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Andreia Nogueira

Biographic Data

ID3685173
NAMEAndreia Nogueira
GIVEN NAMESAndreia
FAMILY NAMENogueira
SIGNATURENOGUEIRA A
AFFILIATIONSInstituto Politécnico de Tomar
ORCID0000-0002-5390-8237
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Miguel and Paula Azguime and the New Op-Era

    Andreia Nogueira•ARTICLE•Contemporary Music Review•2023

    Miguel and Paula Azguime are prominent figures in the contemporary art realm with a significant track record of interconnecting sound, text, poetry, movement, video, and live electronics. Together, they founded a new concept/project entitled New Op-Era that introduced a multimedia and creative collaboration in which the music and text of Miguel Azguime coexist with the staging and video composition of Paula Azguime in a truly symbiotic and innova…

  • NFTs and the Danger of Loss

    Open Access•Andreia Nogueira, Célio Gonçalo Marques et al.•ARTICLE•Heritage•2023•References: 3

    This research contributes to the discussion around the importance of the long-term preservation of non-fungible tokens (NFTs) and minted digital artworks. The paper is based on a review of the literature on blockchain in art and heritage management and conservation, with particular attention to references related to the production, marketing, maintenance, and distribution of NFT-based digital art. The aims of this paper involve anticipating poten…

  • Preservation and technological obsolescence

    Isabel Pires, Filipa Magalhães et al.•ARTICLE•Journal of New Music Research•2018•Cited by: 1•References: 9

    This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…

  • Materializing the intangible

    Open Access•Hélia Marçal, Andreia Nogueira et al.•ARTICLE•Conservar Património•2017•Cited by: 2•References: 1

    Refletindo sobre a problemática da conservação da arte contemporânea, este artigo discute o processo de documentação de Luís Vaz 73 (1975), uma obra concebida pelo artista plástico Ernesto de Sousa (1921-1988) e pelo compositor, pianista e maestro, Jorge Peixinho (1940-1995). O processo de documentação consistiu em quatro passos: identificação do problema de conservação que contextualiza o processo de documentação; recolha de documentação publica…

  • Materializing the intangible

    Open Access•Hélia Marçal, Andreia Nogueira et al.•ARTICLE•Conservar Património•2017•Cited by: 2•References: 1

    Refletindo sobre a problemática da conservação da arte contemporânea, este artigo discute o processo de documentação de Luís Vaz 73 (1975), uma obra concebida pelo artista plástico Ernesto de Sousa (1921-1988) e pelo compositor, pianista e maestro, Jorge Peixinho (1940-1995). O processo de documentação consistiu em quatro passos: identificação do problema de conservação que contextualiza o processo de documentação; recolha de documentação publica…

  • Preservation and technological obsolescence

    Isabel Pires, Filipa Magalhães et al.•ARTICLE•Journal of New Music Research•2018•Cited by: 1•References: 9

    This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…

  • Materializing the intangible

    Open Access•Hélia Marçal, Andreia Nogueira et al.•ARTICLE•Conservar Património•2017•Cited by: 2•References: 1

    Refletindo sobre a problemática da conservação da arte contemporânea, este artigo discute o processo de documentação de Luís Vaz 73 (1975), uma obra concebida pelo artista plástico Ernesto de Sousa (1921-1988) e pelo compositor, pianista e maestro, Jorge Peixinho (1940-1995). O processo de documentação consistiu em quatro passos: identificação do problema de conservação que contextualiza o processo de documentação; recolha de documentação publica…

  • Preservation and technological obsolescence

    Isabel Pires, Filipa Magalhães et al.•ARTICLE•Journal of New Music Research•2018•Cited by: 1•References: 9

    This paper seeks to put into perspective the current situation of preservation and performability of a certain Portuguese contemporary music, known as Portuguese musical avant-garde, focusing on the preservation of experimental music from 1960 onwards. This strives to problematise this subject by not only presenting the creative context to these specific musical works but also the main priorities around their documentation and preservation. Furth…

  • Miguel and Paula Azguime and the New Op-Era

    Andreia Nogueira•ARTICLE•Contemporary Music Review•2023

    Miguel and Paula Azguime are prominent figures in the contemporary art realm with a significant track record of interconnecting sound, text, poetry, movement, video, and live electronics. Together, they founded a new concept/project entitled New Op-Era that introduced a multimedia and creative collaboration in which the music and text of Miguel Azguime coexist with the staging and video composition of Paula Azguime in a truly symbiotic and innova…

  • NFTs and the Danger of Loss

    Open Access•Andreia Nogueira, Célio Gonçalo Marques et al.•ARTICLE•Heritage•2023•References: 3

    This research contributes to the discussion around the importance of the long-term preservation of non-fungible tokens (NFTs) and minted digital artworks. The paper is based on a review of the literature on blockchain in art and heritage management and conservation, with particular attention to references related to the production, marketing, maintenance, and distribution of NFT-based digital art. The aims of this paper involve anticipating poten…

Art (2 works) · Business (2 works) · Computer Science (2 works) · Contemporary classical music (2 works) · Diverse Musicological Studies (2 works) · Musical (2 works) · Visual arts (2 works) · Art history (1 works) · Art History and Market Analysis (1 works) · Artistic and Creative Research (1 works)

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