Steven Knapp

Biographic Data

ID3681661
NAMESteven Knapp
GIVEN NAMESSteven
FAMILY NAMEKnapp
SIGNATUREKNAPP S
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS71
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR1994
H-INDEX3

  • Reply to John Searle

    Steven Knapp, Walter Benn MichaelsARTICLENew Literary History1994

    OHN SEARLE'S CRITICISMS of our account of interpretation all have to do with the distinction he draws between sentence meaning and speaker's or author's meaning-the distinction, that is, between the meaning a sequence of marks or noises can be said to have when treated as a token of a sentence type in a given language, and the meaning that same sequence of marks or noises acquires when someone intentionally produces it. We have argued that only t…

  • Milton among the Philosophers

    Open AccessSteven KnappARTICLERenaissance Quarterly1993

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  • Reply to George Wilson

    Steven Knapp, Walter Benn MichaelsARTICLECritical Inquiry1992

  • Collective Memory and the Actual Past

    Steven KnappARTICLERepresentations1989Cited by: 11

    Research Article| April 01 1989 Collective Memory and the Actual Past Steven Knapp Steven Knapp Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 26: 123–149. https://doi.org/10.2307/2928526 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation…

  • Personification and the Sublime

    Keith Thomas, Keith G Thomas et al.ARTICLEEighteenth-Century Studies1987

  • Against Theory 2

    Steven Knapp, Walter Benn MichaelsARTICLECritical Inquiry1987Cited by: 10

  • A Reply to Richard Rorty

    Steven Knapp, Walter Benn MichaelsARTICLECritical Inquiry1985

  • The Sublime, Self-Reference, and Wordsworth's Resolution and Independence

    Steven KnappARTICLEModern Language Notes1984

    As a number of scholars have persuaded us, it is hard and a little dangerous to generalize about the sublime.* Hard, because the sublime is at once a diverse collection of aesthetic theories, a genre of literary performances, and a thematic paradigm that recurs, with a compulsive and often comic regularity, in post-Enlightenment writings of the highest and the lowest forms. Dangerous, because the attempt to generalize can involve the same combina…

  • A Reply to Our Critics

    Steven Knapp, Walter Benn MichaelsARTICLECritical Inquiry1983Cited by: 1

  • Against Theory

    Steven Knapp, Walter Benn MichaelsARTICLECritical Inquiry1982Cited by: 49