Koko Kondo
Dados Biográficos
| ID | 3687870 |
|---|---|
| NOME | Koko Kondo |
| PRENOMES | Koko |
| SOBRENOME | Kondo |
| ASSINATURA | KONDO K |
| AFILIAÇÕES | University of Westminster |
| ORCID | 0000-0002-2496-0239 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
The very latest, modom’
Content marketing involves the production of creative content by organisations to engage and develop relations with consumers. It has been practiced since at least the eighteenth century. Despite its longevity, there has been no detailed historical study of content marketing. This article seeks to fill this lacuna by examining the use of content marketing by the British gas industry in the interwar period (1918–1939). During this period, the gas …
Provocative engagement
Through an analysis of The Act of Killing (2012) and The Look of Silence (2014), this article explores the idea of provocative engagement as a way of extending our understanding of the affective dimensions of documentary and its role in civic engagement. The study draws on qualitative research, based on interviews with the filmmaker, and interviews with 52 viewers in Denmark, Sweden, Japan and Colombia. This data is used to explore the idea of su…
Live reality television
This article focuses on production and reception practices for live reality television using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance, there was a play off between the value…
Provocative engagement
Through an analysis of The Act of Killing (2012) and The Look of Silence (2014), this article explores the idea of provocative engagement as a way of extending our understanding of the affective dimensions of documentary and its role in civic engagement. The study draws on qualitative research, based on interviews with the filmmaker, and interviews with 52 viewers in Denmark, Sweden, Japan and Colombia. This data is used to explore the idea of su…
Live reality television
This article focuses on production and reception practices for live reality television using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance, there was a play off between the value…
Provocative engagement
Through an analysis of The Act of Killing (2012) and The Look of Silence (2014), this article explores the idea of provocative engagement as a way of extending our understanding of the affective dimensions of documentary and its role in civic engagement. The study draws on qualitative research, based on interviews with the filmmaker, and interviews with 52 viewers in Denmark, Sweden, Japan and Colombia. This data is used to explore the idea of su…
Live reality television
This article focuses on production and reception practices for live reality television using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance, there was a play off between the value…
The very latest, modom’
Content marketing involves the production of creative content by organisations to engage and develop relations with consumers. It has been practiced since at least the eighteenth century. Despite its longevity, there has been no detailed historical study of content marketing. This article seeks to fill this lacuna by examining the use of content marketing by the British gas industry in the interwar period (1918–1939). During this period, the gas …
Political science (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Business (2 obras) · Cinema and Media Studies (2 obras) · Media studies (2 obras) · Sociology (2 obras) · Visual arts (2 obras) · Advertising (1 obras) · Association (psychology (1 obras)