Hanne Bruun
Biographic Data
| ID | 3687874 |
|---|---|
| NAME | Hanne Bruun |
| GIVEN NAMES | Hanne |
| FAMILY NAME | Bruun |
| SIGNATURE | BRUUN H |
| AFFILIATIONS | Aarhus University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 27 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark
This article addresses the development of new scheduling practices within public service media (PSM) in the Nordic, focusing on DR and TV 2 in Denmark. These practices relate to in-house broadcaster-video-on-demand-services (BVoDs). Our findings show, first, that television's time-structured identity and liveness are re-configured for a mainstream audience as opposed to the segmented audiences approach of the earlier multi-channel era. Second, we…
Time and timing-A methodological perspective on production analysis
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al, 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter …
Re-scheduling Television in the Digital Era
This book explores how the television industry is adapting its production culture and professional practises of scheduling to an increasingly non-linear television paradigm, a testing ground where different communicative tools are tried out in a volatile industry. Based on four case studies the book argues that a new television paradigm is being produced from within the multiplatform television organisations themselves in order to adapt to changi…
Producing the on-air schedule in Danish public service television in the digital era
This article presents results from a production study on how the on-air schedule is changing in the digital era at the Danish public service broadcaster, TV 2. TV 2's multichannel and increasingly non-linear television portfolio has a profound impact on the production practices involved in order to meet the public service obligations. The analysis shows that the producers develop new ways to secure an audience of scale under these conditions. So …
Tid og timing: Et metodisk perspektiv på produktionsanalyse
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al., 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter…
The Qualitative Interview in Media Production Studies
In media production studies the qualitative research interview is frequently used as a tool in the generation of data, and thus in building the analytical object. However, the research contributions—including my own work—contain only to a very limited degree methodological reflections on what characterizes this kind of research interview and its application in the given analytical context. This somewhat paradoxical situation is particularly strik…
Conceptualizations of the audience in political talk show production
This article presents and discusses the changing conceptualizations of the audience at work in the production culture of political talk shows in PSM (public service media) in Denmark. Based on findings from a case study of the Danish political talk show Debatten [The Debate], this article suggests that an audience-as-social-segments model seems to be emerging in the PSM organization DR. The model is used to manage the medium–viewer relationship i…
Genre in media production
How do we explain changes in media genres? Are they the result of economic, technological or other kinds of structural forces; or are they the result of the change-producing agency of the media producers? And how are changes in media texts connected to contextual conditions for media production on micro-, meso- or macro levels? This article suggests that a theoretical approach using a pragmatic and socio-cognitive understanding of genre will help…
Genre and interpretation in production: A theoretical approach
Global tv-genre og komplekse nærhedsoplevelser
Hanne Bruun: A global TV-genre and the complexity of proximity Television is often considered an agent of cultural globalization, and the American television industry is often equated with globalization in part due to the ability of its genre’s to travel. Media reception studies show the viewers’ expectations of a genre are influenced by these television genres. But such studies also show that the cultural origin of television products plays an i…
Mediegenre, identifikation og reception
I artiklen sætter forfatterne fokus på forholdet mellem personer, der ser på personer i tv. Udgangspunktet er receptionsanalysen og den motiva- tion for tv-sening, der er forbundet med, at tv-seere relaterer sig til og identificerer sig med personer, der optræder på tv (tv-værter, medvir- kende osv.). Med afsæt i en funktionsorienteret definition af genrebe- grebet (forskellige genrer etablerer forskellige forventninger, indlevel- ser osv. hos mo…
Radioæstetik og analysemetode
Radio er et vanskeligt medie både som undervisnings- og analyseobjekt. Det skyldes dets flygtige karakter: Et lydlligt forløb i tid, hvor man ikke kan 'bladre' som i en avis eller bog. Og heller ikke anvende billedets rum- og tidsangivelser, som ved analyser af film og TV. Billedet støtter hukommel- sen og gør visse dele af analysen mere entydig. Denne artikel er en række forslag til beskrivelsesmåder og begreber, der kan anvendes ved analyse af …
Producing the on-air schedule in Danish public service television in the digital era
This article presents results from a production study on how the on-air schedule is changing in the digital era at the Danish public service broadcaster, TV 2. TV 2's multichannel and increasingly non-linear television portfolio has a profound impact on the production practices involved in order to meet the public service obligations. The analysis shows that the producers develop new ways to secure an audience of scale under these conditions. So …
Conceptualizations of the audience in political talk show production
This article presents and discusses the changing conceptualizations of the audience at work in the production culture of political talk shows in PSM (public service media) in Denmark. Based on findings from a case study of the Danish political talk show Debatten [The Debate], this article suggests that an audience-as-social-segments model seems to be emerging in the PSM organization DR. The model is used to manage the medium–viewer relationship i…
Radioæstetik og analysemetode
Radio er et vanskeligt medie både som undervisnings- og analyseobjekt. Det skyldes dets flygtige karakter: Et lydlligt forløb i tid, hvor man ikke kan 'bladre' som i en avis eller bog. Og heller ikke anvende billedets rum- og tidsangivelser, som ved analyser af film og TV. Billedet støtter hukommel- sen og gør visse dele af analysen mere entydig. Denne artikel er en række forslag til beskrivelsesmåder og begreber, der kan anvendes ved analyse af …
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark
This article addresses the development of new scheduling practices within public service media (PSM) in the Nordic, focusing on DR and TV 2 in Denmark. These practices relate to in-house broadcaster-video-on-demand-services (BVoDs). Our findings show, first, that television's time-structured identity and liveness are re-configured for a mainstream audience as opposed to the segmented audiences approach of the earlier multi-channel era. Second, we…
Tid og timing: Et metodisk perspektiv på produktionsanalyse
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al., 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter…
Genre in media production
How do we explain changes in media genres? Are they the result of economic, technological or other kinds of structural forces; or are they the result of the change-producing agency of the media producers? And how are changes in media texts connected to contextual conditions for media production on micro-, meso- or macro levels? This article suggests that a theoretical approach using a pragmatic and socio-cognitive understanding of genre will help…
Genre and interpretation in production: A theoretical approach
Time and timing-A methodological perspective on production analysis
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al, 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter …
Mediegenre, identifikation og reception
I artiklen sætter forfatterne fokus på forholdet mellem personer, der ser på personer i tv. Udgangspunktet er receptionsanalysen og den motiva- tion for tv-sening, der er forbundet med, at tv-seere relaterer sig til og identificerer sig med personer, der optræder på tv (tv-værter, medvir- kende osv.). Med afsæt i en funktionsorienteret definition af genrebe- grebet (forskellige genrer etablerer forskellige forventninger, indlevel- ser osv. hos mo…
Radioæstetik og analysemetode
Radio er et vanskeligt medie både som undervisnings- og analyseobjekt. Det skyldes dets flygtige karakter: Et lydlligt forløb i tid, hvor man ikke kan 'bladre' som i en avis eller bog. Og heller ikke anvende billedets rum- og tidsangivelser, som ved analyser af film og TV. Billedet støtter hukommel- sen og gør visse dele af analysen mere entydig. Denne artikel er en række forslag til beskrivelsesmåder og begreber, der kan anvendes ved analyse af …
Mediegenre, identifikation og reception
I artiklen sætter forfatterne fokus på forholdet mellem personer, der ser på personer i tv. Udgangspunktet er receptionsanalysen og den motiva- tion for tv-sening, der er forbundet med, at tv-seere relaterer sig til og identificerer sig med personer, der optræder på tv (tv-værter, medvir- kende osv.). Med afsæt i en funktionsorienteret definition af genrebe- grebet (forskellige genrer etablerer forskellige forventninger, indlevel- ser osv. hos mo…
Global tv-genre og komplekse nærhedsoplevelser
Hanne Bruun: A global TV-genre and the complexity of proximity Television is often considered an agent of cultural globalization, and the American television industry is often equated with globalization in part due to the ability of its genre’s to travel. Media reception studies show the viewers’ expectations of a genre are influenced by these television genres. But such studies also show that the cultural origin of television products plays an i…
Genre and interpretation in production: A theoretical approach
Genre in media production
How do we explain changes in media genres? Are they the result of economic, technological or other kinds of structural forces; or are they the result of the change-producing agency of the media producers? And how are changes in media texts connected to contextual conditions for media production on micro-, meso- or macro levels? This article suggests that a theoretical approach using a pragmatic and socio-cognitive understanding of genre will help…
Conceptualizations of the audience in political talk show production
This article presents and discusses the changing conceptualizations of the audience at work in the production culture of political talk shows in PSM (public service media) in Denmark. Based on findings from a case study of the Danish political talk show Debatten [The Debate], this article suggests that an audience-as-social-segments model seems to be emerging in the PSM organization DR. The model is used to manage the medium–viewer relationship i…
The Qualitative Interview in Media Production Studies
In media production studies the qualitative research interview is frequently used as a tool in the generation of data, and thus in building the analytical object. However, the research contributions—including my own work—contain only to a very limited degree methodological reflections on what characterizes this kind of research interview and its application in the given analytical context. This somewhat paradoxical situation is particularly strik…
Tid og timing: Et metodisk perspektiv på produktionsanalyse
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al., 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter…
Producing the on-air schedule in Danish public service television in the digital era
This article presents results from a production study on how the on-air schedule is changing in the digital era at the Danish public service broadcaster, TV 2. TV 2's multichannel and increasingly non-linear television portfolio has a profound impact on the production practices involved in order to meet the public service obligations. The analysis shows that the producers develop new ways to secure an audience of scale under these conditions. So …
Re-scheduling Television in the Digital Era
This book explores how the television industry is adapting its production culture and professional practises of scheduling to an increasingly non-linear television paradigm, a testing ground where different communicative tools are tried out in a volatile industry. Based on four case studies the book argues that a new television paradigm is being produced from within the multiplatform television organisations themselves in order to adapt to changi…
Time and timing-A methodological perspective on production analysis
In recent years, media production studies have grown into a thriving field of research, which has given rise to a discussion of the theoretical and methodological approaches it employs (Paterson et al, 2016; Frandsen, 2007; Bruun, 2010, 2016b). This article is a contribution to this development. The focal point is a discussion of how time and timing are important in media production research. The article points out that time is not just a matter …
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark
This article addresses the development of new scheduling practices within public service media (PSM) in the Nordic, focusing on DR and TV 2 in Denmark. These practices relate to in-house broadcaster-video-on-demand-services (BVoDs). Our findings show, first, that television's time-structured identity and liveness are re-configured for a mainstream audience as opposed to the segmented audiences approach of the earlier multi-channel era. Second, we…
Computer Science (9 works) · Sociology (9 works) · Media Studies and Communication (7 works) · Political science (7 works) · Production (economics (5 works) · Public relations (5 works) · Business (4 works) · Economics (4 works) · Epistemology (4 works) · Media studies (4 works)