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Samuel Gilmore

Biographic Data

ID3686112
NAMESamuel Gilmore
GIVEN NAMESSamuel
FAMILY NAMEGilmore
SIGNATUREGILMORE S
AFFILIATIONSUniversity of California, Irvine
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS50
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2012
H-INDEX4
  • Producing Local Color: Art Networks in Ethnic Chicago

    Open Access•Samuel Gilmore•ARTICLE•Contemporary Sociology A Journal…•2012•Cited by: 1

  • Doing Culture Work: Negotiating Tradition and Authenticity in Filipino Folk Dance

    Samuel Gilmore•ARTICLE•Sociological Perspectives•2000•Cited by: 4•References: 19

    This article uses ethnographic interviews to examine the production of Filipino traditional dance in three separate settings in the Filipino American community: community associations , student ethnic organizations, and professional dance companies. Participants in each setting have used tradition making to pursue different cultural purposes: nostalgia in community associations; the celebration of ''cultural identity in student ethnic organizatio…

  • Cultural Rights: Technology, Legality and Personality

    Samuel Gilmore, Celia Lury et al.•ARTICLE•Contemporary Sociology A Journal…•1995

  • Minorities and Distributional Equity at the National Endowment for the Arts

    Samuel Gilmore•ARTICLE•The Journal of Arts Management…•1993

    Additional informationNotes on contributorsSamuel GilmoreSamuel Gilmore, an assistant professor of sociology at the University of California, Irvine, specializes in the study of artistic communities. He is currently researching issues in the development of a multicultural art world.

  • Tradition and novelty in concert programming: Bringing the artist back into cultural analysis

    Open Access•Samuel Gilmore•ARTICLE•Sociological Forum•1993•Cited by: 9•References: 14

  • Art Worlds: Developing the Interactionist Approach to Social Organization

    Samuel Gilmore•CHAPTER•Symbolic Interaction and Cultural…•1990

  • Different Worlds: A Sociological Study of Taste, Choice, and Success in Art.Liah Greenfeld

    Samuel Gilmore•ARTICLE•American Journal of Sociology•1990

  • Gossip: The Inside Scoop

    Samuel Gilmore•REVIEW•Contemporary Sociology A Journal…•1988

  • Schools of Activity and Innovation

    Open Access•Samuel Gilmore•ARTICLE•Sociological Quarterly•1988•Cited by: 19•References: 11

    Explanations of artistic innovation have generally focused on political or psychological factors influencing individual socialization. This article suggests an alternative approach focusing on the organizational processes in an art world, specifically the production of concert music. Concerts are produced through the collective activity of musical specialists. Compatible collaborators identify each other by constructing “schools of activity” that…

  • Coordination and Convention: The Organization of the Concert World

    Open Access•Samuel Gilmore•ARTICLE•Symbolic Interaction•1987•Cited by: 17•References: 8

    The organization of collaborative work is generally the focus of formal organization researchers. This article examines collaboration organized through an alternative framework, the 'social world.' The substantive focus is the concert world, where the interdependent activities of composition and performance are routinely coordinated to produce concerts. Coordination of these activities takes place through musical conventions, which act as an alte…

  • Music on Demand: Composers and Careers in the Hollywood Film Industry

    Samuel Gilmore, Robert Faulkner•REVIEW•Contemporary Sociology A Journal…•1984

  • On Becoming a Rock Musician. H. Stith Bennett

    Samuel Gilmore•ARTICLE•American Journal of Sociology•1982

  • Schools of Activity and Innovation

    Open Access•Samuel Gilmore•ARTICLE•Sociological Quarterly•1988•Cited by: 19•References: 11

    Explanations of artistic innovation have generally focused on political or psychological factors influencing individual socialization. This article suggests an alternative approach focusing on the organizational processes in an art world, specifically the production of concert music. Concerts are produced through the collective activity of musical specialists. Compatible collaborators identify each other by constructing “schools of activity” that…

  • Coordination and Convention: The Organization of the Concert World

    Open Access•Samuel Gilmore•ARTICLE•Symbolic Interaction•1987•Cited by: 17•References: 8

    The organization of collaborative work is generally the focus of formal organization researchers. This article examines collaboration organized through an alternative framework, the 'social world.' The substantive focus is the concert world, where the interdependent activities of composition and performance are routinely coordinated to produce concerts. Coordination of these activities takes place through musical conventions, which act as an alte…

  • Tradition and novelty in concert programming: Bringing the artist back into cultural analysis

    Open Access•Samuel Gilmore•ARTICLE•Sociological Forum•1993•Cited by: 9•References: 14

  • Doing Culture Work: Negotiating Tradition and Authenticity in Filipino Folk Dance

    Samuel Gilmore•ARTICLE•Sociological Perspectives•2000•Cited by: 4•References: 19

    This article uses ethnographic interviews to examine the production of Filipino traditional dance in three separate settings in the Filipino American community: community associations , student ethnic organizations, and professional dance companies. Participants in each setting have used tradition making to pursue different cultural purposes: nostalgia in community associations; the celebration of ''cultural identity in student ethnic organizatio…

  • Producing Local Color: Art Networks in Ethnic Chicago

    Open Access•Samuel Gilmore•ARTICLE•Contemporary Sociology A Journal…•2012•Cited by: 1

  • On Becoming a Rock Musician. H. Stith Bennett

    Samuel Gilmore•ARTICLE•American Journal of Sociology•1982

  • Music on Demand: Composers and Careers in the Hollywood Film Industry

    Samuel Gilmore, Robert Faulkner•REVIEW•Contemporary Sociology A Journal…•1984

  • Coordination and Convention: The Organization of the Concert World

    Open Access•Samuel Gilmore•ARTICLE•Symbolic Interaction•1987•Cited by: 17•References: 8

    The organization of collaborative work is generally the focus of formal organization researchers. This article examines collaboration organized through an alternative framework, the 'social world.' The substantive focus is the concert world, where the interdependent activities of composition and performance are routinely coordinated to produce concerts. Coordination of these activities takes place through musical conventions, which act as an alte…

  • Gossip: The Inside Scoop

    Samuel Gilmore•REVIEW•Contemporary Sociology A Journal…•1988

  • Schools of Activity and Innovation

    Open Access•Samuel Gilmore•ARTICLE•Sociological Quarterly•1988•Cited by: 19•References: 11

    Explanations of artistic innovation have generally focused on political or psychological factors influencing individual socialization. This article suggests an alternative approach focusing on the organizational processes in an art world, specifically the production of concert music. Concerts are produced through the collective activity of musical specialists. Compatible collaborators identify each other by constructing “schools of activity” that…

  • Art Worlds: Developing the Interactionist Approach to Social Organization

    Samuel Gilmore•CHAPTER•Symbolic Interaction and Cultural…•1990

  • Different Worlds: A Sociological Study of Taste, Choice, and Success in Art.Liah Greenfeld

    Samuel Gilmore•ARTICLE•American Journal of Sociology•1990

  • Minorities and Distributional Equity at the National Endowment for the Arts

    Samuel Gilmore•ARTICLE•The Journal of Arts Management…•1993

    Additional informationNotes on contributorsSamuel GilmoreSamuel Gilmore, an assistant professor of sociology at the University of California, Irvine, specializes in the study of artistic communities. He is currently researching issues in the development of a multicultural art world.

  • Tradition and novelty in concert programming: Bringing the artist back into cultural analysis

    Open Access•Samuel Gilmore•ARTICLE•Sociological Forum•1993•Cited by: 9•References: 14

  • Cultural Rights: Technology, Legality and Personality

    Samuel Gilmore, Celia Lury et al.•ARTICLE•Contemporary Sociology A Journal…•1995

  • Doing Culture Work: Negotiating Tradition and Authenticity in Filipino Folk Dance

    Samuel Gilmore•ARTICLE•Sociological Perspectives•2000•Cited by: 4•References: 19

    This article uses ethnographic interviews to examine the production of Filipino traditional dance in three separate settings in the Filipino American community: community associations , student ethnic organizations, and professional dance companies. Participants in each setting have used tradition making to pursue different cultural purposes: nostalgia in community associations; the celebration of ''cultural identity in student ethnic organizatio…

  • Producing Local Color: Art Networks in Ethnic Chicago

    Open Access•Samuel Gilmore•ARTICLE•Contemporary Sociology A Journal…•2012•Cited by: 1

Sociology (9 works) · Art (8 works) · Social science (6 works) · Computer Science (5 works) · Political science (5 works) · Social and Cultural Dynamics (5 works) · Visual arts (5 works) · Law (4 works) · Psychology (4 works) · Aesthetics (3 works)

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