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Michael Mckeon

Biographic Data

ID3681997
NAMEMichael Mckeon
GIVEN NAMESMichael
FAMILY NAMEMckeon
SIGNATUREMCKEON M
AFFILIATIONSRutgers, the State University of New Jersey
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS31
WORKS AS AUTHOR20
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2017
H-INDEX3
  • Paradise Lost as a Secret History

    Open Access•Michael Mckeon•CHAPTER•Secret History in Literature,…•2017

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Paradise Lost , Poem of the Restoration Period

    Michael Mckeon•ARTICLE•Eighteenth-Century Life•2017

    John Milton's Paradise Lost (1667, 1674) is often classified as a Renaissance epic, along with the great narrative poems of Ariosto, Tasso, and Spenser. However, this generic designation tells us much less about the formal nature of the poem than we learn when we contextualize it among the long English narratives with which it was contemporary: Butler's Hudibras (1663, 1664, 1678), Bunyan's The Pilgrim's Progress (1678, 1684), Dryden's Absalom an…

  • Reading Swift

    Ann C Kelly, Ian Higgins et al.•BOOK•Reading Swift•2013

    Assembling thirty-five lectures delivered at the Sixth Münster Symposium on Jonathan Swift in June 2011, this new volume of Reading Swift testifies to an extraordinary spectrum of research interests in the Dean of St Patrick’s, Dublin, and his works. As in the successful earlier volumes, the essays have been grouped in eight sections: biographical aspects (W. B. Carnochan, John Irwin Fischer, Clive T. Probyn, Abigail Williams); bibliographical an…

  • Theory and Practice in Historical Method

    Open Access•Michael Mckeon•CHAPTER•Rethinking Historicism from…•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • What Was an Early Modern Public, and How Was It Made

    Open Access•Michael Mckeon•ARTICLE•History Compass•2012•References: 1

    One argument of The Secret History of Domesticity is that there were two early modern publics, one traditional and one innovative; that the new concept of the public began to emerge when the authority of the old public, until then a matter of tacit belief, was subjected to explicit and rational analysis; and that the rationality of the new public depended on the simultaneous rise of an entirely new concept, the private. This argument responds at …

  • The Seventeenth- and Eighteenth-Century Sexuality Hypothesis

    Michael Mckeon•ARTICLE•Signs: Journal of Women in…•2012•Cited by: 1•References: 4

    Until recently, we’ve thought of the modern sex/gender system and homosexual identity as sociointellectual developments of the later nineteenth century. Over the past three decades, however, evidence has accumulated suggesting that these categories coalesced much earlier—during the seventeenth and eighteenth centuries (the national reference group here is England). At the beginning of this period, the customary distinction understood male and fem…

  • Mediation as Primal Word

    Michael Mckeon•CHAPTER•This Is Enlightenment•2010

    This chapter argues for the importance of “mediation” by highlighting its antithetical senses—“mediation” can connote both “connection/communication” as well as “intervene/ separate.” It presents a case history of mediation that details the intricate process by which the concept of the aesthetic emerged from an explicit project: the effort to transport the epistemological posture developed by natural philosophy—one based in empirical observation,…

  • The Secret History of Domesticity

    Michael Mckeon•BOOK•Secret History of Domesticity•2006

  • Theory of the Novel

    Michael Galchinsky, Cindy Ash et al.•ARTICLE•South Atlantic Review•2001•Cited by: 20

    Contents and Contributors: Part One: Genre TheoryNorthrop Frye, from Anatomy of Criticism: Four EssaysE. D. Hirsch, from Validity in InterpretationClaudio Guillen, from Literature as System: Essays toward the Theory of Literary HistoryJonathan Culler, Toward a Theory of Non-Genre LiteratureMarthe Robert, from Origins of the Two: Novel as Displacement I: StructuralismWalter Benjamin, The StorytellerClaude Levi-Strauss, from Savage Mind, from Origi…

  • The Origins of Interdisciplinary Studies

    Michael Mckeon•ARTICLE•Eighteenth-Century Studies•1994•Cited by: 4

    At heart of The Origins of English Novel1 lies this question: how can we conceive constitution of categories in full historicity of their emergence-as they amount neither to their prior determinations nor to their eventual selffulfillment? In confronting this question I found myself pursuing a method at once dialectical and interdisciplinary: attentive to modes of negative definition by which the slowly coalesced in terms of what contemporaries c…

  • "I Wonder Whether Poor Miss Sally Godfrey Be Living or Dead"

    Charlotte Sussman, Nancy Armstrong et al.•ARTICLE•diacritics•1990

  • The Origins of the English Novel, 1600-1740

    Brian McCrea, Michael Mckeon•ARTICLE•South Atlantic Review•1990

  • Realist Literary History

    William B Warner, Michael Mckeon•ARTICLE•diacritics•1989

  • A Defense of Dialectical Method in Literary History

    Michael Mckeon•ARTICLE•diacritics•1989

    ion as a way of overcoming split between form, content, and context in current approaches to genre theory). Warner's version of theory simply ignores weight of evidence I adduce to argue not only abstract continuity of questions of and virtue but also concrete discontinuity of their instantiations in different periods. Nor is simply a matter of obvious differences between forms-Greek romance, twelfth-century romance, novel-with which questions of…

  • The Origins of the English Novel, 1600-1740

    Eric Rothstein, Michael Mckeon•ARTICLE•Eighteenth-Century Studies•1987

  • Generic Transformation and Social Change

    Michael Mckeon•ARTICLE•Cultural Critique•1985•Cited by: 1

    conduct the study of this crucial literary phenomenon.' The phenomenon is crucial because it is modern. If the novel originated in early modem Europe, it should be possible to observe and describe its emergence within a historical context whose richness of detail has no parallel in earlier periods. But of course this is no coincidence: it is the rise of an unprecedented historical consciousness, and of its institutional affiliates, that has both …

  • The “Marxism” of Claude Levi-Strauss

    Open Access•Michael Mckeon•ARTICLE•Dialectical Anthropology•1981

  • Sabbatai Sevi in England

    Open Access•Michael Mckeon•ARTICLE•AJS Review The Journal of the…•1977

    Several years ago Gershom Scholem's authoritative work on the seventeenth century messianic figure Sabbatai Sevi, first published in Hebrew in 1957, appeared in a revised English translation. The importance of Scholem's work for an informed understanding of the Sabbatian movement and for the general study of religious and political movements must be acknowledged by all readers. The relevance of Sabbatai's career in the Levant to the specific hist…

  • Keywords

    Michael Mckeon•REVIEW•Studies in Romanticism•1977•Cited by: 5

    Raymond Williams' seminal exploration of the history of meaning of some of the most important words in the English language. First published in 1976, and expanded in 1983, KEYWORDS reveals how the meanings of 131 words - including 'art', 'class', 'family', 'media', 'sex' and 'tradition' - were formed and subsequently altered and redefined as the historical contexts in which they were used changed. Neither a defining dictionary or glossary, KEYWOR…

  • Politics and Poetry in Restoration England

    Michael Mckeon•BOOK•Politics and Poetry in…•1975

  • Theory of the Novel

    Michael Galchinsky, Cindy Ash et al.•ARTICLE•South Atlantic Review•2001•Cited by: 20

    Contents and Contributors: Part One: Genre TheoryNorthrop Frye, from Anatomy of Criticism: Four EssaysE. D. Hirsch, from Validity in InterpretationClaudio Guillen, from Literature as System: Essays toward the Theory of Literary HistoryJonathan Culler, Toward a Theory of Non-Genre LiteratureMarthe Robert, from Origins of the Two: Novel as Displacement I: StructuralismWalter Benjamin, The StorytellerClaude Levi-Strauss, from Savage Mind, from Origi…

  • Keywords

    Michael Mckeon•REVIEW•Studies in Romanticism•1977•Cited by: 5

    Raymond Williams' seminal exploration of the history of meaning of some of the most important words in the English language. First published in 1976, and expanded in 1983, KEYWORDS reveals how the meanings of 131 words - including 'art', 'class', 'family', 'media', 'sex' and 'tradition' - were formed and subsequently altered and redefined as the historical contexts in which they were used changed. Neither a defining dictionary or glossary, KEYWOR…

  • The Origins of Interdisciplinary Studies

    Michael Mckeon•ARTICLE•Eighteenth-Century Studies•1994•Cited by: 4

    At heart of The Origins of English Novel1 lies this question: how can we conceive constitution of categories in full historicity of their emergence-as they amount neither to their prior determinations nor to their eventual selffulfillment? In confronting this question I found myself pursuing a method at once dialectical and interdisciplinary: attentive to modes of negative definition by which the slowly coalesced in terms of what contemporaries c…

  • The Seventeenth- and Eighteenth-Century Sexuality Hypothesis

    Michael Mckeon•ARTICLE•Signs: Journal of Women in…•2012•Cited by: 1•References: 4

    Until recently, we’ve thought of the modern sex/gender system and homosexual identity as sociointellectual developments of the later nineteenth century. Over the past three decades, however, evidence has accumulated suggesting that these categories coalesced much earlier—during the seventeenth and eighteenth centuries (the national reference group here is England). At the beginning of this period, the customary distinction understood male and fem…

  • Generic Transformation and Social Change

    Michael Mckeon•ARTICLE•Cultural Critique•1985•Cited by: 1

    conduct the study of this crucial literary phenomenon.' The phenomenon is crucial because it is modern. If the novel originated in early modem Europe, it should be possible to observe and describe its emergence within a historical context whose richness of detail has no parallel in earlier periods. But of course this is no coincidence: it is the rise of an unprecedented historical consciousness, and of its institutional affiliates, that has both …

  • Politics and Poetry in Restoration England

    Michael Mckeon•BOOK•Politics and Poetry in…•1975

  • Sabbatai Sevi in England

    Open Access•Michael Mckeon•ARTICLE•AJS Review The Journal of the…•1977

    Several years ago Gershom Scholem's authoritative work on the seventeenth century messianic figure Sabbatai Sevi, first published in Hebrew in 1957, appeared in a revised English translation. The importance of Scholem's work for an informed understanding of the Sabbatian movement and for the general study of religious and political movements must be acknowledged by all readers. The relevance of Sabbatai's career in the Levant to the specific hist…

  • Keywords

    Michael Mckeon•REVIEW•Studies in Romanticism•1977•Cited by: 5

    Raymond Williams' seminal exploration of the history of meaning of some of the most important words in the English language. First published in 1976, and expanded in 1983, KEYWORDS reveals how the meanings of 131 words - including 'art', 'class', 'family', 'media', 'sex' and 'tradition' - were formed and subsequently altered and redefined as the historical contexts in which they were used changed. Neither a defining dictionary or glossary, KEYWOR…

  • The “Marxism” of Claude Levi-Strauss

    Open Access•Michael Mckeon•ARTICLE•Dialectical Anthropology•1981

  • Generic Transformation and Social Change

    Michael Mckeon•ARTICLE•Cultural Critique•1985•Cited by: 1

    conduct the study of this crucial literary phenomenon.' The phenomenon is crucial because it is modern. If the novel originated in early modem Europe, it should be possible to observe and describe its emergence within a historical context whose richness of detail has no parallel in earlier periods. But of course this is no coincidence: it is the rise of an unprecedented historical consciousness, and of its institutional affiliates, that has both …

  • The Origins of the English Novel, 1600-1740

    Eric Rothstein, Michael Mckeon•ARTICLE•Eighteenth-Century Studies•1987

  • Realist Literary History

    William B Warner, Michael Mckeon•ARTICLE•diacritics•1989

  • A Defense of Dialectical Method in Literary History

    Michael Mckeon•ARTICLE•diacritics•1989

    ion as a way of overcoming split between form, content, and context in current approaches to genre theory). Warner's version of theory simply ignores weight of evidence I adduce to argue not only abstract continuity of questions of and virtue but also concrete discontinuity of their instantiations in different periods. Nor is simply a matter of obvious differences between forms-Greek romance, twelfth-century romance, novel-with which questions of…

  • "I Wonder Whether Poor Miss Sally Godfrey Be Living or Dead"

    Charlotte Sussman, Nancy Armstrong et al.•ARTICLE•diacritics•1990

  • The Origins of the English Novel, 1600-1740

    Brian McCrea, Michael Mckeon•ARTICLE•South Atlantic Review•1990

  • The Origins of Interdisciplinary Studies

    Michael Mckeon•ARTICLE•Eighteenth-Century Studies•1994•Cited by: 4

    At heart of The Origins of English Novel1 lies this question: how can we conceive constitution of categories in full historicity of their emergence-as they amount neither to their prior determinations nor to their eventual selffulfillment? In confronting this question I found myself pursuing a method at once dialectical and interdisciplinary: attentive to modes of negative definition by which the slowly coalesced in terms of what contemporaries c…

  • Theory of the Novel

    Michael Galchinsky, Cindy Ash et al.•ARTICLE•South Atlantic Review•2001•Cited by: 20

    Contents and Contributors: Part One: Genre TheoryNorthrop Frye, from Anatomy of Criticism: Four EssaysE. D. Hirsch, from Validity in InterpretationClaudio Guillen, from Literature as System: Essays toward the Theory of Literary HistoryJonathan Culler, Toward a Theory of Non-Genre LiteratureMarthe Robert, from Origins of the Two: Novel as Displacement I: StructuralismWalter Benjamin, The StorytellerClaude Levi-Strauss, from Savage Mind, from Origi…

  • The Secret History of Domesticity

    Michael Mckeon•BOOK•Secret History of Domesticity•2006

  • Mediation as Primal Word

    Michael Mckeon•CHAPTER•This Is Enlightenment•2010

    This chapter argues for the importance of “mediation” by highlighting its antithetical senses—“mediation” can connote both “connection/communication” as well as “intervene/ separate.” It presents a case history of mediation that details the intricate process by which the concept of the aesthetic emerged from an explicit project: the effort to transport the epistemological posture developed by natural philosophy—one based in empirical observation,…

  • Theory and Practice in Historical Method

    Open Access•Michael Mckeon•CHAPTER•Rethinking Historicism from…•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • What Was an Early Modern Public, and How Was It Made

    Open Access•Michael Mckeon•ARTICLE•History Compass•2012•References: 1

    One argument of The Secret History of Domesticity is that there were two early modern publics, one traditional and one innovative; that the new concept of the public began to emerge when the authority of the old public, until then a matter of tacit belief, was subjected to explicit and rational analysis; and that the rationality of the new public depended on the simultaneous rise of an entirely new concept, the private. This argument responds at …

  • The Seventeenth- and Eighteenth-Century Sexuality Hypothesis

    Michael Mckeon•ARTICLE•Signs: Journal of Women in…•2012•Cited by: 1•References: 4

    Until recently, we’ve thought of the modern sex/gender system and homosexual identity as sociointellectual developments of the later nineteenth century. Over the past three decades, however, evidence has accumulated suggesting that these categories coalesced much earlier—during the seventeenth and eighteenth centuries (the national reference group here is England). At the beginning of this period, the customary distinction understood male and fem…

  • Reading Swift

    Ann C Kelly, Ian Higgins et al.•BOOK•Reading Swift•2013

    Assembling thirty-five lectures delivered at the Sixth Münster Symposium on Jonathan Swift in June 2011, this new volume of Reading Swift testifies to an extraordinary spectrum of research interests in the Dean of St Patrick’s, Dublin, and his works. As in the successful earlier volumes, the essays have been grouped in eight sections: biographical aspects (W. B. Carnochan, John Irwin Fischer, Clive T. Probyn, Abigail Williams); bibliographical an…

  • Paradise Lost as a Secret History

    Open Access•Michael Mckeon•CHAPTER•Secret History in Literature,…•2017

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Paradise Lost , Poem of the Restoration Period

    Michael Mckeon•ARTICLE•Eighteenth-Century Life•2017

    John Milton's Paradise Lost (1667, 1674) is often classified as a Renaissance epic, along with the great narrative poems of Ariosto, Tasso, and Spenser. However, this generic designation tells us much less about the formal nature of the poem than we learn when we contextualize it among the long English narratives with which it was contemporary: Butler's Hudibras (1663, 1664, 1678), Bunyan's The Pilgrim's Progress (1678, 1684), Dryden's Absalom an…

Art (13 works) · History (10 works) · Philosophy (9 works) · Aesthetics (8 works) · Literature (8 works) · Sociology (8 works) · Law (6 works) · Epistemology (5 works) · Political science (5 works) · History (4 works)

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