Catherine Dale
Biographic Data
| ID | 3684976 |
|---|---|
| NAME | Catherine Dale |
| GIVEN NAMES | Catherine |
| FAMILY NAME | Dale |
| SIGNATURE | DALE C |
| AFFILIATIONS | University of Hull |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 14 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Orienting Feminism
The ‘Skeleton in Schoenberg's Musical Closet’
Reflecting on the composition of his First Chamber Symphony, op. 9, in the essay ‘How One Becomes Lonely’ (1937), Schoenberg wrote: I had enjoyed so much pleasure during the composing, everything had gone so easily and seemed to be so convincing, that I was sure the audience would react spontaneously to the melodies and to the moods and would find this music to be as beautiful as I felt it to be
Boris Yel'tsin and the Invention of a Russian Nation-State
Aspects of the flute in the twentieth century
The contemporary transverse flute and the shakuhachi
(1993). The contemporary transverse flute and the shakuhachi: Convergences. Contemporary Music Review: Vol. 8, Flute and Shakuhachi, pp. 217-237
Schoenberg's Concept of Variation Form
Liztanei , the third movement of Schoenberg's Second String Quartet, op. 10, and the first of its two vocal movements, is cast in the instrumental form of theme and variations. Schoenberg's analysis of the movement in ‘An Introduction to My Four Quartets’ identifies ‘a total of five variations, a coda ... [and] a short instrumental postlude’. His conception of variation form as ‘a very strict form’ in which freedom is ‘absolutely to be forbidden‘…
De la lecture a l'audition d'un texte musical
Simha Arom and the Return of Analysis to Ethnomusicology
The Concepts of Plot and Seriation Process in Music Analysis
Jean-Jacques Nattiez, Catherine Dale, The Concepts of Plot and Seriation Process in Music Analysis, Music Analysis, Vol. 4, No. 1/2, Special Issue: King's College London Music Analysis Conference 1984 (Mar. - Jul., 1985), pp. 107-118
Boris Yel'tsin and the Invention of a Russian Nation-State
The Concepts of Plot and Seriation Process in Music Analysis
Jean-Jacques Nattiez, Catherine Dale, The Concepts of Plot and Seriation Process in Music Analysis, Music Analysis, Vol. 4, No. 1/2, Special Issue: King's College London Music Analysis Conference 1984 (Mar. - Jul., 1985), pp. 107-118
The Concepts of Plot and Seriation Process in Music Analysis
Jean-Jacques Nattiez, Catherine Dale, The Concepts of Plot and Seriation Process in Music Analysis, Music Analysis, Vol. 4, No. 1/2, Special Issue: King's College London Music Analysis Conference 1984 (Mar. - Jul., 1985), pp. 107-118
Aspects of the flute in the twentieth century
The contemporary transverse flute and the shakuhachi
(1993). The contemporary transverse flute and the shakuhachi: Convergences. Contemporary Music Review: Vol. 8, Flute and Shakuhachi, pp. 217-237
Schoenberg's Concept of Variation Form
Liztanei , the third movement of Schoenberg's Second String Quartet, op. 10, and the first of its two vocal movements, is cast in the instrumental form of theme and variations. Schoenberg's analysis of the movement in ‘An Introduction to My Four Quartets’ identifies ‘a total of five variations, a coda ... [and] a short instrumental postlude’. His conception of variation form as ‘a very strict form’ in which freedom is ‘absolutely to be forbidden‘…
De la lecture a l'audition d'un texte musical
Simha Arom and the Return of Analysis to Ethnomusicology
Boris Yel'tsin and the Invention of a Russian Nation-State
The ‘Skeleton in Schoenberg's Musical Closet’
Reflecting on the composition of his First Chamber Symphony, op. 9, in the essay ‘How One Becomes Lonely’ (1937), Schoenberg wrote: I had enjoyed so much pleasure during the composing, everything had gone so easily and seemed to be so convincing, that I was sure the audience would react spontaneously to the melodies and to the moods and would find this music to be as beautiful as I felt it to be
Orienting Feminism
Art (8 works) · Art history (4 works) · Musicology and Musical Analysis (4 works) · History (3 works) · Literature (3 works) · Music History and Culture (3 works) · Philosophy (3 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · Flute (2 works)