Adrienne Janus
Biographic Data
| ID | 3682153 |
|---|---|
| NAME | Adrienne Janus |
| GIVEN NAMES | Adrienne |
| FAMILY NAME | Janus |
| SIGNATURE | JANUS A |
| AFFILIATIONS | Université de Tours |
| ORCID | 0009-0009-7393-0675 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Media Ecologies of the Modernist Scene
This paper investigates the networks of intercultural transmission connecting Edward Gordon Craig, W. B. Yeats, and Gabriele D’Annunzio in the decades before their meeting at the Volta conference of 1934, which aimed to explore the relationship between theatre and new media technologies, including cinema and radio. While Yeats shared Craig’s antagonism towards the allure of mechanical media, particularly cinema, D’Annunzio embraced these technolo…
Introduction
International audience
Murmur, Hum, Shout, Crash
The murmurs, hums, shouts, and crashes explored in this paper are not merely sound effects. They are fundamental material in the avant-garde attack on the traditional work of art as a distinct object of interpretation and exposition. They are thus instrumental in producing the experimental forms and temporalities of what Rosalind Krauss calls the ‘post-medium’ condition of late 20th century and early 21st century multi-media installation and vide…
Soundings
Water is perhaps the secret element...” Taking its inspiration from this line in Jean-Luc Nancy's The Muses (1996), this article presents a series of soundings that attempt to expose the secret element of water in Nancy's writing. These soundings do not aim to penetrate the depths of Nancy's thinking, or to suggest that Nancy is a hydrophilic philosopher for whom a watery thinking would redeem or critique the hydrophobia that is often seen to dom…
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Soundings
Water is perhaps the secret element...” Taking its inspiration from this line in Jean-Luc Nancy's The Muses (1996), this article presents a series of soundings that attempt to expose the secret element of water in Nancy's writing. These soundings do not aim to penetrate the depths of Nancy's thinking, or to suggest that Nancy is a hydrophilic philosopher for whom a watery thinking would redeem or critique the hydrophobia that is often seen to dom…
Murmur, Hum, Shout, Crash
The murmurs, hums, shouts, and crashes explored in this paper are not merely sound effects. They are fundamental material in the avant-garde attack on the traditional work of art as a distinct object of interpretation and exposition. They are thus instrumental in producing the experimental forms and temporalities of what Rosalind Krauss calls the ‘post-medium’ condition of late 20th century and early 21st century multi-media installation and vide…
Introduction
International audience
Media Ecologies of the Modernist Scene
This paper investigates the networks of intercultural transmission connecting Edward Gordon Craig, W. B. Yeats, and Gabriele D’Annunzio in the decades before their meeting at the Volta conference of 1934, which aimed to explore the relationship between theatre and new media technologies, including cinema and radio. While Yeats shared Craig’s antagonism towards the allure of mechanical media, particularly cinema, D’Annunzio embraced these technolo…
Art (3 works) · Samuel Beckett and Modernism (3 works) · Aesthetics (2 works) · Art history (2 works) · Literature (2 works) · Philosophy (2 works) · Visual arts (2 works) · Element (criminal law (1 works) · Embodied cognition (1 works) · French Literature and Criticism (1 works)