Woodman Taylor
Biographic Data
| ID | 3686859 |
|---|---|
| NAME | Woodman Taylor |
| GIVEN NAMES | Woodman |
| FAMILY NAME | Taylor |
| SIGNATURE | TAYLOR W |
| AFFILIATIONS | University of Illinois Chicago |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 2 |
Agency and Affectivity of Paintings
Numerous roles given to prints, paintings, and photographs in contemporary Hindu religious practices can be traced to changes in the ritual status of paintings. By advocating an ontological shift to a purified non-dualism called shuddhadvaita, the sixteenth-century religious philosopher Vallabhacharya established a new Hindu community who subsequently developed their own elaborate traditions of ritual that allowed devotees to personally interact …
Indian subcontinent
Art periodicals in Asia
Penetrating gazes
Following a sequence of visually stunning dance routines accompanied by sounds of sung poetry, the climax for most popular Indian films is the intense exchange of gazes between the lover and beloved. This exchange of penetrating gazes not only expresses sexual desire but, in a move beyond voyeurism, signifies a physical interaction through vision. This intense and even tactile gaze relies on two different notions of vision: that of drishti, activ…
Penetrating gazes
Following a sequence of visually stunning dance routines accompanied by sounds of sung poetry, the climax for most popular Indian films is the intense exchange of gazes between the lover and beloved. This exchange of penetrating gazes not only expresses sexual desire but, in a move beyond voyeurism, signifies a physical interaction through vision. This intense and even tactile gaze relies on two different notions of vision: that of drishti, activ…
Agency and Affectivity of Paintings
Numerous roles given to prints, paintings, and photographs in contemporary Hindu religious practices can be traced to changes in the ritual status of paintings. By advocating an ontological shift to a purified non-dualism called shuddhadvaita, the sixteenth-century religious philosopher Vallabhacharya established a new Hindu community who subsequently developed their own elaborate traditions of ritual that allowed devotees to personally interact …
Penetrating gazes
Following a sequence of visually stunning dance routines accompanied by sounds of sung poetry, the climax for most popular Indian films is the intense exchange of gazes between the lover and beloved. This exchange of penetrating gazes not only expresses sexual desire but, in a move beyond voyeurism, signifies a physical interaction through vision. This intense and even tactile gaze relies on two different notions of vision: that of drishti, activ…
Indian subcontinent
Art periodicals in Asia
Agency and Affectivity of Paintings
Numerous roles given to prints, paintings, and photographs in contemporary Hindu religious practices can be traced to changes in the ritual status of paintings. By advocating an ontological shift to a purified non-dualism called shuddhadvaita, the sixteenth-century religious philosopher Vallabhacharya established a new Hindu community who subsequently developed their own elaborate traditions of ritual that allowed devotees to personally interact …
Art (3 works) · Aesthetics (2 works) · History (2 works) · Literature (2 works) · Painting (2 works) · Philosophy (2 works) · Visual arts (2 works) · Ancient history (1 work) · Anthropological Studies and Insights (1 work) · Art history (1 work)