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Sylvia Huot

Biographic Data

ID3682054
NAMESylvia Huot
GIVEN NAMESSylvia
FAMILY NAMEHuot
SIGNATUREHUOT S
AFFILIATIONSNorthern Illinois University
VERIFIEDNo
TOTAL WORKS30
TOTAL CITATIONS22
WORKS AS AUTHOR29
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2019
H-INDEX2
  • From Song to Book

    Open Access•Sylvia Huot•BOOK•From Song to Book•2019

    AC KNOWLEDGMENTS

  • From Song to Book

    Open Access•Sylvia Huot•BOOK•From Song to Book•2019•Cited by: 14

  • Others and alterity

    Open Access•Sylvia Huot•CHAPTER•The Cambridge Companion to…•2008

    Medieval French literature is replete with alien and exotic beings: magical creatures, such as fairies and werewolves; marvellous or savage beings, such as giants and wild men; and ethnically or culturally different humans, such as Saracens. While there might seem initially to be a great difference between ordinary humans of a different culture, and marvellous creatures of an entirely different order of being, in fact this difference is often eli…

  • Esthétique et pouvoir de l'œuvre allégorique à l'époque de Charles VI

    Sylvia Huot•ARTICLE•Speculum•2008

  • Cultural Performances in Medieval France

    Nancy Freeman Regalado, Eglal Doss-Quinby et al.•EDITOR•BOOK•Cultural Performances in Medieval…•2007

  • Love, Race, and Gender in Medieval Romance

    Sylvia Huot•ARTICLE•Journal of Medieval and Early…•2007•Cited by: 1

    Research Article| May 01 2007 Love, Race, and Gender in Medieval Romance: Lancelot and the Son of the Giantess Sylvia Huot Sylvia Huot Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2007) 37 (2): 373–391. https://doi.org/10.1215/10829636-2007-005 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sylvia Huot; Love, Race, and Gender in Medieval…

  • Machaut's Music

    Sylvia Huot•ARTICLE•Speculum•2006

  • The Bayeux Tapestry

    Sylvia Huot•ARTICLE•French Studies•2006•Cited by: 1

    Journal Article The Bayeux Tapestry: Embroidering the Facts of History — Proceedings of the Cerisy Colloquium (1990) Get access Sylvia Huot Sylvia Huot Pembroke College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 2, APRIL 2006, Page 261, https://doi.org/10.1093/fs/kni385 Published: 01 April 2006

  • Midsummer

    Sylvia Huot•ARTICLE•Speculum•2005

  • Songs of the Women "Trouvères" . Eglal Doss-Quinby , Joan Tasker Grimbert , Wendy Pfeffer , Elizabeth Aubrey

    Sylvia Huot•ARTICLE•Speculum•2003

  • Dangerous Embodiments

    Sylvia Huot•ARTICLE•Speculum•2003•References: 3

  • Reading Across Genres

    Sylvia Huot•ARTICLE•French Studies•2003•Cited by: 1

    In the Joli Buisson de Jonece , his last dit amoureux , Jean Froissart narrates a dream in which he was granted a final meeting with the lady of whom he wrote in his earlier Espinette amoureuse . Despite the high hopes raised by this meeting, the protagonist fails to integrate himself into the allegorical world of love; upon awakening, he renounces these youthful follies and composes a poem to the Virgin. The passage from erotic to spiritual love…

  • Unruly Bodies, Unspeakable Acts

    Sylvia Huot•ARTICLE•Exemplaria•2002

    (2002). Unruly Bodies, Unspeakable Acts: Pierre de Bearn, Camel de Camois, and Actaeon in the Writings of Jean Froissart. Exemplaria: Vol. 14, No. 1, pp. 79-98

  • Unruly Bodies, Unspeakable Acts

    Sylvia Huot•ARTICLE•Exemplaria•2002•Cited by: 1

  • Le dit de la panthère . Nicole de Margival

    Sylvia Huot•ARTICLE•Speculum•2002

  • Eustache Deschamps en son temps. Jean-Patrice Boudet , Hélène Millet

    Sylvia Huot•ARTICLE•Speculum•1999

  • The Roman de la Rose

    Sylvia Huot•ARTICLE•Speculum•1995

  • La Couleur de la Mélancolie

    Sylvia Huot•ARTICLE•Speculum•1995

  • Poets as Players

    Sylvia Huot•ARTICLE•Speculum•1993

  • Poems of Cupid, God of Love

    Sylvia Huot•ARTICLE•Speculum•1993

  • Le Testament Maistre Jehan de Meun

    Sylvia Huot•ARTICLE•Speculum•1992

  • The Daisy and the Laurel

    Sylvia Huot•ARTICLE•Yale French Studies•1991

    Sylvia Huot, The Daisy and the Laurel: Myths of Desire and Creativity in the Poetry of Jean Froissart, Yale French Studies, Special Issue: Contexts: Style and Values in Medieval Art and Literature (1991), pp. 240-251

  • Vilain and Courtois

    Sylvia Huot, Kathryn Gravdal•ARTICLE•South Atlantic Review•1990

  • Perceforest. Gilles Roussineau

    Sylvia Huot•ARTICLE•Speculum•1990

  • Le roman de la poire . Tibaut, Christiane Marchello-Nizia

    Sylvia Huot•ARTICLE•Speculum•1989

Next
  • From Song to Book

    Open Access•Sylvia Huot•BOOK•From Song to Book•2019•Cited by: 14

  • Ci parle l'aucteur

    Sylvia Huot•ARTICLE•SubStance•1988•Cited by: 2

    Rubrication is an essential part of the textual apparatus of a medieval manuscript book. Composed by copyists, rubrics serve an important function of mediation between the text and its readers: they may identify author and title, mark episodic divisions of narrative texts, or provide a moral commentary.' Insofar as the rubric addresses the reader directly, from outside the fictional world, it resembles a narrator's intervention; but since it is a…

  • Love, Race, and Gender in Medieval Romance

    Sylvia Huot•ARTICLE•Journal of Medieval and Early…•2007•Cited by: 1

    Research Article| May 01 2007 Love, Race, and Gender in Medieval Romance: Lancelot and the Son of the Giantess Sylvia Huot Sylvia Huot Search for other works by this author on: This Site Google Journal of Medieval and Early Modern Studies (2007) 37 (2): 373–391. https://doi.org/10.1215/10829636-2007-005 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sylvia Huot; Love, Race, and Gender in Medieval…

  • The Bayeux Tapestry

    Sylvia Huot•ARTICLE•French Studies•2006•Cited by: 1

    Journal Article The Bayeux Tapestry: Embroidering the Facts of History — Proceedings of the Cerisy Colloquium (1990) Get access Sylvia Huot Sylvia Huot Pembroke College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 2, APRIL 2006, Page 261, https://doi.org/10.1093/fs/kni385 Published: 01 April 2006

  • Reading Across Genres

    Sylvia Huot•ARTICLE•French Studies•2003•Cited by: 1

    In the Joli Buisson de Jonece , his last dit amoureux , Jean Froissart narrates a dream in which he was granted a final meeting with the lady of whom he wrote in his earlier Espinette amoureuse . Despite the high hopes raised by this meeting, the protagonist fails to integrate himself into the allegorical world of love; upon awakening, he renounces these youthful follies and composes a poem to the Virgin. The passage from erotic to spiritual love…

  • Unruly Bodies, Unspeakable Acts

    Sylvia Huot•ARTICLE•Exemplaria•2002•Cited by: 1

  • The Medusa Interpolation in the Romance of the Rose

    Sylvia Huot•ARTICLE•Speculum•1987•Cited by: 1

  • The Scribe as Editor

    Sylvia Huot•ARTICLE•L' esprit créateur/ L' Esprit…•1987•Cited by: 1•References: 1

  • The Medusa Interpolation in the Romance of the Rose

    Sylvia Huot•ARTICLE•Speculum•1987•Cited by: 1

  • The Scribe as Editor

    Sylvia Huot•ARTICLE•L' esprit créateur/ L' Esprit…•1987•Cited by: 1•References: 1

  • L'amour et la rose

    Sylvia Huot•ARTICLE•Speculum•1988

  • Ci parle l'aucteur

    Sylvia Huot•ARTICLE•SubStance•1988•Cited by: 2

    Rubrication is an essential part of the textual apparatus of a medieval manuscript book. Composed by copyists, rubrics serve an important function of mediation between the text and its readers: they may identify author and title, mark episodic divisions of narrative texts, or provide a moral commentary.' Insofar as the rubric addresses the reader directly, from outside the fictional world, it resembles a narrator's intervention; but since it is a…

  • Le roman de la poire . Tibaut, Christiane Marchello-Nizia

    Sylvia Huot•ARTICLE•Speculum•1989

  • Amorosa Visione

    Sylvia Huot, Giovanni Boccaccio et al.•ARTICLE•Italica•1989

  • Vilain and Courtois

    Sylvia Huot, Kathryn Gravdal•ARTICLE•South Atlantic Review•1990

  • Perceforest. Gilles Roussineau

    Sylvia Huot•ARTICLE•Speculum•1990

  • The Daisy and the Laurel

    Sylvia Huot•ARTICLE•Yale French Studies•1991

    Sylvia Huot, The Daisy and the Laurel: Myths of Desire and Creativity in the Poetry of Jean Froissart, Yale French Studies, Special Issue: Contexts: Style and Values in Medieval Art and Literature (1991), pp. 240-251

  • Le Testament Maistre Jehan de Meun

    Sylvia Huot•ARTICLE•Speculum•1992

  • Poets as Players

    Sylvia Huot•ARTICLE•Speculum•1993

  • Poems of Cupid, God of Love

    Sylvia Huot•ARTICLE•Speculum•1993

  • The Roman de la Rose

    Sylvia Huot•ARTICLE•Speculum•1995

  • La Couleur de la Mélancolie

    Sylvia Huot•ARTICLE•Speculum•1995

  • Eustache Deschamps en son temps. Jean-Patrice Boudet , Hélène Millet

    Sylvia Huot•ARTICLE•Speculum•1999

  • Unruly Bodies, Unspeakable Acts

    Sylvia Huot•ARTICLE•Exemplaria•2002

    (2002). Unruly Bodies, Unspeakable Acts: Pierre de Bearn, Camel de Camois, and Actaeon in the Writings of Jean Froissart. Exemplaria: Vol. 14, No. 1, pp. 79-98

  • Unruly Bodies, Unspeakable Acts

    Sylvia Huot•ARTICLE•Exemplaria•2002•Cited by: 1

  • Le dit de la panthère . Nicole de Margival

    Sylvia Huot•ARTICLE•Speculum•2002

  • Songs of the Women "Trouvères" . Eglal Doss-Quinby , Joan Tasker Grimbert , Wendy Pfeffer , Elizabeth Aubrey

    Sylvia Huot•ARTICLE•Speculum•2003

  • Dangerous Embodiments

    Sylvia Huot•ARTICLE•Speculum•2003•References: 3

  • Reading Across Genres

    Sylvia Huot•ARTICLE•French Studies•2003•Cited by: 1

    In the Joli Buisson de Jonece , his last dit amoureux , Jean Froissart narrates a dream in which he was granted a final meeting with the lady of whom he wrote in his earlier Espinette amoureuse . Despite the high hopes raised by this meeting, the protagonist fails to integrate himself into the allegorical world of love; upon awakening, he renounces these youthful follies and composes a poem to the Virgin. The passage from erotic to spiritual love…

  • Midsummer

    Sylvia Huot•ARTICLE•Speculum•2005

  • Machaut's Music

    Sylvia Huot•ARTICLE•Speculum•2006

  • The Bayeux Tapestry

    Sylvia Huot•ARTICLE•French Studies•2006•Cited by: 1

    Journal Article The Bayeux Tapestry: Embroidering the Facts of History — Proceedings of the Cerisy Colloquium (1990) Get access Sylvia Huot Sylvia Huot Pembroke College, Cambridge Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 2, APRIL 2006, Page 261, https://doi.org/10.1093/fs/kni385 Published: 01 April 2006

  • Cultural Performances in Medieval France

    Nancy Freeman Regalado, Eglal Doss-Quinby et al.•EDITOR•BOOK•Cultural Performances in Medieval…•2007

Art (27 works) · History (16 works) · Medieval Literature and History (15 works) · Art history (13 works) · History (13 works) · Humanities (12 works) · Medieval European Literature and History (12 works) · Literature (10 works) · Computer Science (9 works) · Philosophy (8 works)

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