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Adrian Carton

Biographic Data

ID3692631
NAMEAdrian Carton
GIVEN NAMESAdrian
FAMILY NAMECarton
SIGNATURECARTON A
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2012
H-INDEX2
  • Mixed-Race and Modernity in Colonial India

    Adrian Carton•BOOK•Mixed-race and modernity in…•2012

    Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century t…

  • Mixed-Race and Modernity in Colonial India

    Adrian Carton•BOOK•Mixed-race and modernity in…•2012

    Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century t…

  • Shades of Fraternity

    Adrian Carton•ARTICLE•French Historical Studies•2008•Cited by: 2

    On October 16, 1790, a group of topas men wrote a petition to the Colonial Assembly at Pondichéry, protesting the decision of September that year to exclude them from the electoral list of active citizens on the basis of “race.” These propertied, free men of color demanded to have the same rights as Europeans and the métis. While historians of the French empire have long considered how mulatto and creole people in the French Caribbean negotiated …

  • Historicizing Hybridity and the Politics of Location

    Adrian Carton•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 9

    From White Mughals to Vikram Seth, novels, historical blockbusters and more nuanced anthropological and postcolonial critiques have exposed the fiction of fixed notions of “race” through sensitive understandings of the liminal space of the “inter-racial” relationship and the “mixed-race” experience. In an era where the textual and cultural production of hybridity has become a new form of cultural capital, articulations of racial “inbetween-ness” …

  • Shades of Fraternity

    Adrian Carton•ARTICLE•French Historical Studies•2008•Cited by: 2

    On October 16, 1790, a group of topas men wrote a petition to the Colonial Assembly at Pondichéry, protesting the decision of September that year to exclude them from the electoral list of active citizens on the basis of “race.” These propertied, free men of color demanded to have the same rights as Europeans and the métis. While historians of the French empire have long considered how mulatto and creole people in the French Caribbean negotiated …

  • Historicizing Hybridity and the Politics of Location

    Adrian Carton•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 9

    From White Mughals to Vikram Seth, novels, historical blockbusters and more nuanced anthropological and postcolonial critiques have exposed the fiction of fixed notions of “race” through sensitive understandings of the liminal space of the “inter-racial” relationship and the “mixed-race” experience. In an era where the textual and cultural production of hybridity has become a new form of cultural capital, articulations of racial “inbetween-ness” …

  • Historicizing Hybridity and the Politics of Location

    Adrian Carton•ARTICLE•Journal of Intercultural Studies•2007•Cited by: 2•References: 9

    From White Mughals to Vikram Seth, novels, historical blockbusters and more nuanced anthropological and postcolonial critiques have exposed the fiction of fixed notions of “race” through sensitive understandings of the liminal space of the “inter-racial” relationship and the “mixed-race” experience. In an era where the textual and cultural production of hybridity has become a new form of cultural capital, articulations of racial “inbetween-ness” …

  • Shades of Fraternity

    Adrian Carton•ARTICLE•French Historical Studies•2008•Cited by: 2

    On October 16, 1790, a group of topas men wrote a petition to the Colonial Assembly at Pondichéry, protesting the decision of September that year to exclude them from the electoral list of active citizens on the basis of “race.” These propertied, free men of color demanded to have the same rights as Europeans and the métis. While historians of the French empire have long considered how mulatto and creole people in the French Caribbean negotiated …

  • Mixed-Race and Modernity in Colonial India

    Adrian Carton•BOOK•Mixed-race and modernity in…•2012

    Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century t…

  • Mixed-Race and Modernity in Colonial India

    Adrian Carton•BOOK•Mixed-race and modernity in…•2012

    Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century t…

Anthropology (4 works) · Colonialism (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · History (3 works) · Politics (3 works) · Aesthetics (2 works)

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