Kate Woodward
Biographic Data
| ID | 3687993 |
|---|---|
| NAME | Kate Woodward |
| GIVEN NAMES | Kate |
| FAMILY NAME | Woodward |
| SIGNATURE | WOODWARD K |
| AFFILIATIONS | Aberystwyth University |
| ORCID | 0009-0000-9616-5579 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Feasting on the land: Haunted political space in recent Welsh language films
This article will focus on spectrality in the cinematic spaces of two Welsh language films, Yr Ymadawiad (The Passing) (2015) and Gwledd (The Feast) (2021). Both films envision spectral happenings as a means of exploring and re-exploring past and present debates about the endlessly contested nature of the Welsh landscape and the resulting hauntological traces within the national psyche. The films suggest contradictory versions of the Welsh landsc…
Pen Talar: On-Screen and Off-Screen Narratives of Nation in a Welsh Context
This chapter will focus on Pen Talar (Fiction Factory, 2010), a nine-part drama series broadcast on S4C during the autumn of 2010, arguably the most turbulent of times for the Welsh language broadcaster since it began broadcasting in 1982. Hailed as ?the Welsh Heimat? and a ?landmark series? to ?evoke a nation?s memories of old hopes and broken dreams?, this chapter will critically asses the series and explore wider questions about the relationsh…
No prominent works on this page.
Pen Talar: On-Screen and Off-Screen Narratives of Nation in a Welsh Context
This chapter will focus on Pen Talar (Fiction Factory, 2010), a nine-part drama series broadcast on S4C during the autumn of 2010, arguably the most turbulent of times for the Welsh language broadcaster since it began broadcasting in 1982. Hailed as ?the Welsh Heimat? and a ?landmark series? to ?evoke a nation?s memories of old hopes and broken dreams?, this chapter will critically asses the series and explore wider questions about the relationsh…
Feasting on the land: Haunted political space in recent Welsh language films
This article will focus on spectrality in the cinematic spaces of two Welsh language films, Yr Ymadawiad (The Passing) (2015) and Gwledd (The Feast) (2021). Both films envision spectral happenings as a means of exploring and re-exploring past and present debates about the endlessly contested nature of the Welsh landscape and the resulting hauntological traces within the national psyche. The films suggest contradictory versions of the Welsh landsc…
Art (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Scottish History and National Identity (2 works) · Welsh (2 works) · Archaeology (1 works) · Drama (1 works)