Bénédicte Coste
Biographic Data
| ID | 3684674 |
|---|---|
| NAME | Bénédicte Coste |
| GIVEN NAMES | Bénédicte |
| FAMILY NAME | Coste |
| SIGNATURE | COSTE B |
| AFFILIATIONS | Université de Bourgogne |
| ORCID | 0000-0001-6455-2208 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Periodicals and Translation
In a landmark article, Linda K. Hughes deplored the choice of the Wellesley Index to British Periodicals’ editors to exclude poetry for its unfortunate consequences on scholars’ apprehension of the reception of Victorian poetry. Arguably, poets published in periodicals by choice, strategy, and periodicals published poetry out of editorial and aesthetic interests. Houghton’s choice obscured the presence of poetry in many organs, inflecting the stu…
Those Forgotten Reviews
Oxford University Press’ The Complete Works of Oscar Wilde (2000-) and The Collected Works of Walter Pater (2019-), are the result of a series of personal and editorial engagements spanning two centuries.From Walter Pater's Essays from ‘The Guardian’, which appeared in a private edition in 1897, to the two volumes of his journalism announced for 2023, including the two volumes of Oscar Wilde's journalistic writings published in 2013, publishers h…
T. H. Huxley, Reluctant Autobiographer
Although the Victorians were fascinated by autobiographies, not all indulged in the genre or allowed their autobiographical writings to be published in their lifetime. For some, self-writing had to be oblique; the exercise proved difficult for others. Thomas Huxley began his autobiography as Louis Engel pressured him and as he was simultaneously labelled an ‘infidel’ by Anglican churchmen. In his responses, Huxley adopted an apologetic tone for h…
Un poète français? Swinburne en France, Swinburne et la France
This article discusses the presence of Algernon Charles Swinburne in French print culture between 1867 and the 1900s. In a time of substantial literary exchanges between French and Britain, Swinburne published poems written in French in Parnassian French magazines, while his reviews of Victor Hugo’s and Auguste Vacquerie’s collections of poems were immediately debated and translated into French. From the early 1870s both the republican press and …
La croyance dans le fumoir
Le récit de Wilde « The Portrait of Mr. W.H. » brouille les genres littéraires, affirme l’importance du faux et se joue des attentes du lecteur, au point d’avoir suscité une substantielle exégèse, à laquelle il manque peut-être un ancrage dans les débats sur la croyance traversant les années 1870-1880. Wilde prend part au débat à travers un texte au statut incertain et à l’histoire éditoriale complexe, en opposant l’assentiment newmanien à l’éthi…
Françoise Baillet, Visions et divisions. Discours culturels de Punch et ordre social victorien (1850-1880)
Une nouvelle monographie consacrée à l’hebdomadaire satirique Punch (1841-2002) est-elle nécessaire, après celles de Richard Altick (1997) et de Patrick Leary (2010), voire après la thèse de l’autrice naguère consacrée à la « critique paradoxale » que George du Maurier fait des Esthètes (2002) ? Créé par les journalistes Mark Lemon et Henry Mayhew, le graveur Ebenezer Landells et l’imprimeur Joseph Last, racheté dès 1842 par les imprimeurs Bradbu…
France
Fin-de-siècle French decadence is one expression of the partial autonomy from political power in literature and the arts, both of which established their own frames of reference and legitimation. This article retraces the history of decadence in France in the 1880s. Envisaging decadence as both an infamous appellation and a literary movement embedded within a specific ecosystem of little magazines, it presents canonical works such as Huysmans’s À…
Evanghélia Stead et Hélène Védrine (dir.), L’Europe des revues II (1860-1930)
That solid 985-page volume devoted to a wide range of magazines published in Europe between 1860 and 1930 testifies to the growing interest in periodical studies among European scholars. One of several outcomes of a seminar regularly held since 2004 at the ENS in Paris by Evanghélia Stead, and more especially of the sessions of the last 6 years, along with some commissioned articles in the last two sections, it is a follow-up to a first 2008 volu…
Alesia de Biase, Albert Levy, et Maria Castrillo Romon, Patrick Geddes en héritage, Espace et sociétés, n° 167, 2016
Consacré à l’activité urbanistique de Patrick Geddes (1854-1932), ce numéro d’Espaces et sociétés, sous la direction d’Alessia de Biase, d’Albert Levy et de Maria Castrillo Romon, propose d’évaluer sa réception et son héritage à travers cinq articles, accompagnés d’un compte rendu substantiel de publications récentes. Traitant de l’apport de concepts geddesiens chez Lewis Mumford et Benton MacKaye, et chez l’architecte John F. C. Turner, des méth…
La prairie fraternelle dont je suis avec vous l'herbe multicolore
La recente visibilisation de Claude Cahun liee a la mediatisation de ses photographies tend a minorer son activite d'ecrivain moderniste et de resistante durant la seconde guerre mondiale. Cet article examine ses tracts de guerre rediges avec sa compagne Suzanne Malherbe, alias Marcel Moore, afin de montrer comment ils poursuivent sa pratique anterieure aux marges de la publicisation une ethique du retrait subjectif. Le soldat sans nom derriere l…
Que Ta Main Droite Ignore Ce Que Donne Ta Main Gauche
International audience
Que Ta Main Droite Ignore Ce Que Donne Ta Main Gauche
International audience
Que Ta Main Droite Ignore Ce Que Donne Ta Main Gauche
International audience
La prairie fraternelle dont je suis avec vous l'herbe multicolore
La recente visibilisation de Claude Cahun liee a la mediatisation de ses photographies tend a minorer son activite d'ecrivain moderniste et de resistante durant la seconde guerre mondiale. Cet article examine ses tracts de guerre rediges avec sa compagne Suzanne Malherbe, alias Marcel Moore, afin de montrer comment ils poursuivent sa pratique anterieure aux marges de la publicisation une ethique du retrait subjectif. Le soldat sans nom derriere l…
Alesia de Biase, Albert Levy, et Maria Castrillo Romon, Patrick Geddes en héritage, Espace et sociétés, n° 167, 2016
Consacré à l’activité urbanistique de Patrick Geddes (1854-1932), ce numéro d’Espaces et sociétés, sous la direction d’Alessia de Biase, d’Albert Levy et de Maria Castrillo Romon, propose d’évaluer sa réception et son héritage à travers cinq articles, accompagnés d’un compte rendu substantiel de publications récentes. Traitant de l’apport de concepts geddesiens chez Lewis Mumford et Benton MacKaye, et chez l’architecte John F. C. Turner, des méth…
Evanghélia Stead et Hélène Védrine (dir.), L’Europe des revues II (1860-1930)
That solid 985-page volume devoted to a wide range of magazines published in Europe between 1860 and 1930 testifies to the growing interest in periodical studies among European scholars. One of several outcomes of a seminar regularly held since 2004 at the ENS in Paris by Evanghélia Stead, and more especially of the sessions of the last 6 years, along with some commissioned articles in the last two sections, it is a follow-up to a first 2008 volu…
France
Fin-de-siècle French decadence is one expression of the partial autonomy from political power in literature and the arts, both of which established their own frames of reference and legitimation. This article retraces the history of decadence in France in the 1880s. Envisaging decadence as both an infamous appellation and a literary movement embedded within a specific ecosystem of little magazines, it presents canonical works such as Huysmans’s À…
Françoise Baillet, Visions et divisions. Discours culturels de Punch et ordre social victorien (1850-1880)
Une nouvelle monographie consacrée à l’hebdomadaire satirique Punch (1841-2002) est-elle nécessaire, après celles de Richard Altick (1997) et de Patrick Leary (2010), voire après la thèse de l’autrice naguère consacrée à la « critique paradoxale » que George du Maurier fait des Esthètes (2002) ? Créé par les journalistes Mark Lemon et Henry Mayhew, le graveur Ebenezer Landells et l’imprimeur Joseph Last, racheté dès 1842 par les imprimeurs Bradbu…
Those Forgotten Reviews
Oxford University Press’ The Complete Works of Oscar Wilde (2000-) and The Collected Works of Walter Pater (2019-), are the result of a series of personal and editorial engagements spanning two centuries.From Walter Pater's Essays from ‘The Guardian’, which appeared in a private edition in 1897, to the two volumes of his journalism announced for 2023, including the two volumes of Oscar Wilde's journalistic writings published in 2013, publishers h…
T. H. Huxley, Reluctant Autobiographer
Although the Victorians were fascinated by autobiographies, not all indulged in the genre or allowed their autobiographical writings to be published in their lifetime. For some, self-writing had to be oblique; the exercise proved difficult for others. Thomas Huxley began his autobiography as Louis Engel pressured him and as he was simultaneously labelled an ‘infidel’ by Anglican churchmen. In his responses, Huxley adopted an apologetic tone for h…
Un poète français? Swinburne en France, Swinburne et la France
This article discusses the presence of Algernon Charles Swinburne in French print culture between 1867 and the 1900s. In a time of substantial literary exchanges between French and Britain, Swinburne published poems written in French in Parnassian French magazines, while his reviews of Victor Hugo’s and Auguste Vacquerie’s collections of poems were immediately debated and translated into French. From the early 1870s both the republican press and …
La croyance dans le fumoir
Le récit de Wilde « The Portrait of Mr. W.H. » brouille les genres littéraires, affirme l’importance du faux et se joue des attentes du lecteur, au point d’avoir suscité une substantielle exégèse, à laquelle il manque peut-être un ancrage dans les débats sur la croyance traversant les années 1870-1880. Wilde prend part au débat à travers un texte au statut incertain et à l’histoire éditoriale complexe, en opposant l’assentiment newmanien à l’éthi…
Periodicals and Translation
In a landmark article, Linda K. Hughes deplored the choice of the Wellesley Index to British Periodicals’ editors to exclude poetry for its unfortunate consequences on scholars’ apprehension of the reception of Victorian poetry. Arguably, poets published in periodicals by choice, strategy, and periodicals published poetry out of editorial and aesthetic interests. Houghton’s choice obscured the presence of poetry in many organs, inflecting the stu…
Art (8 works) · Humanities (7 works) · Philosophy (5 works) · Art history (3 works) · Historical Studies and Socio-cultural Analysis (3 works) · Literature and Culture Studies (3 works) · Political science (3 works) · Sociology (3 works) · History (2 works) · Law (2 works)