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Laura Harris

Dados Biográficos

ID3692745
NOMELaura Harris
PRENOMESLaura
SOBRENOMEHarris
ASSINATURAHARRIS L
AFILIAÇÕESUniversity of Southampton
ORCID0000-0001-9146-1168
VERIFICADOSim
TOTAL DE OBRAS26
TOTAL DE CITAÇÕES24
TOTAL COMO AUTOR25
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1996
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H3
  • Remembering and Celebrating the Life and Work of Minnie Bruce Pratt

    Open Access•Taylor Marie Doherty, Julie R Enszer et al.•ARTICLE•Journal of Lesbian Studies•2026

    This introduction biographically contextualizes the life and work of Minnie Bruce Pratt (1946-2023) while briefly summarizing the contributions to the special issue, "The Work and Legacy of Minnie Bruce Pratt." Pratt's personal life, social activism, writing career, teaching, and mentorship are discussed in conversation with prior scholarship about Pratt. The five scholarly articles, two roundtables, one interview, and two personal essays that ma…

  • Ways of hoping

    Open Access•Laura Harris, Ali FitzGibbon•ARTICLE•European Journal of Cultural…•2025•Referências: 13

    Hope has long been articulated as an intrinsic component of creative work, used to alleviate or justify the challenging precarity and narrow pathways to success in this sector. Two key articulations of hope have emerged: a deferred economy model in which present hardship is endured as a down-payment on specific future benefits, however ultimately unlikely; and a more dispersed understanding in which the hoped-for future is unspecified but affecti…

  • Private View? The Organisational Performance of 'Privateness' and 'Publicness' at an Art Gallery

    Open Access•Laura Harris•ARTICLE•Cultural Sociology•2025•Citada por: 1•Referências: 49

    This article takes a cultural approach to analysing the profound privatisation of the public in one of the many places in which it manifests: an art gallery. I argue that, as well as categories of political and economic bearing, 'privateness' and 'publicness' are cultural categories through which lived experiences are made meaningful. They are therefore performable by organisations that have dual public and private accountabilities. I draw on the…

  • Critical Focus

    Open Access•Laura Harris•ARTICLE•Sociological Research Online•2025•Referências: 14

    Critical Focus: Study of an Arts Centre is a 15-minute, two-channel film documenting the everyday life of an art gallery during the exhibition installation period. It was made as part of a sociological investigation of skilled but invisible labour in the art gallery, such as that of gallery technicians. In addition to this focus on skilled labour, the film focuses on the atmospheres of the different spaces in and around the gallery, and the ways …

  • Documenting the air

    Open Access•Laura Harris•ARTICLE•Studies in Documentary Film•2024

    The air sustains, connects and conditions our lives and has been of growing relevance to social scientists adopting an atmospheric approach to social life. Nonetheless, in screen studies, air’s critical uptake has so far been limited to narrative cinema, leaving it undertheorized in non-fiction filmmaking. In this paper, I introduce theories of the air that flow from the broader rise of atmospheric socio-aesthetic theories and suggest that it is …

  • Studying professional women footballers

    Open Access•Laura Harris, Dawn E Trussell•ARTICLE•International Review for the…•2024•Citada por: 2•Referências: 7

    In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…

  • Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne

    Laura Harris•ARTICLE•Moving Image Review & Art Journal…•2023

    Review of: Patriarchs , Nira Pereg, curated by James Clegg and Show Me the World Mister , Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne Reviewed by Laura Harris, University of Southampton Talbot Rice Gallery, Edinburgh, 29 October 2022-18 February 2023 Chisenhale Gallery, London, 10 November 2022-5 February 2023

  • Who Is They

    Victor Ultra Omni, Laura Harris•ARTICLE•TSQ Transgender Studies Quarterly•2023•Citada por: 1•Referências: 3

    At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…

  • Looking beyond interaction

    Open Access•Laura Harris•ARTICLE•American Journal of Cultural…•2021•Citada por: 1•Referências: 20

  • Introducing November’s Theme

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • Thinking Sontag Sociologically

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • “Everyone shows emotions everywhere but class photos”

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • Introducing May's Theme

    Open Access•Laura Harris, Paul Jones•ARTICLE•The Sociological Review Magazine•2020

  • Student and Faculty Perceptions of Study Helper Websites

    Open Access•Douglas Harrison, Allison Patch et al.•ARTICLE•Journal of Academic Ethics•2020•Citada por: 2•Referências: 5

  • Outtakes of '68

    Laura Harris•ARTICLE•South Atlantic Quarterly•2020•Referências: 5

    If '68 marks the emergence of seemingly new kinds of radical practices pursued by new revolutionary subjects, this essay asks how we might understand a strike undertaken by Appalachian coal miners in the early 1970s and its documentation in the film Harlan County, USA. Is this strike best understood apart from '68, as a disconnected, outmoded activity pursued by retrograde subjects who, after '68, can only be represented by and for nostalgic or r…

  • Academic Integrity in an Online Culture

    Open Access•Laura Harris, Douglas Harrison et al.•ARTICLE•Journal of Academic Ethics•2019•Citada por: 5•Referências: 2

  • Experiments in Exile

    Open Access•Laura Harris•BOOK•Experiments in Exile•2018

  • Experiments in Exile

    Laura Harris•BOOK•Experiments in Exile•2018

  • Conscientious objection to abortion provision

    Open Access•Laura Harris, Jodi Halpern et al.•ARTICLE•Global Public Health•2016

    Conscientious objection to abortion - a clinician's refusal to perform abortions because of moral or religious beliefs - is a limited right, intended to protect clinicians' convictions while maintaining abortion access. This paper argues that conscientious objection policies and debates around the world generally do not take into account the social, political, and economic pressures that profoundly influence clinicians who must decide whether to …

  • Femme

    Laura Arnston Harris, Laura Harris et al.•BOOK•Femme•2014

    Femme seeks to redress the ways that femme identities have been elided, idealized, or not fully historicized in a productive reconsideration of lesbian and butch-femme history, of feminism, and of queer thought. As a feminist project, Femme offers an alliance between many communities of women previously passed over by feminism. Contributors: Leah Lilith Albrecht-Samarasinha, Barbara Cruikshank, Madeline Davis, Heather Findlay, Jewelle Gomez, Kell…

  • At the egg's edge

    Laura Harris•ARTICLE•Women & Performance a journal of…•2014•Referências: 2

    This essay examines the way the Brazilian artist Lygia Clark (1920–1988) revisits and reconstructs the scene of birth in works that invoke, directly or indirectly, the figure of the egg. It compares Clark's reconstructions in relation to Jacques Lacan's account of birth, the development of the individuated subject and the normative, patriarchal social relations that subject upholds. It argues that while Lacan's account entails the bracketing of t…

  • What Happened to the Motley Crew

    Laura Harris•ARTICLE•Social Text•2012•Citada por: 8

    What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…

  • Hybrid Italians, Diasporic Africans

    Laura A Harris, Laura Harris•ARTICLE•Callaloo•2008

    Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…

  • Femme/Butch Family Romances

    Laura A Harris, Laura Harris•ARTICLE•Journal of Lesbian Studies•2002•Referências: 3

    My essay theorizes femme/butch family romances against the grain of dominant feminist and lesbian thought that desexualizes the space of mother/daughter desire. I do so through a reading/recoding of the infringing incestuous mommie-boy desires that surface in an archetypal lesbian novel, Jane Rule's Desert of the Heart

  • Black Feminism and Queer Families

    Laura A Harris, Laura Harris et al.•ARTICLE•African American Review•2002

    In Vintage: Families of Value (1995) Anita Jones proclaims, have chose to do like my mother and be a warrior... 'cause I'm a lesbian. My life has evolved around women being sensual, and I rather enjoy it. Speaking forthrightly to the camera, Jones identifies some of the larger challenges raised by black women's lived experiences and by black feminist paradigms working to disrupt the silences surrounding black female sexualities. In Thomas Allen H…

Próximo
  • What Happened to the Motley Crew

    Laura Harris•ARTICLE•Social Text•2012•Citada por: 8

    What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…

  • Academic Integrity in an Online Culture

    Open Access•Laura Harris, Douglas Harrison et al.•ARTICLE•Journal of Academic Ethics•2019•Citada por: 5•Referências: 2

  • Queer Black Feminism

    Laura Harris, Laura Alexandra Harris•ARTICLE•Feminist Review•1996•Citada por: 4•Referências: 4

    In this critical personal narrative Harris explores some of the gaps between conceptions of feminist thought and feminist practice. Harris focuses on an analysis of race, class, and desire divisions within feminist sexual politics. She suggests a queer black feminist theory and practice that calls into question naturalized identities and communities, and therefore what feminism and feminist practices might entail

  • Studying professional women footballers

    Open Access•Laura Harris, Dawn E Trussell•ARTICLE•International Review for the…•2024•Citada por: 2•Referências: 7

    In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…

  • Student and Faculty Perceptions of Study Helper Websites

    Open Access•Douglas Harrison, Allison Patch et al.•ARTICLE•Journal of Academic Ethics•2020•Citada por: 2•Referências: 5

  • Private View? The Organisational Performance of 'Privateness' and 'Publicness' at an Art Gallery

    Open Access•Laura Harris•ARTICLE•Cultural Sociology•2025•Citada por: 1•Referências: 49

    This article takes a cultural approach to analysing the profound privatisation of the public in one of the many places in which it manifests: an art gallery. I argue that, as well as categories of political and economic bearing, 'privateness' and 'publicness' are cultural categories through which lived experiences are made meaningful. They are therefore performable by organisations that have dual public and private accountabilities. I draw on the…

  • Who Is They

    Victor Ultra Omni, Laura Harris•ARTICLE•TSQ Transgender Studies Quarterly•2023•Citada por: 1•Referências: 3

    At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…

  • Looking beyond interaction

    Open Access•Laura Harris•ARTICLE•American Journal of Cultural…•2021•Citada por: 1•Referências: 20

  • Queer Black Feminism

    Laura Harris, Laura Alexandra Harris•ARTICLE•Feminist Review•1996•Citada por: 4•Referências: 4

    In this critical personal narrative Harris explores some of the gaps between conceptions of feminist thought and feminist practice. Harris focuses on an analysis of race, class, and desire divisions within feminist sexual politics. She suggests a queer black feminist theory and practice that calls into question naturalized identities and communities, and therefore what feminism and feminist practices might entail

  • Femme/Butch Family Romances

    Laura A Harris, Laura Harris•ARTICLE•Journal of Lesbian Studies•2002•Referências: 3

    My essay theorizes femme/butch family romances against the grain of dominant feminist and lesbian thought that desexualizes the space of mother/daughter desire. I do so through a reading/recoding of the infringing incestuous mommie-boy desires that surface in an archetypal lesbian novel, Jane Rule's Desert of the Heart

  • Black Feminism and Queer Families

    Laura A Harris, Laura Harris et al.•ARTICLE•African American Review•2002

    In Vintage: Families of Value (1995) Anita Jones proclaims, have chose to do like my mother and be a warrior... 'cause I'm a lesbian. My life has evolved around women being sensual, and I rather enjoy it. Speaking forthrightly to the camera, Jones identifies some of the larger challenges raised by black women's lived experiences and by black feminist paradigms working to disrupt the silences surrounding black female sexualities. In Thomas Allen H…

  • Hybrid Italians, Diasporic Africans

    Laura A Harris, Laura Harris•ARTICLE•Callaloo•2008

    Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…

  • What Happened to the Motley Crew

    Laura Harris•ARTICLE•Social Text•2012•Citada por: 8

    What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…

  • Femme

    Laura Arnston Harris, Laura Harris et al.•BOOK•Femme•2014

    Femme seeks to redress the ways that femme identities have been elided, idealized, or not fully historicized in a productive reconsideration of lesbian and butch-femme history, of feminism, and of queer thought. As a feminist project, Femme offers an alliance between many communities of women previously passed over by feminism. Contributors: Leah Lilith Albrecht-Samarasinha, Barbara Cruikshank, Madeline Davis, Heather Findlay, Jewelle Gomez, Kell…

  • At the egg's edge

    Laura Harris•ARTICLE•Women & Performance a journal of…•2014•Referências: 2

    This essay examines the way the Brazilian artist Lygia Clark (1920–1988) revisits and reconstructs the scene of birth in works that invoke, directly or indirectly, the figure of the egg. It compares Clark's reconstructions in relation to Jacques Lacan's account of birth, the development of the individuated subject and the normative, patriarchal social relations that subject upholds. It argues that while Lacan's account entails the bracketing of t…

  • Conscientious objection to abortion provision

    Open Access•Laura Harris, Jodi Halpern et al.•ARTICLE•Global Public Health•2016

    Conscientious objection to abortion - a clinician's refusal to perform abortions because of moral or religious beliefs - is a limited right, intended to protect clinicians' convictions while maintaining abortion access. This paper argues that conscientious objection policies and debates around the world generally do not take into account the social, political, and economic pressures that profoundly influence clinicians who must decide whether to …

  • Experiments in Exile

    Open Access•Laura Harris•BOOK•Experiments in Exile•2018

  • Experiments in Exile

    Laura Harris•BOOK•Experiments in Exile•2018

  • Academic Integrity in an Online Culture

    Open Access•Laura Harris, Douglas Harrison et al.•ARTICLE•Journal of Academic Ethics•2019•Citada por: 5•Referências: 2

  • Introducing November’s Theme

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • Thinking Sontag Sociologically

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • “Everyone shows emotions everywhere but class photos”

    Open Access•Laura Harris•ARTICLE•The Sociological Review Magazine•2020

  • Introducing May's Theme

    Open Access•Laura Harris, Paul Jones•ARTICLE•The Sociological Review Magazine•2020

  • Student and Faculty Perceptions of Study Helper Websites

    Open Access•Douglas Harrison, Allison Patch et al.•ARTICLE•Journal of Academic Ethics•2020•Citada por: 2•Referências: 5

  • Outtakes of '68

    Laura Harris•ARTICLE•South Atlantic Quarterly•2020•Referências: 5

    If '68 marks the emergence of seemingly new kinds of radical practices pursued by new revolutionary subjects, this essay asks how we might understand a strike undertaken by Appalachian coal miners in the early 1970s and its documentation in the film Harlan County, USA. Is this strike best understood apart from '68, as a disconnected, outmoded activity pursued by retrograde subjects who, after '68, can only be represented by and for nostalgic or r…

  • Looking beyond interaction

    Open Access•Laura Harris•ARTICLE•American Journal of Cultural…•2021•Citada por: 1•Referências: 20

  • Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne

    Laura Harris•ARTICLE•Moving Image Review & Art Journal…•2023

    Review of: Patriarchs , Nira Pereg, curated by James Clegg and Show Me the World Mister , Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne Reviewed by Laura Harris, University of Southampton Talbot Rice Gallery, Edinburgh, 29 October 2022-18 February 2023 Chisenhale Gallery, London, 10 November 2022-5 February 2023

  • Who Is They

    Victor Ultra Omni, Laura Harris•ARTICLE•TSQ Transgender Studies Quarterly•2023•Citada por: 1•Referências: 3

    At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…

  • Documenting the air

    Open Access•Laura Harris•ARTICLE•Studies in Documentary Film•2024

    The air sustains, connects and conditions our lives and has been of growing relevance to social scientists adopting an atmospheric approach to social life. Nonetheless, in screen studies, air’s critical uptake has so far been limited to narrative cinema, leaving it undertheorized in non-fiction filmmaking. In this paper, I introduce theories of the air that flow from the broader rise of atmospheric socio-aesthetic theories and suggest that it is …

  • Studying professional women footballers

    Open Access•Laura Harris, Dawn E Trussell•ARTICLE•International Review for the…•2024•Citada por: 2•Referências: 7

    In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…

  • Ways of hoping

    Open Access•Laura Harris, Ali FitzGibbon•ARTICLE•European Journal of Cultural…•2025•Referências: 13

    Hope has long been articulated as an intrinsic component of creative work, used to alleviate or justify the challenging precarity and narrow pathways to success in this sector. Two key articulations of hope have emerged: a deferred economy model in which present hardship is endured as a down-payment on specific future benefits, however ultimately unlikely; and a more dispersed understanding in which the hoped-for future is unspecified but affecti…

  • Private View? The Organisational Performance of 'Privateness' and 'Publicness' at an Art Gallery

    Open Access•Laura Harris•ARTICLE•Cultural Sociology•2025•Citada por: 1•Referências: 49

    This article takes a cultural approach to analysing the profound privatisation of the public in one of the many places in which it manifests: an art gallery. I argue that, as well as categories of political and economic bearing, 'privateness' and 'publicness' are cultural categories through which lived experiences are made meaningful. They are therefore performable by organisations that have dual public and private accountabilities. I draw on the…

  • Critical Focus

    Open Access•Laura Harris•ARTICLE•Sociological Research Online•2025•Referências: 14

    Critical Focus: Study of an Arts Centre is a 15-minute, two-channel film documenting the everyday life of an art gallery during the exhibition installation period. It was made as part of a sociological investigation of skilled but invisible labour in the art gallery, such as that of gallery technicians. In addition to this focus on skilled labour, the film focuses on the atmospheres of the different spaces in and around the gallery, and the ways …

Sociology (18 obras) · Art (11 obras) · Aesthetics (10 obras) · Psychology (10 obras) · Computer Science (8 obras) · Gender Studies (8 obras) · Philosophy (7 obras) · Epistemology (6 obras) · History (6 obras) · Political science (6 obras)

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