Simon Water
Dados Biográficos
| ID | 3684948 |
|---|---|
| NOME | Simon Water |
| PRENOMES | Simon |
| SOBRENOME | Water |
| ASSINATURA | WATER S |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1992 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2013 |
| ÍNDICE H | 1 |
Touching at a Distance
This is a paper about resistance and affordance as they relate to music-making in the most extended sense, and perhaps about empathy if this is understood as a capacity to ‘read’ the resistances and affordances of objects, bodies, people, and environments. It proceeds from a set of broad working assumptions which inform one individual's musical practice, via description of a musical-instrument-making project which is a hybrid of physical and virt…
Timbre composition
Timbral music is frequently considered in phenomenological terms which purport to have objective or non-metaphoric status, and which suggest that music can be usefully regarded as a system of autonomous timbral objects. The author suggests that current debates concerning the interpretive status of the observer, and changes in the representational nature of language make such analyses problematic, drawing attention to the extent to which social pr…
Nuntius
This investigation examines the degree to which notational integration of the two media of music and dance is possible. A distinction is made between the interaction of music and dance, and the practical issues of the composer/ choreographer relationship, with a tentative classification of both. The authors then describe their computer-based compositional and choreographic system, NUNTIUS, which provides direct data transfer and interpretation (s…
Touching at a Distance
This is a paper about resistance and affordance as they relate to music-making in the most extended sense, and perhaps about empathy if this is understood as a capacity to ‘read’ the resistances and affordances of objects, bodies, people, and environments. It proceeds from a set of broad working assumptions which inform one individual's musical practice, via description of a musical-instrument-making project which is a hybrid of physical and virt…
Nuntius
This investigation examines the degree to which notational integration of the two media of music and dance is possible. A distinction is made between the interaction of music and dance, and the practical issues of the composer/ choreographer relationship, with a tentative classification of both. The authors then describe their computer-based compositional and choreographic system, NUNTIUS, which provides direct data transfer and interpretation (s…
Nuntius
This investigation examines the degree to which notational integration of the two media of music and dance is possible. A distinction is made between the interaction of music and dance, and the practical issues of the composer/ choreographer relationship, with a tentative classification of both. The authors then describe their computer-based compositional and choreographic system, NUNTIUS, which provides direct data transfer and interpretation (s…
Timbre composition
Timbral music is frequently considered in phenomenological terms which purport to have objective or non-metaphoric status, and which suggest that music can be usefully regarded as a system of autonomous timbral objects. The author suggests that current debates concerning the interpretive status of the observer, and changes in the representational nature of language make such analyses problematic, drawing attention to the extent to which social pr…
Touching at a Distance
This is a paper about resistance and affordance as they relate to music-making in the most extended sense, and perhaps about empathy if this is understood as a capacity to ‘read’ the resistances and affordances of objects, bodies, people, and environments. It proceeds from a set of broad working assumptions which inform one individual's musical practice, via description of a musical-instrument-making project which is a hybrid of physical and virt…
Art (3 obras) · Computer Science (3 obras) · Musical (3 obras) · Visual arts (3 obras) · Aesthetics (2 obras) · Cognitive science (2 obras) · Communication (2 obras) · Music Technology and Sound Studies (2 obras) · Psychology (2 obras) · Affordance (1 obras)