Gina Arnold
Biographic Data
| ID | 3685152 |
|---|---|
| NAME | Gina Arnold |
| GIVEN NAMES | Gina |
| FAMILY NAME | Arnold |
| SIGNATURE | ARNOLD G |
| AFFILIATIONS | Stanford University |
| ORCID | 0000-0002-7785-3947 |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
I Don't Give a Damn About Your Bad Reputation: Taylor Swift, Beyoncé Knowles, and Performance
This article compares and examines Reputation and Homecoming, two long-form videos of 2018 performances by Taylor Swift and Beyoncé Knowles, respectively. The videos have much in common, as both were released via Netflix in 2019, and both document important milestones in the career success of two female solo artists. Moreover, the subjects of these videos have risen to the top of an industry that has not traditionally rewarded their gender, nor a…
Are You Ready for It? Re-Evaluating Taylor Swift
Half of me—an intangible half—is alive;the other part has gone I don’t know where— ... I amble the library stacks and get lost in YA;I want to go home, paint my nails until they iridesce,clamp on my
Music/Video: Histories, Aesthetics, Media
This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the…
Why Psy? Music Videos and the Global Market
Profit without Honor: Michael Jackson in and out of America, 1983-2009: Profit without Honor
Are You Ready for It? Re-Evaluating Taylor Swift
Half of me—an intangible half—is alive;the other part has gone I don’t know where— ... I amble the library stacks and get lost in YA;I want to go home, paint my nails until they iridesce,clamp on my
I Don't Give a Damn About Your Bad Reputation: Taylor Swift, Beyoncé Knowles, and Performance
This article compares and examines Reputation and Homecoming, two long-form videos of 2018 performances by Taylor Swift and Beyoncé Knowles, respectively. The videos have much in common, as both were released via Netflix in 2019, and both document important milestones in the career success of two female solo artists. Moreover, the subjects of these videos have risen to the top of an industry that has not traditionally rewarded their gender, nor a…
Profit without Honor: Michael Jackson in and out of America, 1983-2009: Profit without Honor
Music/Video: Histories, Aesthetics, Media
This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the…
Why Psy? Music Videos and the Global Market
I Don't Give a Damn About Your Bad Reputation: Taylor Swift, Beyoncé Knowles, and Performance
This article compares and examines Reputation and Homecoming, two long-form videos of 2018 performances by Taylor Swift and Beyoncé Knowles, respectively. The videos have much in common, as both were released via Netflix in 2019, and both document important milestones in the career success of two female solo artists. Moreover, the subjects of these videos have risen to the top of an industry that has not traditionally rewarded their gender, nor a…
Are You Ready for It? Re-Evaluating Taylor Swift
Half of me—an intangible half—is alive;the other part has gone I don’t know where— ... I amble the library stacks and get lost in YA;I want to go home, paint my nails until they iridesce,clamp on my
Art (5 works) · Art history (4 works) · Music History and Culture (4 works) · Visual arts (4 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Theater, Performance, and Music History (3 works) · Aesthetics (2 works) · History (2 works) · Performance art (2 works)