Sean Carter
Dados Biográficos
| ID | 3688100 |
|---|---|
| NOME | Sean Carter |
| PRENOMES | Sean |
| SOBRENOME | Carter |
| ASSINATURA | CARTER S |
| AFILIAÇÕES | University of Exeter |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 148 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 5 |
Presence, absence, and childhood experiences of war
Ludic Geographies
International Politics and Film
Film and International Politics2. Borders3. Exceptional Spaces4. Distant Others5. Homeland6. Space, Vision, PowerFilmographyBibliographyIndex
Hollywood and the 'War on Terror
This paper explores the popular geopolitics of Hollywood cinema in the years since the terror attacks on New York City and Washington, DC, on September 11, 2001. During this time there has been a surprisingly varied and wide-ranging output of mainstream US movies that take either 9/11, or the consequential 'war on terror', as their primary context. We look at one such film in particular, the 2007 film The Kingdom, directed by Peter Berg. Set in S…
Art, politics, memory
Geopolitics and the Screen
Analysis of the representation of the geopolitical across an array of popular cultural forms is now an established part of the critical geopolitics project. A recognition of the importance of the r
Mobilising generosity, framing geopolitics
Film, geopolitics and the affective logics of intervention
The geopolitics of diaspora
In recent years there has been a growing body of work dealing with issues of diaspora and hybridity, both within geography and in other disciplines, such as cultural studies. This work tends to celebrate the potential of the hybrid and diasporic to transcend essentialist notions of identity and subjectivity. In this paper I argue that these approaches often fail to pay sufficient attention to two particular aspects of the diaspora experience: fir…
Film, geopolitics and the affective logics of intervention
The geopolitics of diaspora
In recent years there has been a growing body of work dealing with issues of diaspora and hybridity, both within geography and in other disciplines, such as cultural studies. This work tends to celebrate the potential of the hybrid and diasporic to transcend essentialist notions of identity and subjectivity. In this paper I argue that these approaches often fail to pay sufficient attention to two particular aspects of the diaspora experience: fir…
Hollywood and the 'War on Terror
This paper explores the popular geopolitics of Hollywood cinema in the years since the terror attacks on New York City and Washington, DC, on September 11, 2001. During this time there has been a surprisingly varied and wide-ranging output of mainstream US movies that take either 9/11, or the consequential 'war on terror', as their primary context. We look at one such film in particular, the 2007 film The Kingdom, directed by Peter Berg. Set in S…
Art, politics, memory
Mobilising generosity, framing geopolitics
The geopolitics of diaspora
In recent years there has been a growing body of work dealing with issues of diaspora and hybridity, both within geography and in other disciplines, such as cultural studies. This work tends to celebrate the potential of the hybrid and diasporic to transcend essentialist notions of identity and subjectivity. In this paper I argue that these approaches often fail to pay sufficient attention to two particular aspects of the diaspora experience: fir…
Film, geopolitics and the affective logics of intervention
Mobilising generosity, framing geopolitics
Geopolitics and the Screen
Analysis of the representation of the geopolitical across an array of popular cultural forms is now an established part of the critical geopolitics project. A recognition of the importance of the r
Art, politics, memory
Hollywood and the 'War on Terror
This paper explores the popular geopolitics of Hollywood cinema in the years since the terror attacks on New York City and Washington, DC, on September 11, 2001. During this time there has been a surprisingly varied and wide-ranging output of mainstream US movies that take either 9/11, or the consequential 'war on terror', as their primary context. We look at one such film in particular, the 2007 film The Kingdom, directed by Peter Berg. Set in S…
International Politics and Film
Film and International Politics2. Borders3. Exceptional Spaces4. Distant Others5. Homeland6. Space, Vision, PowerFilmographyBibliographyIndex
Ludic Geographies
Presence, absence, and childhood experiences of war
Political science (8 obras) · Sociology (7 obras) · Law (6 obras) · Politics (6 obras) · Aesthetics (5 obras) · Geopolitics (5 obras) · Art (4 obras) · Law (4 obras) · History (3 obras) · Media studies (3 obras)