Susan Weiner
Biographic Data
| ID | 3684669 |
|---|---|
| NAME | Susan Weiner |
| GIVEN NAMES | Susan |
| FAMILY NAME | Weiner |
| SIGNATURE | WEINER S |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 2 |
Cinephilia in Postwar France
Cet article revient sur l'emergence dans la France de l'apres guerre de la consommation cinematographique. Les AA. se penchent sur l'epanouissement du cinema francais et des facteurs socioculturels qui ont favorise des generations de cinephiles
Terre a Terre
L'A. se penche sur les relations entre les Etats-Unis et la France et plus particulierement sur l'etrange impermeabilite entre les deux cultures. Elle prend des exemples de Tocqueville, Aron et Baudrillard et demontre comment chacun de ces theoriciens arrive au meme paradigme : les Francais pronent la theorie et l'intellect tandis que les Americains sont pragmatiques et concrets
The 1980s
Two Modernities
Beginning with its first issue of 1945, Elle magazine was instrumental in changing the way the French saw female domesticity in the postwar period, infusing the domestic space with an aura of glamour and modernity. Newly glamorous female domesticity went hand-in-hand with images of women as voters and professionals, communicating to the magazine's readers that they could ‘have it all’ – but never to the exclusion of their primary identity as moth…
“Bartleby”
Melville at the Movies
"Benito Cereno" and the Failure of Law
Arizona Quarterly: A Journal of American Literature, Culture, and Theory - Volume 47, Number 2, Summer 1991
The role of conversational passing moves in the management of topical transitions∗
Two Modernities
Beginning with its first issue of 1945, Elle magazine was instrumental in changing the way the French saw female domesticity in the postwar period, infusing the domestic space with an aura of glamour and modernity. Newly glamorous female domesticity went hand-in-hand with images of women as voters and professionals, communicating to the magazine's readers that they could ‘have it all’ – but never to the exclusion of their primary identity as moth…
The role of conversational passing moves in the management of topical transitions∗
The role of conversational passing moves in the management of topical transitions∗
"Benito Cereno" and the Failure of Law
Arizona Quarterly: A Journal of American Literature, Culture, and Theory - Volume 47, Number 2, Summer 1991
Melville at the Movies
“Bartleby”
Two Modernities
Beginning with its first issue of 1945, Elle magazine was instrumental in changing the way the French saw female domesticity in the postwar period, infusing the domestic space with an aura of glamour and modernity. Newly glamorous female domesticity went hand-in-hand with images of women as voters and professionals, communicating to the magazine's readers that they could ‘have it all’ – but never to the exclusion of their primary identity as moth…
The 1980s
Terre a Terre
L'A. se penche sur les relations entre les Etats-Unis et la France et plus particulierement sur l'etrange impermeabilite entre les deux cultures. Elle prend des exemples de Tocqueville, Aron et Baudrillard et demontre comment chacun de ces theoriciens arrive au meme paradigme : les Francais pronent la theorie et l'intellect tandis que les Americains sont pragmatiques et concrets
Cinephilia in Postwar France
Cet article revient sur l'emergence dans la France de l'apres guerre de la consommation cinematographique. Les AA. se penchent sur l'epanouissement du cinema francais et des facteurs socioculturels qui ont favorise des generations de cinephiles
Art (5 works) · Art history (4 works) · Computer Science (3 works) · History (3 works) · Political science (3 works) · Citation (2 works) · French Historical and Cultural Studies (2 works) · Law (2 works) · Library science (2 works) · Philosophy (2 works)