Ana María Fraile-Marcos
Biographic Data
| ID | 369075 |
|---|---|
| NAME | Ana María Fraile-Marcos |
| GIVEN NAMES | Ana María |
| FAMILY NAME | Fraile-Marcos |
| SIGNATURE | FRAILE-MARCOS A M |
| AFFILIATIONS | Universidad de Salamanca |
| ORCID | 0000-0002-2277-6446 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Speculative reworkings of the good life at the end times: Care, resilience, and relational futures in Cherie Dimaline and Rebecca Campbell
Taking as a starting point the idea that literature can function as an epistemological medium in its capacity as a testing ground where experiments in the good life can be imagined, aesthetically realized, and critically interrogated, this article turns to speculative fiction as a genre suitable for the exploration of cognitive frameworks that may lead to hopeful futurities amidst the ground-shifting transformations of the Anthropocene, supportin…
Stories as 'med-sins: Lee Maracle'sRavensongandCelia's Song
This article posits the centrality of stories as agents of potential harm and healing in the revalorization of Indigenous epistemologies and contemporary decolonizing efforts. Reading in tandem the stories woven within the novels Ravensong (1993) by Salish-Métis author Lee Maracle and its sequel Celia’s Song (2014), it brings to light a model of community-centred health policing in the earlier novel that turns into a powerful call for decolonizat…
Precarity and the stories we tell: Post-truth discourse and Indigenous epistemologies in Thomas King'sThe Back of the Turtle
This article stems from the assumption that the stories emerging from distinct cultural traditions constitute discrete epistemologies that determine how human individuals and societies face ontological vulnerability and precariousness. Focusing on Thomas King’s novel The Back of the Turtle (2014), it examines the differential agency of two interlocking sets of stories and their respective epistemological systems. Consequently, the article is divi…
Afroperipheralism and the Transposition of Black Diasporic Culture in the Canadian Glocal City: Compton's The Outer Harbour and Brand's Love Enough
This paper analyzes Dionne Brand's novel Love Enough (2014) and Wayde Compton's short-story collection The Outer Harbour (2014) through a theoretical framework that establishes a three-way conversation with Rosi Braidotti's thinking on the interconnection of space, subjectivity, and ethical consciousness; Wayde Compton's theorization of black Canadian spatiality in terms of what he calls "assertive Afroperipheralism"; and Hortense Spillers's noti…
The Transcultural Intertextuality of George Elliott Clarke's African Canadianité: (African) American Models Shaping George & Rue
Acknowledging the richness and variety of George Elliott Clarke's "polyphonic poetics," this essay brings to the foreground the so far unattended (African) American intertextuality in Clarke's novel George & Rue , where the author rereads William Styron's The Confessions of Nat Turner (1966) in a Canadian context, and revises Richard Wright's Native Son (1940) and Zora Neale Hurston's Their Eyes Were Watching God (1937) in his rendition of Africa…
Hybridizing the "City upon a Hill" in Toni Morrison's Paradise
Journal Article Hybridizing the “City upon a Hill” in Toni Morrison's Paradise Get access Ana María Fraile-Marcos Ana María Fraile-Marcos 1University of Salamanca, Spain Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 28, Issue 4, December 2003, Pages 3–33, https://doi.org/10.2307/3595298 Published: 01 December 2003
Precarity and the stories we tell: Post-truth discourse and Indigenous epistemologies in Thomas King'sThe Back of the Turtle
This article stems from the assumption that the stories emerging from distinct cultural traditions constitute discrete epistemologies that determine how human individuals and societies face ontological vulnerability and precariousness. Focusing on Thomas King’s novel The Back of the Turtle (2014), it examines the differential agency of two interlocking sets of stories and their respective epistemological systems. Consequently, the article is divi…
Afroperipheralism and the Transposition of Black Diasporic Culture in the Canadian Glocal City: Compton's The Outer Harbour and Brand's Love Enough
This paper analyzes Dionne Brand's novel Love Enough (2014) and Wayde Compton's short-story collection The Outer Harbour (2014) through a theoretical framework that establishes a three-way conversation with Rosi Braidotti's thinking on the interconnection of space, subjectivity, and ethical consciousness; Wayde Compton's theorization of black Canadian spatiality in terms of what he calls "assertive Afroperipheralism"; and Hortense Spillers's noti…
The Transcultural Intertextuality of George Elliott Clarke's African Canadianité: (African) American Models Shaping George & Rue
Acknowledging the richness and variety of George Elliott Clarke's "polyphonic poetics," this essay brings to the foreground the so far unattended (African) American intertextuality in Clarke's novel George & Rue , where the author rereads William Styron's The Confessions of Nat Turner (1966) in a Canadian context, and revises Richard Wright's Native Son (1940) and Zora Neale Hurston's Their Eyes Were Watching God (1937) in his rendition of Africa…
Hybridizing the "City upon a Hill" in Toni Morrison's Paradise
Journal Article Hybridizing the “City upon a Hill” in Toni Morrison's Paradise Get access Ana María Fraile-Marcos Ana María Fraile-Marcos 1University of Salamanca, Spain Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 28, Issue 4, December 2003, Pages 3–33, https://doi.org/10.2307/3595298 Published: 01 December 2003
The Transcultural Intertextuality of George Elliott Clarke's African Canadianité: (African) American Models Shaping George & Rue
Acknowledging the richness and variety of George Elliott Clarke's "polyphonic poetics," this essay brings to the foreground the so far unattended (African) American intertextuality in Clarke's novel George & Rue , where the author rereads William Styron's The Confessions of Nat Turner (1966) in a Canadian context, and revises Richard Wright's Native Son (1940) and Zora Neale Hurston's Their Eyes Were Watching God (1937) in his rendition of Africa…
Afroperipheralism and the Transposition of Black Diasporic Culture in the Canadian Glocal City: Compton's The Outer Harbour and Brand's Love Enough
This paper analyzes Dionne Brand's novel Love Enough (2014) and Wayde Compton's short-story collection The Outer Harbour (2014) through a theoretical framework that establishes a three-way conversation with Rosi Braidotti's thinking on the interconnection of space, subjectivity, and ethical consciousness; Wayde Compton's theorization of black Canadian spatiality in terms of what he calls "assertive Afroperipheralism"; and Hortense Spillers's noti…
Precarity and the stories we tell: Post-truth discourse and Indigenous epistemologies in Thomas King'sThe Back of the Turtle
This article stems from the assumption that the stories emerging from distinct cultural traditions constitute discrete epistemologies that determine how human individuals and societies face ontological vulnerability and precariousness. Focusing on Thomas King’s novel The Back of the Turtle (2014), it examines the differential agency of two interlocking sets of stories and their respective epistemological systems. Consequently, the article is divi…
Stories as 'med-sins: Lee Maracle'sRavensongandCelia's Song
This article posits the centrality of stories as agents of potential harm and healing in the revalorization of Indigenous epistemologies and contemporary decolonizing efforts. Reading in tandem the stories woven within the novels Ravensong (1993) by Salish-Métis author Lee Maracle and its sequel Celia’s Song (2014), it brings to light a model of community-centred health policing in the earlier novel that turns into a powerful call for decolonizat…
Speculative reworkings of the good life at the end times: Care, resilience, and relational futures in Cherie Dimaline and Rebecca Campbell
Taking as a starting point the idea that literature can function as an epistemological medium in its capacity as a testing ground where experiments in the good life can be imagined, aesthetically realized, and critically interrogated, this article turns to speculative fiction as a genre suitable for the exploration of cognitive frameworks that may lead to hopeful futurities amidst the ground-shifting transformations of the Anthropocene, supportin…
Art (4 works) · History (3 works) · History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Ecocriticism and Environmental Literature (2 works) · Gender Studies (2 works) · Indigenous (2 works) · Literature (2 works)