Cat Mahoney
Biographic Data
| ID | 3688029 |
|---|---|
| NAME | Cat Mahoney |
| GIVEN NAMES | Cat |
| FAMILY NAME | Mahoney |
| SIGNATURE | MAHONEY C |
| AFFILIATIONS | University of Liverpool |
| ORCID | 0000-0002-5495-0031 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
History and Place in Television Drama
This article explores historical representations of Liverpool in two television dramas: ITV's Cilla (2014) and the BBC's Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city's past, it considers the centrality of an evocation of place and specifically the space of the city to both series and …
Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram
Social media, particularly image sharing platforms such as Instagram, has changed the nature of what it means to be “visible” in the contemporary political climate. The accessibility of Instagram offers hitherto unimaginable opportunities for users to perform their political beliefs. The feminist potential of Instagram as a platform is apparent in the number of overtly feminist accounts. Such accounts go some way towards harnessing the power of t…
The legacy of Mad Men
The legacy of Mad Men: cultural history, intermediality and American television." Feminist Media Studies, 20(7), pp. 1066–1067
Women in Neoliberal Postfeminist Television Drama
Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram
Social media, particularly image sharing platforms such as Instagram, has changed the nature of what it means to be “visible” in the contemporary political climate. The accessibility of Instagram offers hitherto unimaginable opportunities for users to perform their political beliefs. The feminist potential of Instagram as a platform is apparent in the number of overtly feminist accounts. Such accounts go some way towards harnessing the power of t…
Women in Neoliberal Postfeminist Television Drama
Is this what a feminist looks like? Curating the feminist self in the neoliberal visual economy of Instagram
Social media, particularly image sharing platforms such as Instagram, has changed the nature of what it means to be “visible” in the contemporary political climate. The accessibility of Instagram offers hitherto unimaginable opportunities for users to perform their political beliefs. The feminist potential of Instagram as a platform is apparent in the number of overtly feminist accounts. Such accounts go some way towards harnessing the power of t…
The legacy of Mad Men
The legacy of Mad Men: cultural history, intermediality and American television." Feminist Media Studies, 20(7), pp. 1066–1067
History and Place in Television Drama
This article explores historical representations of Liverpool in two television dramas: ITV's Cilla (2014) and the BBC's Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city's past, it considers the centrality of an evocation of place and specifically the space of the city to both series and …
Art (4 works) · Sociology (4 works) · Cinema and Media Studies (3 works) · Gender, Feminism, and Media (3 works) · Media studies (3 works) · Media Studies and Communication (3 works) · Drama (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works)