Filipa Magalhães
Biographic Data
| ID | 3684933 |
|---|---|
| NAME | Filipa Magalhães |
| GIVEN NAMES | Filipa |
| FAMILY NAME | Magalhães |
| SIGNATURE | MAGALHÃES F |
| AFFILIATIONS | Universidade NOVA de Lisboa, Lisbon, Portugal |
| ORCID | 0000-0003-4230-825X |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Arquivar e reativar o teatro-música português
As produções pertencentes ao género performativo de teatro-música em Portugal e compostas a partir de 1970 apresentam inúmeros desafios no que respeita à sua preservação, especialmente no contexto do arquivo. Parte da documentação de teatro-música encontra-se dispersa entre várias instituições e acervos pessoais. Estas obras baseiam-se em linguagens idiossincráticas e em práticas performativas não-convencionais, que é preciso identificar e sistem…
Constança Capdeville and the ColecViva Group
This article explores the ColecViva activities from the perspective of founding member and double bass player Alejandro Erlich Oliva (b. 1948). The group was founded by the composer Constança Capdeville in 1985 with the aim of performing her music and theatre works and as a pioneering project in Portugal. Interviewed by Filipa Magalhães on two occasions (in 2018 and 2023), Erlich Oliva details the first steps of the group’s actions, discusses the…
Experimental Approaches in Portuguese Music Theatre
Portuguese music theatre still lacks appropriate representation in the narratives of Western music history. Ernesto de Sousa (1921–1988), accurately termed the avant-garde in Portugal as a ‘history
ColecViva and its Collaborative Methods Viewed as an Educational Project
The ColecViva was a group founded in 1985 by the composer Constança Capdeville (1937–1992) with the purpose of performing her own music theatre works. She composed, led, and acted as a performer in her own creations. Capdeville’s music theatre incorporates various artistic expressions such as dance, theatre, and cinema, resorting to different elements such as music, recorded sounds on tape, light, image, text, and movement, all structured as hete…
Musicological Archaeology and Constança Capdeville
In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville
Music, performance, and preservation
This article encourages further discussion of certain concepts and practices for the music theatre creations by the composer Constança Capdeville (1937-92) in keeping with the time and context of her compositions. Her music theatre works incorporate by a certain hybridism as they juxtapose various artistic expressions such as dance, music, and theatre. Throughout the 1970s, the performance concept as understood today was not fully recognized, eit…
Application of hypnosis in psychOncology
Hypnosis is useful for multiple somatic and psychological disorders, particularly cancer disease-related issues. In fact, the literature points out that hypnosis is effective in helping patients deal with aspects disease related, as well as in reducing the side effects of treatment. This review of the literature aims to summarize and assess the evidence of the usefulness of hypnosis in cancer patients and was conducted based on articles published…
Preservation and technological obsolescence
This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…
Preservation and technological obsolescence
This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…
Preservation and technological obsolescence
This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…
Music, performance, and preservation
This article encourages further discussion of certain concepts and practices for the music theatre creations by the composer Constança Capdeville (1937-92) in keeping with the time and context of her compositions. Her music theatre works incorporate by a certain hybridism as they juxtapose various artistic expressions such as dance, music, and theatre. Throughout the 1970s, the performance concept as understood today was not fully recognized, eit…
Application of hypnosis in psychOncology
Hypnosis is useful for multiple somatic and psychological disorders, particularly cancer disease-related issues. In fact, the literature points out that hypnosis is effective in helping patients deal with aspects disease related, as well as in reducing the side effects of treatment. This review of the literature aims to summarize and assess the evidence of the usefulness of hypnosis in cancer patients and was conducted based on articles published…
Musicological Archaeology and Constança Capdeville
In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville
Constança Capdeville and the ColecViva Group
This article explores the ColecViva activities from the perspective of founding member and double bass player Alejandro Erlich Oliva (b. 1948). The group was founded by the composer Constança Capdeville in 1985 with the aim of performing her music and theatre works and as a pioneering project in Portugal. Interviewed by Filipa Magalhães on two occasions (in 2018 and 2023), Erlich Oliva details the first steps of the group’s actions, discusses the…
Experimental Approaches in Portuguese Music Theatre
Portuguese music theatre still lacks appropriate representation in the narratives of Western music history. Ernesto de Sousa (1921–1988), accurately termed the avant-garde in Portugal as a ‘history
ColecViva and its Collaborative Methods Viewed as an Educational Project
The ColecViva was a group founded in 1985 by the composer Constança Capdeville (1937–1992) with the purpose of performing her own music theatre works. She composed, led, and acted as a performer in her own creations. Capdeville’s music theatre incorporates various artistic expressions such as dance, theatre, and cinema, resorting to different elements such as music, recorded sounds on tape, light, image, text, and movement, all structured as hete…
Arquivar e reativar o teatro-música português
As produções pertencentes ao género performativo de teatro-música em Portugal e compostas a partir de 1970 apresentam inúmeros desafios no que respeita à sua preservação, especialmente no contexto do arquivo. Parte da documentação de teatro-música encontra-se dispersa entre várias instituições e acervos pessoais. Estas obras baseiam-se em linguagens idiossincráticas e em práticas performativas não-convencionais, que é preciso identificar e sistem…
Art (7 works) · Visual arts (6 works) · Theatre and Performance Studies (5 works) · Linguistics (4 works) · Musical (4 works) · Contemporary classical music (3 works) · Dance (3 works) · Historical and Modern Theater Studies (3 works) · History, Culture, and Society (3 works) · Portuguese (3 works)