Hollie Price
Biographic Data
| ID | 3687907 |
|---|---|
| NAME | Hollie Price |
| GIVEN NAMES | Hollie |
| FAMILY NAME | Price |
| SIGNATURE | PRICE H |
| AFFILIATIONS | Keele University |
| ORCID | 0000-0002-6246-2986 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
New Wave Women: Paying Attention to Brenda and Doreen in Saturday Night and Sunday Morning
Scholarship in British film history has tended to suggest that the female characters in New Wave films are marginalised, dismissively associated with the trappings of consumer culture and responsible for the ultimate containment of their ‘Angry Young Men’ protagonists. In Sex, Class and Realism, which was published in 1986, John Hill situates the New Wave in relation to broader socio-economic and cultural changes in post-war Britain, including wo…
Post-war girlhoods: Jill Craigie, British social realism and local stardom
Jill Craigie and the BBC: Postwar television, feminist histories and modern femininities
Using the BBC Written Archives Centre's records, this working paper explores a documentary about the suffragettes written by feminist, socialist filmmaker Jill Craigie for the BBC in 1949 - illuminating her previously unconsidered efforts to bring the women's movement to life in an innovative, modern way on the small screen. Although Craigie later withdrew from this project, this paper explores how archival traces of Craigie's television work off…
‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute
In the 1930s, the documentary film movement had experimented with non-theatrical distribution and this was championed by John Grierson, who claimed that the ‘future of cinema ... may creep in quietly by way of the YMCAs, the church halls and other citadels of suburban improvement’. This article explores the wartime evolution of this idea by expanding on the Ministry of Information's (MoI) organisation of mobile film shows in practice: uncovering …
‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute
In the 1930s, the documentary film movement had experimented with non-theatrical distribution and this was championed by John Grierson, who claimed that the ‘future of cinema ... may creep in quietly by way of the YMCAs, the church halls and other citadels of suburban improvement’. This article explores the wartime evolution of this idea by expanding on the Ministry of Information's (MoI) organisation of mobile film shows in practice: uncovering …
Post-war girlhoods: Jill Craigie, British social realism and local stardom
Jill Craigie and the BBC: Postwar television, feminist histories and modern femininities
Using the BBC Written Archives Centre's records, this working paper explores a documentary about the suffragettes written by feminist, socialist filmmaker Jill Craigie for the BBC in 1949 - illuminating her previously unconsidered efforts to bring the women's movement to life in an innovative, modern way on the small screen. Although Craigie later withdrew from this project, this paper explores how archival traces of Craigie's television work off…
New Wave Women: Paying Attention to Brenda and Doreen in Saturday Night and Sunday Morning
Scholarship in British film history has tended to suggest that the female characters in New Wave films are marginalised, dismissively associated with the trappings of consumer culture and responsible for the ultimate containment of their ‘Angry Young Men’ protagonists. In Sex, Class and Realism, which was published in 1986, John Hill situates the New Wave in relation to broader socio-economic and cultural changes in post-war Britain, including wo…
Art (3 works) · Art history (3 works) · History (3 works) · Media studies (3 works) · Sociology (3 works) · French Historical and Cultural Studies (2 works) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (2 works) · Movie theater (2 works) · Visual arts (2 works) · Australian History and Society (1 works)