to the man who does not like his part in the drama in which he must act out a…

  • The Ontology of the Literary Sign

    Donald G Marshall•ARTICLE•boundary 2•1976•Cited by: 1

    entities in grammar, Saussure says that sum of the and methodical classifications made by the grammarian who studies a language-state without bringing in history must coincide with the associations, or not, that are set up in speaking (GL, 137-38). The end of the section makes explicit what the phrase conscious or not implies, that the associations are a transcendental rather than empirical

  • Truth, Tradition, and Understanding

    Donald G Marshall•ARTICLE•diacritics•1977

  • Plot as Trap; Plot as Mediation

    Donald G Marshall•ARTICLE•The Bulletin of the Midwest…•1977

  • Truth or Consequences

    Donald G Marshall•ARTICLE•diacritics•1980

    Combative and far-ranging, Gerald Graff's Literature Against Itself [Chicago and London: University of Chicago Press, 19791 has littered critical landscape with gored oxen and mangled sacred cows. Owners of former and worshippers of latter have protested loudly, accusing Graff of willful distortion, wild generalization, and collusion with forces of political and social reaction. Onlookers who applaud Graff's attacks frequently make him vehicle of…

  • [The Eminent Text and Its Truth]

    Gerald Graff, Gerald L Bruns et al.•ARTICLE•The Bulletin of the Midwest…•1980

    Gerald Graff, Gerald L. Bruns, Tom Conley, Donald G. Marshall, [The Eminent Text and Its Truth]: Responses and Discussion, The Bulletin of the Midwest Modern Language Association, Vol. 13, No. 1 (Spring, 1980), pp. 11-23

  • Ideas and History

    Donald G Marshall•ARTICLE•boundary 2•1982

    Many of us take for granted that in some sense is the preeminent characteristic both of literature and of the literary artist. Yet Aristotle in the Poetics uses no such term or notion. He insists that a poet may invent his plot; that he shows things as they ought to be (and therefore as they are not); that he should prefer even certain impossible things to some actual facts. Yet Aristotle never deviates from mimesis, imitation, to name not just t…

  • The Necessity of Writing Death and Imagination in Maurice Blanchot's L'Espace Litteraire

    Donald G Marshall•ARTICLE•boundary 2•1985

    In 1902, the Austrian writer Hugo von Hofmannsthal assumed the persona of sixteenth-century Englishman, Lord Chandos, to probe his own distrust of language and especially of writing. Replying to the inquiries of his friend Francis Bacon, Chandos explains why he has given up all literary activity. Though precociously brilliant and ambitious writer, Chandos now finds that words crumble in his mouth like moldy mushrooms. He is overcome by strange di…

  • In Dora's Case

    Donald G Marshall, Charles Bernheimer et al.•ARTICLE•Poetics Today•1986

  • Literature as Philosophy, Philosophy as Literature

    Martin Melaver, Donald G Marshall•ARTICLE•Poetics Today•1988

  • Foucault and Literature

    Nick Groom, Simon During et al.•ARTICLE•The Modern Language Review•1996

  • A New Bibliography of Critical Theory

    Gyorgy C Kalman, Donald G Marshall•ARTICLE•Poetics Today•1997

  • Northrop Frye on Religion

    Donald G Marshall•ARTICLE•The Journal of Religion•2002

Philosophy (7 works) · Art (6 works) · Epistemology (4 works) · History (4 works) · Literature (4 works) · Psychology (4 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Computer Science (2 works)

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