Julia Hallam
Biographic Data
| ID | 3687985 |
|---|---|
| NAME | Julia Hallam |
| GIVEN NAMES | Julia |
| FAMILY NAME | Hallam |
| SIGNATURE | HALLAM J |
| AFFILIATIONS | University of Liverpool |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Drama queens
Women have been making popular television drama for the ‘female’ audience since the early days of television in the UK, yet it is only in relatively recent times that their contribution to daytime series and early evening soap has extended to the primetime ‘quality’ slot in the mid-evening schedule. As I have argued elsewhere, female producers such as Verity Lambert and Lavinia Warner played an important role in commissioning works focused on fem…
Mapping, memory and the city
This article critically assesses the role and broader applications of a place-based moving image database and online catalogue in researching film and cities. Unlike the sprawling metropolises of Berlin, London or New York (the archetypical ‘cinematic cities’), a medium-sized provincial city such as Liverpool offers a more localized urban landscape conducive to place-based studies of film. The form and structure of the database plays a crucial ro…
Independent Women
Framing experience
Framing experience: case studies in the reception of Oranges are Not the Only Fruit Get access Julia Hallam, Julia Hallam Search for other works by this author on: Oxford Academic Google Scholar Margaret Marshment Margaret Marshment Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 36, Issue 1, Spring 1995, Pages 1–15, https://doi.org/10.1093/screen/36.1.1 Published: 01 March 1995
Drama queens
Women have been making popular television drama for the ‘female’ audience since the early days of television in the UK, yet it is only in relatively recent times that their contribution to daytime series and early evening soap has extended to the primetime ‘quality’ slot in the mid-evening schedule. As I have argued elsewhere, female producers such as Verity Lambert and Lavinia Warner played an important role in commissioning works focused on fem…
Mapping, memory and the city
This article critically assesses the role and broader applications of a place-based moving image database and online catalogue in researching film and cities. Unlike the sprawling metropolises of Berlin, London or New York (the archetypical ‘cinematic cities’), a medium-sized provincial city such as Liverpool offers a more localized urban landscape conducive to place-based studies of film. The form and structure of the database plays a crucial ro…
Framing experience
Framing experience: case studies in the reception of Oranges are Not the Only Fruit Get access Julia Hallam, Julia Hallam Search for other works by this author on: Oxford Academic Google Scholar Margaret Marshment Margaret Marshment Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 36, Issue 1, Spring 1995, Pages 1–15, https://doi.org/10.1093/screen/36.1.1 Published: 01 March 1995
Framing experience
Framing experience: case studies in the reception of Oranges are Not the Only Fruit Get access Julia Hallam, Julia Hallam Search for other works by this author on: Oxford Academic Google Scholar Margaret Marshment Margaret Marshment Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 36, Issue 1, Spring 1995, Pages 1–15, https://doi.org/10.1093/screen/36.1.1 Published: 01 March 1995
Independent Women
Mapping, memory and the city
This article critically assesses the role and broader applications of a place-based moving image database and online catalogue in researching film and cities. Unlike the sprawling metropolises of Berlin, London or New York (the archetypical ‘cinematic cities’), a medium-sized provincial city such as Liverpool offers a more localized urban landscape conducive to place-based studies of film. The form and structure of the database plays a crucial ro…
Drama queens
Women have been making popular television drama for the ‘female’ audience since the early days of television in the UK, yet it is only in relatively recent times that their contribution to daytime series and early evening soap has extended to the primetime ‘quality’ slot in the mid-evening schedule. As I have argued elsewhere, female producers such as Verity Lambert and Lavinia Warner played an important role in commissioning works focused on fem…
Art (4 works) · Sociology (4 works) · History (3 works) · History (3 works) · Media studies (3 works) · Advertising (2 works) · Art history (2 works) · Computer Science (2 works) · Cultural Industries and Urban Development (2 works) · Drama (2 works)