Stacy Gilli
Biographic Data
| ID | 3687988 |
|---|---|
| NAME | Stacy Gilli |
| GIVEN NAMES | Stacy |
| FAMILY NAME | Gilli |
| SIGNATURE | GILLI S |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 17 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
In pink, goes with everything
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
Genealogies and generations
This article interrogates the ways in which post-feminism and third wave feminism are used interchangeably, both within the academy and in the media. As it identifies the ways in which third wave feminism seeks to define itself as a non-academic discourse, it points up the tensions implicit in the contemporary feminist project. It outlines such popular components of third wave feminism as girl culture, the grrrl movement and BUST magazine, before…
In pink, goes with everything
A proposal in plastic
I read the references to the Regency Romance in Barbie (2023) as key moments in the film's challenge to heteronormative structures of romance and marriage. Diplomat Barbie (Nicola Coughlan) and the Depression Barbie advertisement set up the premise of the film in terms of women's voice, women's self-actualisation and - with its claiming of selfhood - a rejection of heteronormative structures of romance as being one of the primary modes of definin…
Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Gender, Feminism, and Media (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Art, Politics, and Modernism (1 work) · Black feminism (1 work) · Cinema and Media Studies (1 work)