James S Williams
Biographic Data
| ID | 3684733 |
|---|---|
| NAME | James S Williams |
| GIVEN NAMES | James S |
| FAMILY NAME | Williams |
| SIGNATURE | WILLIAMS J S |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty
Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideologi…
May 68: Rethinking France's Last Revolution
The events of 1968 are often seen purely as a student revolution, but impacted on every aspect of French society – theatre, film, sexuality, race, the countryside, the factories. This volume explores
Jean Cocteau
Revisioning Duras: Film, Race, Sex
Part 1: Film 1. An Art of Fugue? The Polyphonic Cinema of Marguerite Duras Wendy Everett 2. Screening the Vampire: Notes on India Song and the Photographic Images of La mer ecrite Gill Houghton 3. Hijacking the Hunter: Duras's 'La nuit du chasseur' Catherine Rodgers 4. Excitable Silence: the Violence of Non-violence in Nathalie Granger Owen Heathcote Part II: Race 5. Durasie: Women, Natives, and Other Marie-Paule Ha 6. Imaginary White Female: Myt…
The Erotics of Passage
No prominent works on this page.
The Erotics of Passage
Revisioning Duras: Film, Race, Sex
Part 1: Film 1. An Art of Fugue? The Polyphonic Cinema of Marguerite Duras Wendy Everett 2. Screening the Vampire: Notes on India Song and the Photographic Images of La mer ecrite Gill Houghton 3. Hijacking the Hunter: Duras's 'La nuit du chasseur' Catherine Rodgers 4. Excitable Silence: the Violence of Non-violence in Nathalie Granger Owen Heathcote Part II: Race 5. Durasie: Women, Natives, and Other Marie-Paule Ha 6. Imaginary White Female: Myt…
Jean Cocteau
May 68: Rethinking France's Last Revolution
The events of 1968 are often seen purely as a student revolution, but impacted on every aspect of French society – theatre, film, sexuality, race, the countryside, the factories. This volume explores
Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty
Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideologi…
Aesthetics (2 works) · African history and culture studies (2 works) · Art (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · 1889-1963 (1 works) · 20th century (1 works) · Aesthetics (1 works) · Africa (1 works)