Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Andrew Pepper

Biographic Data

ID3688241
NAMEAndrew Pepper
GIVEN NAMESAndrew
FAMILY NAMEPepper
SIGNATUREPEPPER A
AFFILIATIONSFine Art, School of Art and Design, Nottingham Trent University, Burton Street, Nottingham, NG1 4BU, U.K.. URL: .
ORCID0000-0002-7792-9534
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS12
WORKS AS AUTHOR12
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Face à la crise globale. L' évolution du polar contemporain

    Andrew Pepper, Dominique Jeannerod•ARTICLE•Critique•2025

  • Noir Affect

    Alexander Dunst, Sean Grattan et al.•BOOK•Noir Affect•2020

  • Fence-Sitting and an Opportunity to Unsettle the Settled

    Open Access•Andrew Pepper•ARTICLE•Arts•2020

    The field of creative holography is not known for its critical introspection [...]

  • The Contemporary American Crime Novel

    Andrew Pepper•BOOK•Contemporary American Crime Novel•2019

    As America's ethnic and racial character undergoes explosive transformation, its crime fictions trace, contest and celebrate the changes. The Contemporary American Crime Novel is an exciting book that offers a comprehensive overview of recent developments in American crime fiction, exploring America's dynamic, fragmented multicultural landscape and how this changing landscape has, in the process, transformed the codes and conventions of the crime…

  • Race, violence and neoliberalism

    Andrew Pepper•ARTICLE•Textual Practice•2019

    This paper uses recent instances of police killings of African-American men, and of the retaliatory violence that has flared up in cities across the US, and of the emergence of Black Lives Matter since 2012, as a starting point to think about how well crime fiction can help us to make sense of the larger problem of political violence in the contemporary US. Crime fiction is well-placed to offer insight into the problem of race, drugs, poverty and…

  • Globalization and the State in Contemporary Crime Fiction

    Open Access•Andrew Pepper, David Schmid•EDITOR•BOOK•Globalization and the State in…•2016

    Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalizati

  • Globalization and the State in Contemporary Crime Fiction

    Andrew Pepper, David Schmid•BOOK•Globalization and the State in…•2016

  • Pseudo Architecture

    Andrew Pepper•ARTICLE•Leonardo•2013

    The author discusses an architectural installation incorporating the holographic shadows of water installed in a miniature townscape as part of a collaborative, developmental, group exhibition. The installation concept is outlined and its impact on the ability to stimulate architectural interventions, which would not normally be possible within a full-scale environment, is considered. The influence of a major large-scale holographic installation …

  • Early crime writing and the state

    Andrew Pepper•ARTICLE•Textual Practice•2011

  • The New Face of Global Hollywood

    Debbie Lisle, Andrew Pepper•ARTICLE•Cultural Politics an International…•2005•Cited by: 12•References: 3

    This article uses Ridley Scott's 2001 blockbuster film Black Hawk Down to examine the claim that popular film is the “newest component of sovereignty.” While the topic of the film – the 1993 UN/US intervention in Somalia – lends itself to straightforward politicization, this article is equally interested in the film's production history and its reception by global audiences. While initial reactions to the film focused on its ideological commitmen…

  • Holography as Large-Scale Event

    Andrew Pepper•ARTICLE•Leonardo•1995

    The use of holography in non-gallery situations is not limited to art commissions. It is perhaps worth looking at two examples where the medium has been used for large-scale works. These pieces could not be considered primarily as art, but they have brought the medium of holography into direct contact with people who would not normally have access to it. Both works were produced by artists for large public festivals. The Canadian Pavilion at Expo…

  • Holographic Space

    Andrew Pepper•ARTICLE•Leonardo•1989

  • "Comments on "Pulsed Holography as Art

    Andrew Pepper•ARTICLE•Leonardo•1987

  • The New Face of Global Hollywood

    Debbie Lisle, Andrew Pepper•ARTICLE•Cultural Politics an International…•2005•Cited by: 12•References: 3

    This article uses Ridley Scott's 2001 blockbuster film Black Hawk Down to examine the claim that popular film is the “newest component of sovereignty.” While the topic of the film – the 1993 UN/US intervention in Somalia – lends itself to straightforward politicization, this article is equally interested in the film's production history and its reception by global audiences. While initial reactions to the film focused on its ideological commitmen…

  • "Comments on "Pulsed Holography as Art

    Andrew Pepper•ARTICLE•Leonardo•1987

  • Holographic Space

    Andrew Pepper•ARTICLE•Leonardo•1989

  • Holography as Large-Scale Event

    Andrew Pepper•ARTICLE•Leonardo•1995

    The use of holography in non-gallery situations is not limited to art commissions. It is perhaps worth looking at two examples where the medium has been used for large-scale works. These pieces could not be considered primarily as art, but they have brought the medium of holography into direct contact with people who would not normally have access to it. Both works were produced by artists for large public festivals. The Canadian Pavilion at Expo…

  • The New Face of Global Hollywood

    Debbie Lisle, Andrew Pepper•ARTICLE•Cultural Politics an International…•2005•Cited by: 12•References: 3

    This article uses Ridley Scott's 2001 blockbuster film Black Hawk Down to examine the claim that popular film is the “newest component of sovereignty.” While the topic of the film – the 1993 UN/US intervention in Somalia – lends itself to straightforward politicization, this article is equally interested in the film's production history and its reception by global audiences. While initial reactions to the film focused on its ideological commitmen…

  • Early crime writing and the state

    Andrew Pepper•ARTICLE•Textual Practice•2011

  • Pseudo Architecture

    Andrew Pepper•ARTICLE•Leonardo•2013

    The author discusses an architectural installation incorporating the holographic shadows of water installed in a miniature townscape as part of a collaborative, developmental, group exhibition. The installation concept is outlined and its impact on the ability to stimulate architectural interventions, which would not normally be possible within a full-scale environment, is considered. The influence of a major large-scale holographic installation …

  • Globalization and the State in Contemporary Crime Fiction

    Open Access•Andrew Pepper, David Schmid•EDITOR•BOOK•Globalization and the State in…•2016

    Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalizati

  • Globalization and the State in Contemporary Crime Fiction

    Andrew Pepper, David Schmid•BOOK•Globalization and the State in…•2016

  • The Contemporary American Crime Novel

    Andrew Pepper•BOOK•Contemporary American Crime Novel•2019

    As America's ethnic and racial character undergoes explosive transformation, its crime fictions trace, contest and celebrate the changes. The Contemporary American Crime Novel is an exciting book that offers a comprehensive overview of recent developments in American crime fiction, exploring America's dynamic, fragmented multicultural landscape and how this changing landscape has, in the process, transformed the codes and conventions of the crime…

  • Race, violence and neoliberalism

    Andrew Pepper•ARTICLE•Textual Practice•2019

    This paper uses recent instances of police killings of African-American men, and of the retaliatory violence that has flared up in cities across the US, and of the emergence of Black Lives Matter since 2012, as a starting point to think about how well crime fiction can help us to make sense of the larger problem of political violence in the contemporary US. Crime fiction is well-placed to offer insight into the problem of race, drugs, poverty and…

  • Noir Affect

    Alexander Dunst, Sean Grattan et al.•BOOK•Noir Affect•2020

  • Fence-Sitting and an Opportunity to Unsettle the Settled

    Open Access•Andrew Pepper•ARTICLE•Arts•2020

    The field of creative holography is not known for its critical introspection [...]

  • Face à la crise globale. L' évolution du polar contemporain

    Andrew Pepper, Dominique Jeannerod•ARTICLE•Critique•2025

Computer Science (5 works) · Holography (5 works) · Optics (5 works) · Physics (5 works) · Political science (5 works) · Art (4 works) · Crime and Detective Fiction Studies (4 works) · Sociology (4 works) · Criminology (3 works) · History (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae