Michael Witt
Biographic Data
| ID | 3688005 |
|---|---|
| NAME | Michael Witt |
| GIVEN NAMES | Michael |
| FAMILY NAME | Witt |
| SIGNATURE | WITT M |
| AFFILIATIONS | Roehampton Institute London |
| ORCID | 0000-0003-3417-0561 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Cyberinfrastructure for sustainability sciences
Meeting the United Nation’ Sustainable Development Goals (SDGs) calls for an integrative scientific approach, combining expertise, data, models and tools across many disciplines towards addressing sustainability challenges at various spatial and temporal scales. This holistic approach, while necessary, exacerbates the big data and computational challenges already faced by researchers. Many challenges in sustainability research can be tackled by h…
The Renaissance of Documentary Filmmaking in France in the 1980s and 1990s
Shapeshifter
Formal rigour, social interrogation, poetic intensity: Jean-Luc Godard stands in the premier rank of contemporary artists. In this striking reconceptualization of his work, the movies take their place among sound compositions, TV, texts, videotape and graphic art, as elements of an ongoing multimedia installation
Introduction. Jean-Luc Godard: Histoire(s) du cinema (1988-1998)
Journal Article Introduction. Jean-Luc Godard: Histoire(s) du cinéma (1988–1998) Get access Michael Witt Michael Witt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 40, Issue 3, Autumn 1999, Pages 304–305, https://doi.org/10.1093/screen/40.3.304 Published: 01 October 1999
The death(s) of cinema according to Godard
The death(s) of cinema according to Godard Get access Michael Witt Michael Witt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 40, Issue 3, Autumn 1999, Pages 331–346, https://doi.org/10.1093/screen/40.3.331 Published: 01 October 1999
On Gilles Deleuze on Jean-Luc Godard: An Interrogation of “la méthode du ENTRE”
Introduction. Jean-Luc Godard: Histoire(s) du cinema (1988-1998)
Journal Article Introduction. Jean-Luc Godard: Histoire(s) du cinéma (1988–1998) Get access Michael Witt Michael Witt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 40, Issue 3, Autumn 1999, Pages 304–305, https://doi.org/10.1093/screen/40.3.304 Published: 01 October 1999
The death(s) of cinema according to Godard
The death(s) of cinema according to Godard Get access Michael Witt Michael Witt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 40, Issue 3, Autumn 1999, Pages 331–346, https://doi.org/10.1093/screen/40.3.331 Published: 01 October 1999
On Gilles Deleuze on Jean-Luc Godard: An Interrogation of “la méthode du ENTRE”
Shapeshifter
Formal rigour, social interrogation, poetic intensity: Jean-Luc Godard stands in the premier rank of contemporary artists. In this striking reconceptualization of his work, the movies take their place among sound compositions, TV, texts, videotape and graphic art, as elements of an ongoing multimedia installation
The Renaissance of Documentary Filmmaking in France in the 1980s and 1990s
Cyberinfrastructure for sustainability sciences
Meeting the United Nation’ Sustainable Development Goals (SDGs) calls for an integrative scientific approach, combining expertise, data, models and tools across many disciplines towards addressing sustainability challenges at various spatial and temporal scales. This holistic approach, while necessary, exacerbates the big data and computational challenges already faced by researchers. Many challenges in sustainability research can be tackled by h…
Art (4 works) · Art history (4 works) · Cinema and Media Studies (2 works) · Humanities (2 works) · Movie theater (2 works) · Big data (1 works) · Computer Science (1 works) · Cultural Studies and Postmodernism (1 works) · Cyberinfrastructure (1 works) · Data mining (1 works)