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Diemo Schwarz

Biographic Data

ID3685138
NAMEDiemo Schwarz
GIVEN NAMESDiemo
FAMILY NAMESchwarz
SIGNATURESCHWARZ D
AFFILIATIONSInstitut de Recherche et Coordination Acoustique Musique
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2024
H-INDEX1
  • What it is like to improvise together? Investigating the phenomenology of joint action through improvised musical performance

    Open Access•Pierre Saint-Germier, Louise Goupil et al.•ARTICLE•Phenomenology and the Cognitive…•2024

  • Composing Morphology

    Benjamin Hackbarth, Norbert Schnell et al.•ARTICLE•Contemporary Music Review•2013

    This article presents AudioGuide, an innovative application for sound synthesis which aims to heighten compositional control of morphology in electronic music. We begin with a discussion of the challenges of managing detail when composing with computers, emphasizing the need for more tools which help the composer address the intricacies of sonic evolution. AudioGuide's approach—using a soundfile as a method for specifying morphological shape—prov…

  • Theconcatenator

    Diemo Schwarz, Étienne Brunet•ARTICLE•Leonardo Music Journal•2008

    December 01 2008 theconcatenator: Placard XP edit Diemo Schwarz, Diemo Schwarz Search for other works by this author on: This Site Google Scholar Etienne Brunet Etienne Brunet Search for other works by this author on: This Site Google Scholar Author and Article Information Diemo Schwarz Etienne Brunet Online Issn: 1531-4812 Print Issn: 0961-1215 © 2008 Massachusetts Institute of Technology2008 Leonardo Music Journal (2008) 18: 89–90. https://doi.…

  • Concatenative sound synthesis

    Diemo Schwarz•ARTICLE•Journal of New Music Research•2006•Cited by: 2•References: 10

    Concatenative sound synthesis is a promising method of musical sound synthesis with a steady stream of work and publications for over five years now. This article offers a comparative survey and taxonomy of the many different approaches to concatenative synthesis throughout the history of electronic music, starting in the 1950s, even if they weren't known as such at their time, up to the recent surge of contemporary methods. Concatenative sound s…

  • Concatenative sound synthesis

    Diemo Schwarz•ARTICLE•Journal of New Music Research•2006•Cited by: 2•References: 10

    Concatenative sound synthesis is a promising method of musical sound synthesis with a steady stream of work and publications for over five years now. This article offers a comparative survey and taxonomy of the many different approaches to concatenative synthesis throughout the history of electronic music, starting in the 1950s, even if they weren't known as such at their time, up to the recent surge of contemporary methods. Concatenative sound s…

  • Concatenative sound synthesis

    Diemo Schwarz•ARTICLE•Journal of New Music Research•2006•Cited by: 2•References: 10

    Concatenative sound synthesis is a promising method of musical sound synthesis with a steady stream of work and publications for over five years now. This article offers a comparative survey and taxonomy of the many different approaches to concatenative synthesis throughout the history of electronic music, starting in the 1950s, even if they weren't known as such at their time, up to the recent surge of contemporary methods. Concatenative sound s…

  • Theconcatenator

    Diemo Schwarz, Étienne Brunet•ARTICLE•Leonardo Music Journal•2008

    December 01 2008 theconcatenator: Placard XP edit Diemo Schwarz, Diemo Schwarz Search for other works by this author on: This Site Google Scholar Etienne Brunet Etienne Brunet Search for other works by this author on: This Site Google Scholar Author and Article Information Diemo Schwarz Etienne Brunet Online Issn: 1531-4812 Print Issn: 0961-1215 © 2008 Massachusetts Institute of Technology2008 Leonardo Music Journal (2008) 18: 89–90. https://doi.…

  • Composing Morphology

    Benjamin Hackbarth, Norbert Schnell et al.•ARTICLE•Contemporary Music Review•2013

    This article presents AudioGuide, an innovative application for sound synthesis which aims to heighten compositional control of morphology in electronic music. We begin with a discussion of the challenges of managing detail when composing with computers, emphasizing the need for more tools which help the composer address the intricacies of sonic evolution. AudioGuide's approach—using a soundfile as a method for specifying morphological shape—prov…

  • What it is like to improvise together? Investigating the phenomenology of joint action through improvised musical performance

    Open Access•Pierre Saint-Germier, Louise Goupil et al.•ARTICLE•Phenomenology and the Cognitive…•2024

Art (3 works) · Computer music (2 works) · Computer Science (2 works) · Music and Audio Processing (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Visual arts (2 works) · Acoustics (1 work) · Action Observation and Synchronization (1 work) · Aesthetics (1 work)

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