Martin Brody

Biographic Data

ID	3685074
NAME	Martin Brody
GIVEN NAMES	Martin
FAMILY NAME	Brody
SIGNATURE	BRODY M
VERIFIED	No
TOTAL WORKS	11
TOTAL CITATIONS	0
AUTHOR COUNT	7
EDITOR COUNT	4
FIRST PUBLICATION YEAR	2001
LATEST PUBLICATION YEAR	2020
H-INDEX	0

The Enabling Instrument
Martin BrodyARTICLEContemporary Music Review2020References: 15
In this paper, I review some of the claims about electronic sound synthesis and human subjectivity that were made in the name of RCA’s first electroacoustic sound synthesiser, as it was understood by its various sponsors in the American military-industrial-academic-cultural complex. As described by Harry Olson, head of the corporation’s acoustics research division, RCA’s Mark I synthesiser was intended to be ‘a musical instrument with no limitati…
Babbitt, Milton
Elaine Barkin, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2014
Kim, Earl
Martin Brody, Greg A SteinkeCHAPTERThe new Grove dictionary of music…2013
Imbrie, Andrew
Ann P Basart, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2013
Where to Act, How to Move’
Martin BrodyARTICLEContemporary Music Review2008
This article challenges the view that such composers as Wolpe denied their socialist convictions and thus betrayed their utopianism for an arcane hermeticism when they created a radically modernist music. The author proposes rather that Wolpe's later music exemplifies ways in which a maturing artist could transform the predicament of a modern exile, into a chosen, self-invented, full-achieved artistic persona. Borrowing concepts from Homi Bhabha'…
Boretz, Benjamin
Martin Brody, Christopher D StoverCHAPTERThe new Grove dictionary of music…2001
Dembski, Stephen
Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Imbrie, Andrew
Ann P Basart, Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Babbitt, Milton
Elaine Barkin, Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Martino, Donald
Elaine Barkin, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2001
Kim, Earl
Martin BrodyCHAPTERThe new Grove dictionary of music…2001

Boretz, Benjamin
Martin Brody, Christopher D StoverCHAPTERThe new Grove dictionary of music…2001
Dembski, Stephen
Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Imbrie, Andrew
Ann P Basart, Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Babbitt, Milton
Elaine Barkin, Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Martino, Donald
Elaine Barkin, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2001
Kim, Earl
Martin BrodyCHAPTERThe new Grove dictionary of music…2001
Where to Act, How to Move’
Martin BrodyARTICLEContemporary Music Review2008
This article challenges the view that such composers as Wolpe denied their socialist convictions and thus betrayed their utopianism for an arcane hermeticism when they created a radically modernist music. The author proposes rather that Wolpe's later music exemplifies ways in which a maturing artist could transform the predicament of a modern exile, into a chosen, self-invented, full-achieved artistic persona. Borrowing concepts from Homi Bhabha'…
Kim, Earl
Martin Brody, Greg A SteinkeCHAPTERThe new Grove dictionary of music…2013
Imbrie, Andrew
Ann P Basart, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2013
Babbitt, Milton
Elaine Barkin, Martin Brody et al.CHAPTERThe new Grove dictionary of music…2014
The Enabling Instrument
Martin BrodyARTICLEContemporary Music Review2020References: 15
In this paper, I review some of the claims about electronic sound synthesis and human subjectivity that were made in the name of RCA’s first electroacoustic sound synthesiser, as it was understood by its various sponsors in the American military-industrial-academic-cultural complex. As described by Harry Olson, head of the corporation’s acoustics research division, RCA’s Mark I synthesiser was intended to be ‘a musical instrument with no limitati…