Pedro Rebelo
Biographic Data
| ID | 3684944 |
|---|---|
| NAME | Pedro Rebelo |
| GIVEN NAMES | Pedro |
| FAMILY NAME | Rebelo |
| SIGNATURE | REBELO P |
| AFFILIATIONS | Queen's University Belfast |
| ORCID | 0000-0002-9001-0522 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Soundmaps as iDocs? Modes of Interactivity for Storytelling with Sound
Soundmaps derive an undeniable, often originary, importance from cartographical representation. However, this article proposes to consider soundmaps through a narrative perspective, drawing on the field of interactive documentaries. Like soundmaps, interactive documentaries deal with issues of engagement, participation and interaction. In this sense, and according to Sandra Gaudenzi’s concepts, this article presents an analysis of more than 40 so…
Sensing Shared Places
This paper addresses mobile audio streaming in the context of sharing a sense of place. This action is mediated by the network, the body and remote listening. These elements are essential in the concept and design of a platform for audio transmission (liveshout), that aims at intersecting mobility within the realms of radio, network and transmission art
Notating the Unpredictable
Notation can be seen to sit conformably between theory and practice as it symbolizes practice, generates and implements theory, and produces practice. Historically, its presence changes in significance across the development of activities such as music or architecture. From design tool to canonic text, notational artefacts both solidify and formalize practice, as will be expanded below. How, then, does the role and function of notation change wit…
Dramaturgy in the Network
This article addresses challenges and opportunities posed by the design and production of network performance from the point of view of collaborative creative work. It examines strategies that, while referring to the network as a new medium for performance, make use of concepts from dramaturgy to better understand the relationships between artists, audiences and media. The author characterises three distinct models for dramaturgy, particularly fr…
Wearable music in engaging technologies
Haptic sensation and instrumental transgression
Anyone who has ever played a musical instrument will certify the development of a particular type of relationship between the instrument and the performer. This relationship goes beyond a convenient coupling that is optimized for sound production. Every musical instrument defines ways in which to be touched, felt, activated. Music performance is dependent on bodily involvement that goes beyond the auditory and the sense of hearing. This article i…
Haptic sensation and instrumental transgression
Anyone who has ever played a musical instrument will certify the development of a particular type of relationship between the instrument and the performer. This relationship goes beyond a convenient coupling that is optimized for sound production. Every musical instrument defines ways in which to be touched, felt, activated. Music performance is dependent on bodily involvement that goes beyond the auditory and the sense of hearing. This article i…
Haptic sensation and instrumental transgression
Anyone who has ever played a musical instrument will certify the development of a particular type of relationship between the instrument and the performer. This relationship goes beyond a convenient coupling that is optimized for sound production. Every musical instrument defines ways in which to be touched, felt, activated. Music performance is dependent on bodily involvement that goes beyond the auditory and the sense of hearing. This article i…
Wearable music in engaging technologies
Dramaturgy in the Network
This article addresses challenges and opportunities posed by the design and production of network performance from the point of view of collaborative creative work. It examines strategies that, while referring to the network as a new medium for performance, make use of concepts from dramaturgy to better understand the relationships between artists, audiences and media. The author characterises three distinct models for dramaturgy, particularly fr…
Notating the Unpredictable
Notation can be seen to sit conformably between theory and practice as it symbolizes practice, generates and implements theory, and produces practice. Historically, its presence changes in significance across the development of activities such as music or architecture. From design tool to canonic text, notational artefacts both solidify and formalize practice, as will be expanded below. How, then, does the role and function of notation change wit…
Sensing Shared Places
This paper addresses mobile audio streaming in the context of sharing a sense of place. This action is mediated by the network, the body and remote listening. These elements are essential in the concept and design of a platform for audio transmission (liveshout), that aims at intersecting mobility within the realms of radio, network and transmission art
Soundmaps as iDocs? Modes of Interactivity for Storytelling with Sound
Soundmaps derive an undeniable, often originary, importance from cartographical representation. However, this article proposes to consider soundmaps through a narrative perspective, drawing on the field of interactive documentaries. Like soundmaps, interactive documentaries deal with issues of engagement, participation and interaction. In this sense, and according to Sandra Gaudenzi’s concepts, this article presents an analysis of more than 40 so…
Art (5 works) · Computer Science (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Innovative Human-Technology Interaction (4 works) · Sociology (4 works) · Communication (3 works) · Human–computer interaction (3 works) · Multimedia (3 works) · Acoustics (2 works)