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Carol Jacobs

Biographic Data

ID3681956
NAMECarol Jacobs
GIVEN NAMESCarol
FAMILY NAMEJacobs
SIGNATUREJACOBS C
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS11
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2004
H-INDEX2
  • Stigma, discrimination, and HIV/Aids knowledge among physicians in Barbados

    Open Access•Ernest Massiah, Timothy C Roach et al.•ARTICLE•Revista Panamericana de Salud…•2004

    Physician training in Barbados should focus on all aspects of HIV/AIDS care, including clinical and emotional factors. Attendance at such training should be mandatory for public sector physicians, and medical school curricula need to be examined to ensure their HIV/AIDS content is current and comprehensive

  • What Does It Mean to Count? W. G. Sebald's The Emigrants

    Carol Jacobs•ARTICLE•Modern Language Notes•2004

    "A beautiful protocol, an exact protocol. I will write a protocol of the sort that one doesn't experience everyday." ["Ein schönes Protokoll, ein genaues Protokoll. Ich werde ein Protokoll schreiben wie man es nicht alle Tage erlebt."] (from Werner Herzog's film Kaspar Hauser) "Memory is fundamentally nothing but a citation." ["Das Andenken ist ja im Grunde nichts anderes als ein Zitat."]1 Facing the title page of the Fischer Verlag edition of W.…

  • In the Language of Walter Benjamin

    Marcus Bullock, Carol Jacobs•ARTICLE•German Studies Review•2001

  • In the Language of Walter Benjamin

    Harry Zohn, Carol Jacobs•ARTICLE•The German Quarterly•2000

  • Dusting Antigone

    Carol Jacobs•ARTICLE•Modern Language Notes•1996•Cited by: 4

    Dusting Antigone Carol Jacobs For millennia, now, we have stood sentinel: hoping to see her—to catch her in the act, to say plainly and clearly what Antigone is about. Yet no vigilance could be adequate to the task. History offers a long succession of separate, disconnected experiences of Antigone—impossible to gather together into a single completed shape. Hegel and Irigaray are exemplary in this regard, and not only because their readings are a…

  • Uncontainable Romanticism

    Forest Pyle, Carol Jacobs•ARTICLE•Studies in Romanticism•1995•Cited by: 2

  • Playing Jane Campion's Piano

    Carol Jacobs•ARTICLE•Modern Language Notes•1994•Cited by: 3

    A Catholic priest, a Protestant minister, and a rabbi were walking along the beach together when a great angel with diaphanous wings approached them. He announced an apocalypse near at telling them of a great flood that was to come the very next day. priest hurried back to his church with a deeply troubled visage. The end of the world is at hand, he intoned: must make our last confessions, receive absolution, and prepare for the hereafter. Protes…

  • Telling Time

    Michael Köhler, Carol Jacobs•ARTICLE•Modern Language Notes•1993

  • Benjamin's Tessera

    Carol Jacobs•ARTICLE•diacritics•1992

  • Uncontainable Romanticism

    Mark Parker, Carol Jacobs•ARTICLE•South Atlantic Review•1991

  • The Critical Performance of Lessing's Laokoon

    Carol Jacobs•ARTICLE•Modern Language Notes•1987•Cited by: 1

    The merest glance at a reproduction of the famous statue of Laocoon tells us that it is a question of three figures in a rather critical situation. Laocoon, whose words of warning about the Trojan horse meet with disdain, is punished, Virgil writes, along with his two sons for having . . . profaned the sacred image.' The three figures are bound together by a common adversary: it entangles their limbs, trips them up, while at the same time directi…

  • On Looking at Shelley's Medusa

    Carol Jacobs•ARTICLE•Yale French Studies•1985

  • Writing, Deconstruction, and Other Unnatural Acts

    Betsy Draine, Jacques Derrida et al.•ARTICLE•boundary 2•1981

  • The Style of Kleist

    Carol Jacobs•ARTICLE•diacritics•1979

    Already, no doubt, there has been a misunderstanding. Perhaps it could not be otherwise. For to construe Kleist's style in the conventional sense of the word (and in the conventional sense of Kleist criticism), as a mode of expressing thought in language [Webster's Seventh New Collegiate Dictionary] or as that which impressed the stamp of his being [Karl Ludwig Schneider, von Kleist. Uber ein Ausdrucksprinzip seines Stils, in Heinrich von Kleist:…

  • Improbable Veracities

    Heinrich Von Kleist, Carol Jacobs•ARTICLE•diacritics•1979

  • Wuthering Heights

    Carol Jacobs•ARTICLE•boundary 2•1979

  • The Dissimulating Harmony

    Roberto González Echevarría, Carol Jacobs•ARTICLE•Modern Language Notes•1979

  • The Dissimulating Harmony

    Ann Smock, Carol Jacobs•ARTICLE•SubStance•1979

  • The Assimilating Harmony

    Carol Jacobs•ARTICLE•SubStance•1977

  • I, the Juggler

    Carol Jacobs, Walter Benjamin•ARTICLE•diacritics•1975

  • The Monstrosity of Translation

    Carol Jacobs•ARTICLE•Modern Language Notes•1975•Cited by: 1

  • The Tenth Duino Elegy or the Parable of the Beheaded Reader

    Carol Jacobs•ARTICLE•Modern Language Notes•1974

  • Der Stammelnde Text

    Carol Jacobs•ARTICLE•Modern Language Notes•1973

  • Walter Benjamin

    Carol Jacobs•ARTICLE•Modern Language Notes•1971

  • Dusting Antigone

    Carol Jacobs•ARTICLE•Modern Language Notes•1996•Cited by: 4

    Dusting Antigone Carol Jacobs For millennia, now, we have stood sentinel: hoping to see her—to catch her in the act, to say plainly and clearly what Antigone is about. Yet no vigilance could be adequate to the task. History offers a long succession of separate, disconnected experiences of Antigone—impossible to gather together into a single completed shape. Hegel and Irigaray are exemplary in this regard, and not only because their readings are a…

  • Playing Jane Campion's Piano

    Carol Jacobs•ARTICLE•Modern Language Notes•1994•Cited by: 3

    A Catholic priest, a Protestant minister, and a rabbi were walking along the beach together when a great angel with diaphanous wings approached them. He announced an apocalypse near at telling them of a great flood that was to come the very next day. priest hurried back to his church with a deeply troubled visage. The end of the world is at hand, he intoned: must make our last confessions, receive absolution, and prepare for the hereafter. Protes…

  • Uncontainable Romanticism

    Forest Pyle, Carol Jacobs•ARTICLE•Studies in Romanticism•1995•Cited by: 2

  • The Critical Performance of Lessing's Laokoon

    Carol Jacobs•ARTICLE•Modern Language Notes•1987•Cited by: 1

    The merest glance at a reproduction of the famous statue of Laocoon tells us that it is a question of three figures in a rather critical situation. Laocoon, whose words of warning about the Trojan horse meet with disdain, is punished, Virgil writes, along with his two sons for having . . . profaned the sacred image.' The three figures are bound together by a common adversary: it entangles their limbs, trips them up, while at the same time directi…

  • The Monstrosity of Translation

    Carol Jacobs•ARTICLE•Modern Language Notes•1975•Cited by: 1

  • Walter Benjamin

    Carol Jacobs•ARTICLE•Modern Language Notes•1971

  • Der Stammelnde Text

    Carol Jacobs•ARTICLE•Modern Language Notes•1973

  • The Tenth Duino Elegy or the Parable of the Beheaded Reader

    Carol Jacobs•ARTICLE•Modern Language Notes•1974

  • I, the Juggler

    Carol Jacobs, Walter Benjamin•ARTICLE•diacritics•1975

  • The Monstrosity of Translation

    Carol Jacobs•ARTICLE•Modern Language Notes•1975•Cited by: 1

  • The Assimilating Harmony

    Carol Jacobs•ARTICLE•SubStance•1977

  • The Style of Kleist

    Carol Jacobs•ARTICLE•diacritics•1979

    Already, no doubt, there has been a misunderstanding. Perhaps it could not be otherwise. For to construe Kleist's style in the conventional sense of the word (and in the conventional sense of Kleist criticism), as a mode of expressing thought in language [Webster's Seventh New Collegiate Dictionary] or as that which impressed the stamp of his being [Karl Ludwig Schneider, von Kleist. Uber ein Ausdrucksprinzip seines Stils, in Heinrich von Kleist:…

  • Improbable Veracities

    Heinrich Von Kleist, Carol Jacobs•ARTICLE•diacritics•1979

  • Wuthering Heights

    Carol Jacobs•ARTICLE•boundary 2•1979

  • The Dissimulating Harmony

    Roberto González Echevarría, Carol Jacobs•ARTICLE•Modern Language Notes•1979

  • The Dissimulating Harmony

    Ann Smock, Carol Jacobs•ARTICLE•SubStance•1979

  • Writing, Deconstruction, and Other Unnatural Acts

    Betsy Draine, Jacques Derrida et al.•ARTICLE•boundary 2•1981

  • On Looking at Shelley's Medusa

    Carol Jacobs•ARTICLE•Yale French Studies•1985

  • The Critical Performance of Lessing's Laokoon

    Carol Jacobs•ARTICLE•Modern Language Notes•1987•Cited by: 1

    The merest glance at a reproduction of the famous statue of Laocoon tells us that it is a question of three figures in a rather critical situation. Laocoon, whose words of warning about the Trojan horse meet with disdain, is punished, Virgil writes, along with his two sons for having . . . profaned the sacred image.' The three figures are bound together by a common adversary: it entangles their limbs, trips them up, while at the same time directi…

  • Uncontainable Romanticism

    Mark Parker, Carol Jacobs•ARTICLE•South Atlantic Review•1991

  • Benjamin's Tessera

    Carol Jacobs•ARTICLE•diacritics•1992

  • Telling Time

    Michael Köhler, Carol Jacobs•ARTICLE•Modern Language Notes•1993

  • Playing Jane Campion's Piano

    Carol Jacobs•ARTICLE•Modern Language Notes•1994•Cited by: 3

    A Catholic priest, a Protestant minister, and a rabbi were walking along the beach together when a great angel with diaphanous wings approached them. He announced an apocalypse near at telling them of a great flood that was to come the very next day. priest hurried back to his church with a deeply troubled visage. The end of the world is at hand, he intoned: must make our last confessions, receive absolution, and prepare for the hereafter. Protes…

  • Uncontainable Romanticism

    Forest Pyle, Carol Jacobs•ARTICLE•Studies in Romanticism•1995•Cited by: 2

  • Dusting Antigone

    Carol Jacobs•ARTICLE•Modern Language Notes•1996•Cited by: 4

    Dusting Antigone Carol Jacobs For millennia, now, we have stood sentinel: hoping to see her—to catch her in the act, to say plainly and clearly what Antigone is about. Yet no vigilance could be adequate to the task. History offers a long succession of separate, disconnected experiences of Antigone—impossible to gather together into a single completed shape. Hegel and Irigaray are exemplary in this regard, and not only because their readings are a…

  • In the Language of Walter Benjamin

    Harry Zohn, Carol Jacobs•ARTICLE•The German Quarterly•2000

  • In the Language of Walter Benjamin

    Marcus Bullock, Carol Jacobs•ARTICLE•German Studies Review•2001

  • Stigma, discrimination, and HIV/Aids knowledge among physicians in Barbados

    Open Access•Ernest Massiah, Timothy C Roach et al.•ARTICLE•Revista Panamericana de Salud…•2004

    Physician training in Barbados should focus on all aspects of HIV/AIDS care, including clinical and emotional factors. Attendance at such training should be mandatory for public sector physicians, and medical school curricula need to be examined to ensure their HIV/AIDS content is current and comprehensive

  • What Does It Mean to Count? W. G. Sebald's The Emigrants

    Carol Jacobs•ARTICLE•Modern Language Notes•2004

    "A beautiful protocol, an exact protocol. I will write a protocol of the sort that one doesn't experience everyday." ["Ein schönes Protokoll, ein genaues Protokoll. Ich werde ein Protokoll schreiben wie man es nicht alle Tage erlebt."] (from Werner Herzog's film Kaspar Hauser) "Memory is fundamentally nothing but a citation." ["Das Andenken ist ja im Grunde nichts anderes als ein Zitat."]1 Facing the title page of the Fischer Verlag edition of W.…

Art (20 works) · Philosophy (17 works) · Literature (9 works) · Art history (6 works) · German Literature and Culture Studies (6 works) · Linguistics (6 works) · Walter Benjamin Studies Compilation (6 works) · Philosophy (5 works) · History (4 works) · Psychology (4 works)

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