Mary Harrod
Biographic Data
| ID | 3684771 |
|---|---|
| NAME | Mary Harrod |
| GIVEN NAMES | Mary |
| FAMILY NAME | Harrod |
| SIGNATURE | HARROD M |
| AFFILIATIONS | University of Warwick |
| ORCID | 0000-0001-7962-0074 |
| VERIFIED | Yes |
| TOTAL WORKS | 28 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 26 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Kathryn Robson , Beyond the Happy Ending
This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0/ .
Health, Social and Recidivism Outcomes Among People Who Have Been Incarcerated in New South Wales, Australia
Factors Associated With Adult Incarceration Among People With Opioid Use Disorder in New South Wales, Australia
Factors Associated With Opioid Agonist Treatment Engagement and Harm Reduction Service Use
A peer-delivered mobile model to enhance access to hepatitis C point-of-care testing and treatment
Heightened genre and women’s filmmaking in hollywood
This video essay explores Kathryn Bigelow’s 2017 film Detroit from the perspective of heightened genericity. While the film is overtly docudramatic, the essay explores the various fictional genres which it tends not merely to deploy but rather to explicitly cite, with varying degrees of self-awareness. It argues that embracing artificial storytelling offers an ideal means to stage the film’s central concern with how highly constructed narratives …
Co-design of the Australian Prompt Response Network for a public-health focused intersectoral approach to information sharing on emerging drugs of concern
The rapid emergence of new psychoactive substances (NPS) and other emerging drugs of concern presents a significant global public health challenge, necessitating agile and interconnected drug information systems to identify and communicate risks. In Australia, responses have traditionally been localized, lacking a nationally coordinated system to rapidly share information about emerging drug threats. The National Center for Clinical Research on E…
Patient preferences for simplified hepatitis C testing modalities among people at risk of hepatitis C infection in Australia
Findings highlight the importance of offering rapid, staff-assisted HCV testing to improve uptake among at-risk populations
Experiences of stigma and subsequent reduced access to health care among women who inject drugs
Is it French? Popular Postnational Screen Fiction from France
An Industry Perspective on Dix pour cent and Ten Percent
This chapter comprises the transcript of an interview with Harold Valentin, producer of Dix pour cent (Mother Production), and Christian Baute, producer of its British remake, Ten Percent (Headline Pictures), that took place on Saturday 11 September 2021 as part of the bilingual online workshop ‘Global Gallicisms II: Circulating Frenchness Through Mainstream Film and Television’ (10–11 September 2021). Topics covered include the reasons for the s…
Single-visit hepatitis C point-of-care testing, linkage to nursing care, and peer-supported treatment among people with recent injecting drug use at a peer-led needle and syringe program
Point-of-care HCV RNA testing, linkage to nursing, and peer-supported engagement/delivery led to high HCV treatment uptake (majority single-visit) among people with recent injecting drug use attending a peer-led NSP. The lower proportion of people with SVR highlights the need for further interventions to support treatment completion
The “Selfish” Mothers of Contemporary French Screen Comedy
This article explores a salient trend for “selfish” behaviours featuring in comic depictions of motherhood and the female actors who embody it in French cinema and secondarily television in the late 2010s. I identify tensions between various postfeminist ideals and the self-sacrifice and morally exemplary behaviour associated with contemporary parenting norms, including as coloured by US influence, which combines in an exigent admixture with trad…
The Overdose Response with Take Home Naloxone ( ORTHN ) project
Barriers to help‐seeking among music festival attendees in New South Wales, Australia
Correlates of higher‐risk drug‐related behaviours at music festivals in New South Wales, Australia
Nostalgia, Melancholy, Trauma
This article draws on Diane Negra’s (2009) assessment of neo-global postfeminist popular culture and cinema as displaying an obsession with time-control that is largely inimical to feminist progress, arguing that similar currents are visible in 2010s French screen romances. While manifestations of this obsession with relevance for the contemporary French context range from celebrations of ritualized, time-sensitive milestones (marriage, pregnancy…
Heightened Genre and Women’s Filmmaking in Hollywood
In this video essay I explore intertextuality in Twilight as a marker of cinephilic female authorship. I aim to show that the film relies for much of its gripping effect on overtly re-engaging overdetermined structures of feeling established by earlier texts, in other words by invoking genre memory. Considering the key genres with which the film engages – notably Gothic horror and romance as well as the teen film – I demonstrate how Twilight repe…
Imagining “We” in the Age of “I”
Channeling globalism
This article examines Canal+’s contribution to the recent or contemporary consolidation of three genres traditionally excluded from the French filmmaking landscape: romantic comedies, horror films, and teen movies. The many films from these emergent French genres funded and in frequent cases also more indirectly supported by Canal+ speak to the organization’s status as a transnational, transmedia production entity. Moreover, analyzing the new Fre…
“Money can’t buy me love”
This article surveys developments in the French romantic comedy of the 2010s from a cultural studies perspective. Specifically, it considers how the particularities identifiable in the French genre following its emergence in the 1990s and consolidation by the end of the 2000s have evolved during the next decade. It argues that the most striking new trend comprises a more domestically circumscribed orbit for the genre, with notably fewer export su…
From postnational mobility to posthuman fluidity
This article approaches contemporary European cinema as transnational cinema from an angle informed by gender and sexuality studies. It is underpinned by a fluid conception of identity, which it identifies with its objects of study, in terms of production context, market positioning and also form and theme. Specifically, I approach comparatively the embrace of postnational textual identity alongside posthuman – especially post-gender – characteri…
Agnieszka Piotrowska (2019) The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema
Care, agency and criminality
Nancy Meyers
No prominent works on this page.
The aesthetics of pastiche in the work of Richard Linklater
This essay examines the work of contemporary film director Richard Linklater in the light of the concept of pastiche. After beginning with a brief overview of recent scholarship on pastiche, both in culture as a whole and in cinema, it argues that it is a structuring mode in three Linklater films: Dazed and Confused (1993), Waking Life (2001) and A Scanner Darkly (2006). The purpose of the analysis is to assess both the films’ intellectual meanin…
The Europeanness of European Cinema
From The Artist to The White Ribbon, from Oscar to Palme d’Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key Europe…
Nationalism and the Cinema in France
French national identity, alongside the xenophobic side-effects of the assimilationist model of Republican citizenship, is sadly once again at the forefront of the public imagination. While the concept of Gallic nationalism is today most likely to conjure its ‘negative’ other (in both photographic and moral senses) in the image of Islamic State, historically the poles against which variants of French identity have defined themselves have been ext…
Nancy Meyers
Care, agency and criminality
“Money can’t buy me love”
This article surveys developments in the French romantic comedy of the 2010s from a cultural studies perspective. Specifically, it considers how the particularities identifiable in the French genre following its emergence in the 1990s and consolidation by the end of the 2000s have evolved during the next decade. It argues that the most striking new trend comprises a more domestically circumscribed orbit for the genre, with notably fewer export su…
From postnational mobility to posthuman fluidity
This article approaches contemporary European cinema as transnational cinema from an angle informed by gender and sexuality studies. It is underpinned by a fluid conception of identity, which it identifies with its objects of study, in terms of production context, market positioning and also form and theme. Specifically, I approach comparatively the embrace of postnational textual identity alongside posthuman – especially post-gender – characteri…
Agnieszka Piotrowska (2019) The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema
Imagining “We” in the Age of “I”
Channeling globalism
This article examines Canal+’s contribution to the recent or contemporary consolidation of three genres traditionally excluded from the French filmmaking landscape: romantic comedies, horror films, and teen movies. The many films from these emergent French genres funded and in frequent cases also more indirectly supported by Canal+ speak to the organization’s status as a transnational, transmedia production entity. Moreover, analyzing the new Fre…
The “Selfish” Mothers of Contemporary French Screen Comedy
This article explores a salient trend for “selfish” behaviours featuring in comic depictions of motherhood and the female actors who embody it in French cinema and secondarily television in the late 2010s. I identify tensions between various postfeminist ideals and the self-sacrifice and morally exemplary behaviour associated with contemporary parenting norms, including as coloured by US influence, which combines in an exigent admixture with trad…
The Overdose Response with Take Home Naloxone ( ORTHN ) project
Barriers to help‐seeking among music festival attendees in New South Wales, Australia
Correlates of higher‐risk drug‐related behaviours at music festivals in New South Wales, Australia
Nostalgia, Melancholy, Trauma
This article draws on Diane Negra’s (2009) assessment of neo-global postfeminist popular culture and cinema as displaying an obsession with time-control that is largely inimical to feminist progress, arguing that similar currents are visible in 2010s French screen romances. While manifestations of this obsession with relevance for the contemporary French context range from celebrations of ritualized, time-sensitive milestones (marriage, pregnancy…
Heightened Genre and Women’s Filmmaking in Hollywood
In this video essay I explore intertextuality in Twilight as a marker of cinephilic female authorship. I aim to show that the film relies for much of its gripping effect on overtly re-engaging overdetermined structures of feeling established by earlier texts, in other words by invoking genre memory. Considering the key genres with which the film engages – notably Gothic horror and romance as well as the teen film – I demonstrate how Twilight repe…
Is it French? Popular Postnational Screen Fiction from France
An Industry Perspective on Dix pour cent and Ten Percent
This chapter comprises the transcript of an interview with Harold Valentin, producer of Dix pour cent (Mother Production), and Christian Baute, producer of its British remake, Ten Percent (Headline Pictures), that took place on Saturday 11 September 2021 as part of the bilingual online workshop ‘Global Gallicisms II: Circulating Frenchness Through Mainstream Film and Television’ (10–11 September 2021). Topics covered include the reasons for the s…
Single-visit hepatitis C point-of-care testing, linkage to nursing care, and peer-supported treatment among people with recent injecting drug use at a peer-led needle and syringe program
Point-of-care HCV RNA testing, linkage to nursing, and peer-supported engagement/delivery led to high HCV treatment uptake (majority single-visit) among people with recent injecting drug use attending a peer-led NSP. The lower proportion of people with SVR highlights the need for further interventions to support treatment completion
Experiences of stigma and subsequent reduced access to health care among women who inject drugs
Co-design of the Australian Prompt Response Network for a public-health focused intersectoral approach to information sharing on emerging drugs of concern
The rapid emergence of new psychoactive substances (NPS) and other emerging drugs of concern presents a significant global public health challenge, necessitating agile and interconnected drug information systems to identify and communicate risks. In Australia, responses have traditionally been localized, lacking a nationally coordinated system to rapidly share information about emerging drug threats. The National Center for Clinical Research on E…
Patient preferences for simplified hepatitis C testing modalities among people at risk of hepatitis C infection in Australia
Findings highlight the importance of offering rapid, staff-assisted HCV testing to improve uptake among at-risk populations
Kathryn Robson , Beyond the Happy Ending
This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0/ .
Health, Social and Recidivism Outcomes Among People Who Have Been Incarcerated in New South Wales, Australia
Factors Associated With Adult Incarceration Among People With Opioid Use Disorder in New South Wales, Australia
Art (13 works) · Sociology (12 works) · Aesthetics (9 works) · Political science (9 works) · Cinema and Media Studies (8 works) · Medicine (8 works) · Movie theater (8 works) · Psychology (8 works) · Law (7 works) · Literature (7 works)