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Madeline Sutherland

Biographic Data

ID3682202
NAMEMadeline Sutherland
GIVEN NAMESMadeline
FAMILY NAMESutherland
SIGNATURESUTHERLAND M
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2011
H-INDEX0
  • The Death of the Duke of Gandía: Historical Memory and Invention in a Judeo-Spanish Ballad

    Madeline Sutherland•ARTICLE•Bulletin of Spanish Studies•2011

    La muerte del duque de Gandía is a late romance noticiero , which recounts events surrounding the assassination of Juan Borja (Giovanni Borgia) in Rome in 1497. During the sixteenth century, this romance appeared in printed ballad collections and circulated in chapbooks. Eventually, it became part of the Judeo-Spanish oral tradition, in which it is called El pexkador . Between 1890 and 1973, numerous versions were collected in Sephardic communiti…

  • "Mimetic Desire, Violence and Sacrifice in the "Celestina

    Madeline Sutherland•ARTICLE•Hispania•2003

    This essay is an application of Ren? Girard's critical models to the Celestina, specifically, the concept of or triangular desire and the model of violence and sacrifice. According to Girard, violence results from of difference, and sacrifice must take place to restore the lost order. In Rojas's text, Celestina, the mediator of desire, de stroys by destroying the existing structures of kinship and class. In their place, she sets up a new family o…

  • The Captive's Tale Retold: High Culture and Mass Culture in Eighteenth-Century Spain

    Madeline Sutherland•ARTICLE•Hispania•1992

    'ITe eighteenth century was a time of wide plazas of Spanish cities and towns. Hence the social divisions in all of Europe. Spain was no genre's somewhat unusual name. Blindman's different. In spite of their efforts to promote ballads were cheap literature, easily afforded by reform, the Spanish ilustrados remained irnepathe popular urban classes that made up most of rably separated from the largely rural, illiterate their audience. Their subject…

  • Leo Spitzer, Representative Essays

    Maria Rosa Menocal, Alban K Forcione et al.•ARTICLE•Hispanic Review•1991

  • Representative Essays

    Donald W Bleznick, Leo Spitzer et al.•ARTICLE•Hispania•1990

  • Catalogo general del romancero pan-hispanico

    Madeline Sutherland, Diego Catalán•ARTICLE•Hispanic Review•1987

No prominent works on this page.

  • Catalogo general del romancero pan-hispanico

    Madeline Sutherland, Diego Catalán•ARTICLE•Hispanic Review•1987

  • Representative Essays

    Donald W Bleznick, Leo Spitzer et al.•ARTICLE•Hispania•1990

  • Leo Spitzer, Representative Essays

    Maria Rosa Menocal, Alban K Forcione et al.•ARTICLE•Hispanic Review•1991

  • The Captive's Tale Retold: High Culture and Mass Culture in Eighteenth-Century Spain

    Madeline Sutherland•ARTICLE•Hispania•1992

    'ITe eighteenth century was a time of wide plazas of Spanish cities and towns. Hence the social divisions in all of Europe. Spain was no genre's somewhat unusual name. Blindman's different. In spite of their efforts to promote ballads were cheap literature, easily afforded by reform, the Spanish ilustrados remained irnepathe popular urban classes that made up most of rably separated from the largely rural, illiterate their audience. Their subject…

  • "Mimetic Desire, Violence and Sacrifice in the "Celestina

    Madeline Sutherland•ARTICLE•Hispania•2003

    This essay is an application of Ren? Girard's critical models to the Celestina, specifically, the concept of or triangular desire and the model of violence and sacrifice. According to Girard, violence results from of difference, and sacrifice must take place to restore the lost order. In Rojas's text, Celestina, the mediator of desire, de stroys by destroying the existing structures of kinship and class. In their place, she sets up a new family o…

  • The Death of the Duke of Gandía: Historical Memory and Invention in a Judeo-Spanish Ballad

    Madeline Sutherland•ARTICLE•Bulletin of Spanish Studies•2011

    La muerte del duque de Gandía is a late romance noticiero , which recounts events surrounding the assassination of Juan Borja (Giovanni Borgia) in Rome in 1497. During the sixteenth century, this romance appeared in printed ballad collections and circulated in chapbooks. Eventually, it became part of the Judeo-Spanish oral tradition, in which it is called El pexkador . Between 1890 and 1973, numerous versions were collected in Sephardic communiti…

Art (5 works) · History (3 works) · Literature (3 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Ballad (1 works) · Broadside (1 works) · Classics (1 works)

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