Sarita Malik
Datos Biográficos
| ID | 3687917 |
|---|---|
| NOMBRE | Sarita Malik |
| NOMBRES | Sarita |
| APELLIDO | Malik |
| FIRMA | MALIK S |
| AFILIACIONES | Brunel University of London |
| ORCID | 0000-0002-0985-5246 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 18 |
| TOTAL DE CITAS | 60 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 4 |
A sociological approach to the rights and dignity of nature
This article offers a sociological analysis of the global Rights of Nature movement, positioning dignity, repair, and socio-ecological justice at its heart. While Rights of Nature has gained traction across environmental law, Indigenous politics, and ecological science, Sociology has largely overlooked its implications, despite the deeply social origins and unequal consequences of ecological harm. To address this, the article integrates Cultural …
Governing diversity through AI
Public service media are adopting artificial intelligence at a moment when diversity, equity and inclusion policies are increasingly politicised. Drawing on comparative qualitative research in the United Kingdom and Australia, this article examines how AI is embedded within Public Service Media governance and platformised audience infrastructures. We argue that AI operates not merely as a technical tool but as a cultural and institutional logic t…
Becoming Bame
This article examines the politics of racialised terminology through the first sociolinguistic, cultural analysis of the acronym BAME (Black, Asian and Minority Ethnic) in the UK. Using a mixed methods approach, we present an analysis of how this collective term of ethnic difference is used across parliamentary discourse, news articles, and social media spaces, identifying a rise in the term since 2014, but also evidence of a decline since 2022, …
Reflections on representing Black Britain
This short essay forms part of the special issue What Was Cultural Economy? The issue has its origins in a January 2020 symposium, held at City, University of London, marking two decades since Paul du Gay and Michael Pryke convened a ‘Workshop on Cultural Economy’ at the Open University in Milton Keynes. That earlier event culminated in the publication of the edited collection Cultural Economy: Cultural Analysis and Commercial Life [du Gay, P., a…
Creativity and resistance in a hostile world
What can culture, and its manifestations in artistic and creative forms, 'do'? Creativity and resistance in a hostile world draws on original collaborative research that brings together a range of stories and perspectives on the role of creativity and resistance in a hostile world. In times of racial nationalism across the world, this volume seeks to understand how creative acts have agitated for social change. The book suggests that creative act…
June Givanni's Pan-African Cinema Archive
What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive…
Voicing lived-experience and anti-racism
Almost 18 years after the podcast medium first emerged, 2018 has witnessed its resurgence. With approximately six million (11%) of the UK population now listening to podcasts in an average week, the podcast renaissance raises new questions about the relationship between cultural production, consumption and representation. This paper explores the significance of the new wave of podcasts, specifically with regards to racial politics in the UK and i…
Cultural discourses and practices of institutionalised diversity in the UK film sector
Diversity' is an evolving dimension of discursive debates within publicly funded parts of the UK media. This article considers how representations of racial diversity in cinema were articulated in a particular moment in recent history. It traces the relationship between the broader New Labour neoliberal agenda of the late 1990s and the UK Film Council's (UKFC) New Cinema Fund, the key funding mechanism for supporting black British cinema at the t…
Rethinking cultural diversity in the UK film sector
Academic, policy and industry debates have tended to focus on the mainstream film sector when discussing cultural diversity. One of the persistent challenges for the sector has been how to diversify cultural representation and participation. This article suggests that participatory modes of community filmmaking make an important contribution to cultural diversity. Drawing on an evidence base derived from qualitative research conducted in three En…
Estimated Maternal Pesticide Exposure from Drinking Water and Heart Defects in Offspring
Our objective was to examine the relationship between estimated maternal exposure to pesticides in public drinking water and the risk of congenital heart defects (CHD). We used mixed-effects logistic regression to analyze data from 18,291 nonsyndromic cases with heart defects from the Texas Birth Defects Registry and 4414 randomly-selected controls delivered in Texas from 1999 through 2005. Water district-level pesticide exposure was estimated by…
Creative Diversity”
Through a critical review of recent literature and policy concepts, this article puts together history and analysis to consider the relationship between race and UK public service broadcasting. Building on earlier work that recognizes a paradigmatic shift from multiculturalism to cultural diversity, this article identifies a third phase, “creative diversity.” Creative diversity provides a further incremental depoliticization of race in public ser…
The Indian Family on UK Reality Television
This article demonstrates how The Family (2009), a fly-on-the wall UK reality series about a British Indian family, facilitates both current public service broadcasting requirements and mass audience appeal. From a critical cultural studies perspective, the author examines the journalistic and viewer responses to the series where authenticity, universality, and comedy emerge as major themes. Textual analysis of the racialized screen representatio…
From multicultural programming to diasporic television
Filmmaker, Asif Kapadia, interviewed by Sarita Malik
Asif Kapadia is one of the most exciting filmmakers today. Born in 1972, and raised in Hackney, London, he went on to study at the Royal College of Art in London. His graduation short, The Sheep Thief (1997), was awarded the Jury Prize at Cannes. This was a critical turning‐point in Kapadia's career and led to the making of his first feature film, The Warrior (2001), produced by Film Four. It is described by Kapadia as a samurai film set in India…
Introduction to the cinema issue
This special issue of South Asian Popular Culture grew out of an Arts and Humanities Research Council (AHRC) Network that I have been involved with since 2006. The ‘Migrant and Diasporic cinema in
Keeping it real
This article is a post-print version of the published article which may be viewed at the link below. © The Author 2008. Published by Oxford University Press on behalf of Screen. All rights reserved
The Industrial Context of Migrant and Diasporic Cinema in Europe 12th–13th January, 2007, Institute of Germanic and Romance Studies, London
Representing Black Britain
This volume offers the first critical history of black and Asian representation on British television from the earliest days of broadcasting to the present day.
Creative Diversity”
Through a critical review of recent literature and policy concepts, this article puts together history and analysis to consider the relationship between race and UK public service broadcasting. Building on earlier work that recognizes a paradigmatic shift from multiculturalism to cultural diversity, this article identifies a third phase, “creative diversity.” Creative diversity provides a further incremental depoliticization of race in public ser…
Keeping it real
This article is a post-print version of the published article which may be viewed at the link below. © The Author 2008. Published by Oxford University Press on behalf of Screen. All rights reserved
Voicing lived-experience and anti-racism
Almost 18 years after the podcast medium first emerged, 2018 has witnessed its resurgence. With approximately six million (11%) of the UK population now listening to podcasts in an average week, the podcast renaissance raises new questions about the relationship between cultural production, consumption and representation. This paper explores the significance of the new wave of podcasts, specifically with regards to racial politics in the UK and i…
Cultural discourses and practices of institutionalised diversity in the UK film sector
Diversity' is an evolving dimension of discursive debates within publicly funded parts of the UK media. This article considers how representations of racial diversity in cinema were articulated in a particular moment in recent history. It traces the relationship between the broader New Labour neoliberal agenda of the late 1990s and the UK Film Council's (UKFC) New Cinema Fund, the key funding mechanism for supporting black British cinema at the t…
The Indian Family on UK Reality Television
This article demonstrates how The Family (2009), a fly-on-the wall UK reality series about a British Indian family, facilitates both current public service broadcasting requirements and mass audience appeal. From a critical cultural studies perspective, the author examines the journalistic and viewer responses to the series where authenticity, universality, and comedy emerge as major themes. Textual analysis of the racialized screen representatio…
Reflections on representing Black Britain
This short essay forms part of the special issue What Was Cultural Economy? The issue has its origins in a January 2020 symposium, held at City, University of London, marking two decades since Paul du Gay and Michael Pryke convened a ‘Workshop on Cultural Economy’ at the Open University in Milton Keynes. That earlier event culminated in the publication of the edited collection Cultural Economy: Cultural Analysis and Commercial Life [du Gay, P., a…
From multicultural programming to diasporic television
June Givanni's Pan-African Cinema Archive
What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive…
Representing Black Britain
This volume offers the first critical history of black and Asian representation on British television from the earliest days of broadcasting to the present day.
The Industrial Context of Migrant and Diasporic Cinema in Europe 12th–13th January, 2007, Institute of Germanic and Romance Studies, London
Keeping it real
This article is a post-print version of the published article which may be viewed at the link below. © The Author 2008. Published by Oxford University Press on behalf of Screen. All rights reserved
Filmmaker, Asif Kapadia, interviewed by Sarita Malik
Asif Kapadia is one of the most exciting filmmakers today. Born in 1972, and raised in Hackney, London, he went on to study at the Royal College of Art in London. His graduation short, The Sheep Thief (1997), was awarded the Jury Prize at Cannes. This was a critical turning‐point in Kapadia's career and led to the making of his first feature film, The Warrior (2001), produced by Film Four. It is described by Kapadia as a samurai film set in India…
Introduction to the cinema issue
This special issue of South Asian Popular Culture grew out of an Arts and Humanities Research Council (AHRC) Network that I have been involved with since 2006. The ‘Migrant and Diasporic cinema in
From multicultural programming to diasporic television
The Indian Family on UK Reality Television
This article demonstrates how The Family (2009), a fly-on-the wall UK reality series about a British Indian family, facilitates both current public service broadcasting requirements and mass audience appeal. From a critical cultural studies perspective, the author examines the journalistic and viewer responses to the series where authenticity, universality, and comedy emerge as major themes. Textual analysis of the racialized screen representatio…
Creative Diversity”
Through a critical review of recent literature and policy concepts, this article puts together history and analysis to consider the relationship between race and UK public service broadcasting. Building on earlier work that recognizes a paradigmatic shift from multiculturalism to cultural diversity, this article identifies a third phase, “creative diversity.” Creative diversity provides a further incremental depoliticization of race in public ser…
Rethinking cultural diversity in the UK film sector
Academic, policy and industry debates have tended to focus on the mainstream film sector when discussing cultural diversity. One of the persistent challenges for the sector has been how to diversify cultural representation and participation. This article suggests that participatory modes of community filmmaking make an important contribution to cultural diversity. Drawing on an evidence base derived from qualitative research conducted in three En…
Estimated Maternal Pesticide Exposure from Drinking Water and Heart Defects in Offspring
Our objective was to examine the relationship between estimated maternal exposure to pesticides in public drinking water and the risk of congenital heart defects (CHD). We used mixed-effects logistic regression to analyze data from 18,291 nonsyndromic cases with heart defects from the Texas Birth Defects Registry and 4414 randomly-selected controls delivered in Texas from 1999 through 2005. Water district-level pesticide exposure was estimated by…
Cultural discourses and practices of institutionalised diversity in the UK film sector
Diversity' is an evolving dimension of discursive debates within publicly funded parts of the UK media. This article considers how representations of racial diversity in cinema were articulated in a particular moment in recent history. It traces the relationship between the broader New Labour neoliberal agenda of the late 1990s and the UK Film Council's (UKFC) New Cinema Fund, the key funding mechanism for supporting black British cinema at the t…
Voicing lived-experience and anti-racism
Almost 18 years after the podcast medium first emerged, 2018 has witnessed its resurgence. With approximately six million (11%) of the UK population now listening to podcasts in an average week, the podcast renaissance raises new questions about the relationship between cultural production, consumption and representation. This paper explores the significance of the new wave of podcasts, specifically with regards to racial politics in the UK and i…
Creativity and resistance in a hostile world
What can culture, and its manifestations in artistic and creative forms, 'do'? Creativity and resistance in a hostile world draws on original collaborative research that brings together a range of stories and perspectives on the role of creativity and resistance in a hostile world. In times of racial nationalism across the world, this volume seeks to understand how creative acts have agitated for social change. The book suggests that creative act…
June Givanni's Pan-African Cinema Archive
What is the role of cultural archives in creating and sustaining connections between diasporic communities? Through an analysis of an audiovisual archive that has sought to bring together representations of and by African, Caribbean and Asian people, this article discusses the relationship between diasporic film, knowledge production and feminist solidarity. Focusing on a self-curated, UK-based archive, the June Givanni Pan-African Cinema Archive…
Reflections on representing Black Britain
This short essay forms part of the special issue What Was Cultural Economy? The issue has its origins in a January 2020 symposium, held at City, University of London, marking two decades since Paul du Gay and Michael Pryke convened a ‘Workshop on Cultural Economy’ at the Open University in Milton Keynes. That earlier event culminated in the publication of the edited collection Cultural Economy: Cultural Analysis and Commercial Life [du Gay, P., a…
Becoming Bame
This article examines the politics of racialised terminology through the first sociolinguistic, cultural analysis of the acronym BAME (Black, Asian and Minority Ethnic) in the UK. Using a mixed methods approach, we present an analysis of how this collective term of ethnic difference is used across parliamentary discourse, news articles, and social media spaces, identifying a rise in the term since 2014, but also evidence of a decline since 2022, …
A sociological approach to the rights and dignity of nature
This article offers a sociological analysis of the global Rights of Nature movement, positioning dignity, repair, and socio-ecological justice at its heart. While Rights of Nature has gained traction across environmental law, Indigenous politics, and ecological science, Sociology has largely overlooked its implications, despite the deeply social origins and unequal consequences of ecological harm. To address this, the article integrates Cultural …
Governing diversity through AI
Public service media are adopting artificial intelligence at a moment when diversity, equity and inclusion policies are increasingly politicised. Drawing on comparative qualitative research in the United Kingdom and Australia, this article examines how AI is embedded within Public Service Media governance and platformised audience infrastructures. We argue that AI operates not merely as a technical tool but as a cultural and institutional logic t…
Sociology (11 obras) · Media studies (10 obras) · Political science (10 obras) · Law (8 obras) · History (7 obras) · Cinema and Media Studies (6 obras) · South Asian Cinema and Culture (6 obras) · Art (5 obras) · Gender Studies (5 obras) · Law (5 obras)