Allan F Moore
Biographic Data
| ID | 3684977 |
|---|---|
| NAME | Allan F Moore |
| GIVEN NAMES | Allan F |
| FAMILY NAME | Moore |
| SIGNATURE | MOORE A F |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Rock
This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the …
Song Interpretation in 21st-Century Pop Music
Contents: Introduction, Ralf von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore. Part I Listening Alone: Death cab for Cutie's 'I will follow you into the dark' as exemplar of conven-tional tonal behaviour in recent rock music, Walter Everett Ear candy: what makes Ke$ha's 'Tik Tok' tick?, Ralf von Appen Metrical ambiguity or microrhythmic flexibility? Analysing groove in 'Nasty Girl' by Destiny's Child, Anne Danielsen Pragmatic 'Poker Face…
Beatles
A Hermeneutics of Spatialization for Recorded Song
This article is one of a series exploring the spatialization of sound sources in recorded songs and how they may be understood (see also ‘The Virtual Performance Space in Rock’, twentieth-century music 5/2). Its theoretical basis is multi-faceted, utilizing notions of ecological perception, of the sound-box, of the singer's persona, and of interpersonal distance in communication, as well as further concepts from cognitive science. It focuses part…
A Hermeneutics of Spatialization for Recorded Song
This article is one of a series exploring the spatialization of sound sources in recorded songs and how they may be understood (see also ‘The Virtual Performance Space in Rock’, twentieth-century music 5/2). Its theoretical basis is multi-faceted, utilizing notions of ecological perception, of the sound-box, of the singer's persona, and of interpersonal distance in communication, as well as further concepts from cognitive science. It focuses part…
Rock
This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the …
Beatles
A Hermeneutics of Spatialization for Recorded Song
This article is one of a series exploring the spatialization of sound sources in recorded songs and how they may be understood (see also ‘The Virtual Performance Space in Rock’, twentieth-century music 5/2). Its theoretical basis is multi-faceted, utilizing notions of ecological perception, of the sound-box, of the singer's persona, and of interpersonal distance in communication, as well as further concepts from cognitive science. It focuses part…
Song Interpretation in 21st-Century Pop Music
Contents: Introduction, Ralf von Appen, Andre Doehring, Dietrich Helms, Allan F. Moore. Part I Listening Alone: Death cab for Cutie's 'I will follow you into the dark' as exemplar of conven-tional tonal behaviour in recent rock music, Walter Everett Ear candy: what makes Ke$ha's 'Tik Tok' tick?, Ralf von Appen Metrical ambiguity or microrhythmic flexibility? Analysing groove in 'Nasty Girl' by Destiny's Child, Anne Danielsen Pragmatic 'Poker Face…
Rock
This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the …
Art (3 works) · Diverse Musicological Studies (3 works) · History and criticism (2 works) · Interpretation (philosophy (2 works) · Linguistics (2 works) · Literature (2 works) · Music History and Culture (2 works) · Philosophy (2 works) · 2001-2010 (1 works) · 2011-2020 (1 works)