Zach Pearl
Biographic Data
| ID | 3683718 |
|---|---|
| NAME | Zach Pearl |
| GIVEN NAMES | Zach |
| FAMILY NAME | Pearl |
| SIGNATURE | PEARL Z |
| AFFILIATIONS | University of Waterloo |
| ORCID | 0009-0001-3164-9211 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Feminist Digital Ecology
This paper examines the ways authors of fictocriticism-a hybrid form of writing that blurs literature and literary-critical commentary- reenvision the affordances of digital media and the rise of networked technologies in feminist materialist terms. I consider the crucial role of mimesis in fictocriticism to foster "becoming similar with" one's environment, including its media, and how fictocritical mimesis can serve as a feminist tool for space-…
Brandon is a Network Not a Name
The cyberfeminist art practice of Shu Lea Cheang evinces a particular relation of generative complicity with the art object—what Canadian cultural theorist Jeanne Randolph referred to as 'the amenable object' (1983). Randolph, who pioneered 'ficto-criticism'—a method of writing that intentionally blurs theory, poetics and narrative—wrote of the amenable object as an incomplete creation whose 'ambiguous elements' allow the viewer to make 'subjecti…
No prominent works on this page.
Brandon is a Network Not a Name
The cyberfeminist art practice of Shu Lea Cheang evinces a particular relation of generative complicity with the art object—what Canadian cultural theorist Jeanne Randolph referred to as 'the amenable object' (1983). Randolph, who pioneered 'ficto-criticism'—a method of writing that intentionally blurs theory, poetics and narrative—wrote of the amenable object as an incomplete creation whose 'ambiguous elements' allow the viewer to make 'subjecti…
Feminist Digital Ecology
This paper examines the ways authors of fictocriticism-a hybrid form of writing that blurs literature and literary-critical commentary- reenvision the affordances of digital media and the rise of networked technologies in feminist materialist terms. I consider the crucial role of mimesis in fictocriticism to foster "becoming similar with" one's environment, including its media, and how fictocritical mimesis can serve as a feminist tool for space-…
Aesthetics (2 works) · Art (2 works) · Digital Games and Media (2 works) · Epistemology (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works) · Affordance (1 work) · Artistic and Creative Research (1 work) · Biology (1 work)