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Sandy Baldwin

Biographic Data

ID3683590
NAMESandy Baldwin
GIVEN NAMESSandy
FAMILY NAMEBaldwin
SIGNATUREBALDWIN S
AFFILIATIONSUniversité Laval
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2017
H-INDEX0
  • “How to Pronounce Meme.” Three YouTube Channels

    Open Access•Sandy Baldwin•ARTICLE•Humanities•2017

    Internet anomalies produce data and images beyond any authorship or source. They seem to compute and display the depths and potentials of the net “as such.” Explanations and theories surround and attempt to account for anomalies, from ARGs to NSA recruiting tools. Examining three such anomalous YouTube channels, this essay does not propose a solution but rather maintains the anomalous as the constituent aesthetic and community of the net

  • Beckett Spams Counter-Strike

    Open Access•Sandy Baldwin, Yvonne Hammond et al.•ARTICLE•Sens public•2016

    Ce qui suit décrit une « intervention » dans le jeu Counter-Strike : Global Offensive, intitulée Beckett Spams Counter-Strike - par « intervention », nous entendons une forme de performance artistique et d’action politique qui entre et occupe, ou « intervient » dans un environnement, une institution déjà existante, un espace ordonné. La description est interrompue ou fragmentée par des remarques « signées » des « joueurs » – les acteurs, les « ga…

  • A Poem Is a Machine to Think With

    Open Access•Sandy Baldwin•ARTICLE•Postmodern Culture•2003

  • Information Ages

    Sandy Baldwin•ARTICLE•Configurations•2003

    There are already several excellent histories of informatics, a term covering the disciplinary matrix of theories, technologies, and cultural relations of information. Despite the chronology implied in their titles, Michael E. Hobart and Zachary S. Schiff's Information Ages and N. Katherine Hayles's How We Became Posthuman are not histories of this sort, or not simply so. The fascination and success of both these books, to a greater or lesser deg…

  • Purple Dotted Underlines

    Sandy Baldwin•ARTICLE•Afterimage•2002

    Essay| August 01 2002 Purple Dotted Underlines: Microsoft Word and the End of Writing Sandy Baldwin Sandy Baldwin Sandy Baldwinis Assistant Professor of English and Coordinator of the Center for Literary Computing at West Virginia University. He runs Windows 2000, Office XP and Word Version 10.0.2627. He has written on such topics as the mnemotechnics of interfaces, the cultural implications of nanotechnology, the aesthetics of speed, and crash t…

  • On Speed and Ecstasy

    Sandy Baldwin•ARTICLE•Configurations•2002

    October 15, 1964. A year later, Craig Breedlove will set the world land speed record at 600 mph on the Bonneville Salt Flats of Utah, driving a metal shell with a B-47 bomber engine strapped to its backside, but on this day he loses control at 400 mph, shears off a few telephone poles, sails airborne and upside down, and lands in a pond. I am less interested in the crash than in the resulting narrative. According to filmmaker Hollis Frampton, an …

  • Mass Times Acceleration

    Anselm Haverkamp, Anthony Reynolds et al.•TRANSLATOR•ARTICLE•Qui Parle•2000

    Research Article| June 01 2000 Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic Anselm Haverkamp Anselm Haverkamp Search for other works by this author on: This Site Google Qui Parle (2000) 12 (1): 127–143. https://doi.org/10.1215/quiparle.12.1.127 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Anselm Haverkamp; Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic. Qui Parle 1 June…

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  • Mass Times Acceleration

    Anselm Haverkamp, Anthony Reynolds et al.•TRANSLATOR•ARTICLE•Qui Parle•2000

    Research Article| June 01 2000 Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic Anselm Haverkamp Anselm Haverkamp Search for other works by this author on: This Site Google Qui Parle (2000) 12 (1): 127–143. https://doi.org/10.1215/quiparle.12.1.127 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Anselm Haverkamp; Mass Times Acceleration: Rhetoric as the Meta-Physics of the Aesthetic. Qui Parle 1 June…

  • Purple Dotted Underlines

    Sandy Baldwin•ARTICLE•Afterimage•2002

    Essay| August 01 2002 Purple Dotted Underlines: Microsoft Word and the End of Writing Sandy Baldwin Sandy Baldwin Sandy Baldwinis Assistant Professor of English and Coordinator of the Center for Literary Computing at West Virginia University. He runs Windows 2000, Office XP and Word Version 10.0.2627. He has written on such topics as the mnemotechnics of interfaces, the cultural implications of nanotechnology, the aesthetics of speed, and crash t…

  • On Speed and Ecstasy

    Sandy Baldwin•ARTICLE•Configurations•2002

    October 15, 1964. A year later, Craig Breedlove will set the world land speed record at 600 mph on the Bonneville Salt Flats of Utah, driving a metal shell with a B-47 bomber engine strapped to its backside, but on this day he loses control at 400 mph, shears off a few telephone poles, sails airborne and upside down, and lands in a pond. I am less interested in the crash than in the resulting narrative. According to filmmaker Hollis Frampton, an …

  • A Poem Is a Machine to Think With

    Open Access•Sandy Baldwin•ARTICLE•Postmodern Culture•2003

  • Information Ages

    Sandy Baldwin•ARTICLE•Configurations•2003

    There are already several excellent histories of informatics, a term covering the disciplinary matrix of theories, technologies, and cultural relations of information. Despite the chronology implied in their titles, Michael E. Hobart and Zachary S. Schiff's Information Ages and N. Katherine Hayles's How We Became Posthuman are not histories of this sort, or not simply so. The fascination and success of both these books, to a greater or lesser deg…

  • Beckett Spams Counter-Strike

    Open Access•Sandy Baldwin, Yvonne Hammond et al.•ARTICLE•Sens public•2016

    Ce qui suit décrit une « intervention » dans le jeu Counter-Strike : Global Offensive, intitulée Beckett Spams Counter-Strike - par « intervention », nous entendons une forme de performance artistique et d’action politique qui entre et occupe, ou « intervient » dans un environnement, une institution déjà existante, un espace ordonné. La description est interrompue ou fragmentée par des remarques « signées » des « joueurs » – les acteurs, les « ga…

  • “How to Pronounce Meme.” Three YouTube Channels

    Open Access•Sandy Baldwin•ARTICLE•Humanities•2017

    Internet anomalies produce data and images beyond any authorship or source. They seem to compute and display the depths and potentials of the net “as such.” Explanations and theories surround and attempt to account for anomalies, from ARGs to NSA recruiting tools. Examining three such anomalous YouTube channels, this essay does not propose a solution but rather maintains the anomalous as the constituent aesthetic and community of the net

Art (4 works) · Computer Science (4 works) · Philosophy (3 works) · World Wide Web (3 works) · Aesthetics (2 works) · Citation (2 works) · Digital Humanities and Scholarship (2 works) · Digital Media and Philosophy (2 works) · Download (2 works) · Icon (2 works)

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