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Dan Albertson

Biographic Data

ID3684934
NAMEDan Albertson
GIVEN NAMESDan
FAMILY NAMEAlbertson
SIGNATUREALBERTSON D
AFFILIATIONSViscardi Center
ORCID0000-0003-4518-0159
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Spain beyond Spain

    José L Besada, Dan Albertson•ARTICLE•Contemporary Music Review•2019•Cited by: 1•References: 5

    Tomas Marco’s ([1983] 1993) essay on Spanish art music through the twentieth century, published by Harvard University Press 25 years ago, and up-to-date when it was published, remains the primary g

  • Zero to Four. Modernism and the String Quartet II

    Dan Albertson•ARTICLE•Contemporary Music Review•2014

  • Aldo Clementi

    Dan Albertson, Gabriele Bonomo•ARTICLE•Contemporary Music Review•2011

    [Note that within any given year, works are listed alphabetically, not chronologically, except when numerical order dictates such an order. Also, works spanning more than one year are listed ahead

  • The Composer-Mechanic

    Dan Albertson•ARTICLE•Contemporary Music Review•2011

  • Preliminary Thoughts

    Dan Albertson•ARTICLE•Contemporary Music Review•2009

  • Aldo Clementi

    Dan Albertson, Gabriele Bonomo•ARTICLE•Contemporary Music Review•2009

    [Note that within any given year, works are listed alphabetically, not chronologically, except when numerical order dictates such an order. Also, works spanning more than one year are listed ahead

  • The Clockmaker's Clock

    Dan Albertson•ARTICLE•Contemporary Music Review•2009

    This brief article poses some thoughts on the ensemble work L'orologio di Arcevia, written by Clementi in the late 1970s

  • Prologue

    Dan Albertson•ARTICLE•Contemporary Music Review•2007

  • Additional Material

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

    This list contains most of the major references to Helmut Lachenmann during the preceding 20 years, as well as his own writings or interviews that he has given, but it is in no way complete. The list is thus divided into two categories, the first of which is arranged chronologically and the second of which is arranged alphabetically and chronologically if the same author has written more than one article on Lachenmann. Most of these texts are in …

  • Additional Material

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

    This list excludes juvenilia, miscellanea and withdrawn works. Titles are given in German only, but exclude subtitles such as Musik für Orchester; these are often mentioned within the articles of this journal. For works with substantial revisions, dates of the premières of new versions are given; minor revisions are mentioned, but the first performances of these versions are omitted. The order of orchestral scoring is given according to customary…

  • Brief Biography

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

  • Discography

    Dan Albertson•ARTICLE•Contemporary Music Review•2004

    This list excludes LP recordings not currently available on CD, and is arranged alphabetically by label

  • Spain beyond Spain

    José L Besada, Dan Albertson•ARTICLE•Contemporary Music Review•2019•Cited by: 1•References: 5

    Tomas Marco’s ([1983] 1993) essay on Spanish art music through the twentieth century, published by Harvard University Press 25 years ago, and up-to-date when it was published, remains the primary g

  • Additional Material

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

    This list contains most of the major references to Helmut Lachenmann during the preceding 20 years, as well as his own writings or interviews that he has given, but it is in no way complete. The list is thus divided into two categories, the first of which is arranged chronologically and the second of which is arranged alphabetically and chronologically if the same author has written more than one article on Lachenmann. Most of these texts are in …

  • Additional Material

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

    This list excludes juvenilia, miscellanea and withdrawn works. Titles are given in German only, but exclude subtitles such as Musik für Orchester; these are often mentioned within the articles of this journal. For works with substantial revisions, dates of the premières of new versions are given; minor revisions are mentioned, but the first performances of these versions are omitted. The order of orchestral scoring is given according to customary…

  • Brief Biography

    Dan Albertson, Eberhard Hüppe•ARTICLE•Contemporary Music Review•2004

  • Discography

    Dan Albertson•ARTICLE•Contemporary Music Review•2004

    This list excludes LP recordings not currently available on CD, and is arranged alphabetically by label

  • Prologue

    Dan Albertson•ARTICLE•Contemporary Music Review•2007

  • Preliminary Thoughts

    Dan Albertson•ARTICLE•Contemporary Music Review•2009

  • Aldo Clementi

    Dan Albertson, Gabriele Bonomo•ARTICLE•Contemporary Music Review•2009

    [Note that within any given year, works are listed alphabetically, not chronologically, except when numerical order dictates such an order. Also, works spanning more than one year are listed ahead

  • The Clockmaker's Clock

    Dan Albertson•ARTICLE•Contemporary Music Review•2009

    This brief article poses some thoughts on the ensemble work L'orologio di Arcevia, written by Clementi in the late 1970s

  • Aldo Clementi

    Dan Albertson, Gabriele Bonomo•ARTICLE•Contemporary Music Review•2011

    [Note that within any given year, works are listed alphabetically, not chronologically, except when numerical order dictates such an order. Also, works spanning more than one year are listed ahead

  • The Composer-Mechanic

    Dan Albertson•ARTICLE•Contemporary Music Review•2011

  • Zero to Four. Modernism and the String Quartet II

    Dan Albertson•ARTICLE•Contemporary Music Review•2014

  • Spain beyond Spain

    José L Besada, Dan Albertson•ARTICLE•Contemporary Music Review•2019•Cited by: 1•References: 5

    Tomas Marco’s ([1983] 1993) essay on Spanish art music through the twentieth century, published by Harvard University Press 25 years ago, and up-to-date when it was published, remains the primary g

Art (11 works) · Art history (7 works) · Visual arts (7 works) · History (5 works) · Musicology and Musical Analysis (4 works) · Philosophy (4 works) · History and Theory of Mathematics (3 works) · Linguistics (3 works) · Literature (3 works) · Computer Science (2 works)

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