Steve Chibnall
Biographic Data
| ID | 3692889 |
|---|---|
| NAME | Steve Chibnall |
| GIVEN NAMES | Steve |
| FAMILY NAME | Chibnall |
| SIGNATURE | CHIBNALL S |
| AFFILIATIONS | Digital Catapult |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 16 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Jingan Young, Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948–1963
Richard Farmer, Laura Mayne, Duncan Petrie and Melanie Williams, Transformation and Tradition in 1960s British Cinema
Hollywood-on-Thames: The British productions of Warner Bros. – First National, 1931–1945
A few years after Warner Bros pioneered sound cinema, the company established a production base at Teddington in England to enable it, in the face of protectionist legislation, to maintain distribution in its most lucrative foreign market. The records of that operation have remained largely unexplored since the end of World War Two. This article uses them, in conjunction with contemporary reports in the trade press, to explore these first steps i…
Banging the gong: The promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
This article addresses the neglect in academic studies of film culture of the publicist’s role, particularly in British film production and distribution. Taking the last decade of the British studio system (the 1950s) and the leading British studio (Rank) as its timeframe and focus, the article explores the role of the publicist in the film industry and film culture. After reviewing contemporary debates about publicity strategies and the importan…
Law-and-Order News: An Analysis of Crime Reporting in the British Press
Chapman Sociology and the Stereotype of the Criminal (19 68) Hb: 0-415-26407-3 Chibmall Law and Order News (1977) Hb: 0-415-26408-1 Emery Freedom and Justice within Walls: The Bristol Prison Experiment (1970) Hb: 0-415-26409-X Wolfgang and Ferracuti The Subculture of Violence (1967) Hb: 0-415-26410-3 Gibbens and Ahrenfeldt Cultural Factors in Delinquency 1966) Hb:0-415-26411-1 Glueck and Glueck Ventures in Criminology (1964) Hb: 0-415-26412-X Mil…
Rome, Open for British Production: The lost world of ‘Britalian’ films, 1946-1954
Film reviews
Fascinating Fascism Hero Ying xiong China 2002 An Actor's Revenge Yukinojo henge Japan 1962 DVD United Kingdom 2002 Bob le Flambeur France 1955 DVD USA 2002 La Commune (Paris 1871) France 2001 DVD France, 2002 Hearts and Minds USA 1974 DVD USA 2002 The Killers 2 The Killers USA 1946 The Killers USA 1964 DVD USA 2002 The Life and Death of Colonel Blimp United Kingdom 1943 DVD USA 2002 Solaris 2 Solaris Solyaris USSR 1972 DVD USA 2002 Solaris USA 2…
British Horror Cinema
List of illustrations. Notes on contributors. 1. The Return of the repressed? British Horror's heritage and future Steve Chibnall and Julian Petley 2. The British censors and horror cinema Mark Kermode 3. 'A crude sort of entertainment for a crude sort of audience': the British critics and horror cinema Julian Petley 4. Screaming for release: Femininity and horror film fandom in Britain Brigid Cherry 5. Horrific films and 1930s British Cinema Ian…
Whistle and Zoot: The Changing Meaning of a Suit of Clothes
Journal Article Whistle and Zoot: The Changing Meaning of a Suit of Clothes Get access Steve Chibnall Steve Chibnall Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 20, Issue 1, Autumn 1985, Pages 56–81, https://doi.org/10.1093/hwj/20.1.56 Published: 01 October 1985
Chronicles of the Gallows: The Social History of Crime Reporting
Reporting in the British Press
The Crime Reporter: A Study in the Production of Commercial Knowledge
This paper analyses the process through which an elite of professional communicators regularly produce knowledge cast in the form of news. It focuses on the ideological and relational constraints which shape the knowledge product in systematic ways, and it is hoped that the type of analysis offered here can enrich our understanding of how economic, political, and social interests come to be reflected in media representations and accounts
The Crime Reporter: A Study in the Production of Commercial Knowledge
This paper analyses the process through which an elite of professional communicators regularly produce knowledge cast in the form of news. It focuses on the ideological and relational constraints which shape the knowledge product in systematic ways, and it is hoped that the type of analysis offered here can enrich our understanding of how economic, political, and social interests come to be reflected in media representations and accounts
Whistle and Zoot: The Changing Meaning of a Suit of Clothes
Journal Article Whistle and Zoot: The Changing Meaning of a Suit of Clothes Get access Steve Chibnall Steve Chibnall Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 20, Issue 1, Autumn 1985, Pages 56–81, https://doi.org/10.1093/hwj/20.1.56 Published: 01 October 1985
The Crime Reporter: A Study in the Production of Commercial Knowledge
This paper analyses the process through which an elite of professional communicators regularly produce knowledge cast in the form of news. It focuses on the ideological and relational constraints which shape the knowledge product in systematic ways, and it is hoped that the type of analysis offered here can enrich our understanding of how economic, political, and social interests come to be reflected in media representations and accounts
Reporting in the British Press
Chronicles of the Gallows: The Social History of Crime Reporting
Whistle and Zoot: The Changing Meaning of a Suit of Clothes
Journal Article Whistle and Zoot: The Changing Meaning of a Suit of Clothes Get access Steve Chibnall Steve Chibnall Search for other works by this author on: Oxford Academic Google Scholar History Workshop Journal, Volume 20, Issue 1, Autumn 1985, Pages 56–81, https://doi.org/10.1093/hwj/20.1.56 Published: 01 October 1985
British Horror Cinema
List of illustrations. Notes on contributors. 1. The Return of the repressed? British Horror's heritage and future Steve Chibnall and Julian Petley 2. The British censors and horror cinema Mark Kermode 3. 'A crude sort of entertainment for a crude sort of audience': the British critics and horror cinema Julian Petley 4. Screaming for release: Femininity and horror film fandom in Britain Brigid Cherry 5. Horrific films and 1930s British Cinema Ian…
Film reviews
Fascinating Fascism Hero Ying xiong China 2002 An Actor's Revenge Yukinojo henge Japan 1962 DVD United Kingdom 2002 Bob le Flambeur France 1955 DVD USA 2002 La Commune (Paris 1871) France 2001 DVD France, 2002 Hearts and Minds USA 1974 DVD USA 2002 The Killers 2 The Killers USA 1946 The Killers USA 1964 DVD USA 2002 The Life and Death of Colonel Blimp United Kingdom 1943 DVD USA 2002 Solaris 2 Solaris Solyaris USSR 1972 DVD USA 2002 Solaris USA 2…
Law-and-Order News: An Analysis of Crime Reporting in the British Press
Chapman Sociology and the Stereotype of the Criminal (19 68) Hb: 0-415-26407-3 Chibmall Law and Order News (1977) Hb: 0-415-26408-1 Emery Freedom and Justice within Walls: The Bristol Prison Experiment (1970) Hb: 0-415-26409-X Wolfgang and Ferracuti The Subculture of Violence (1967) Hb: 0-415-26410-3 Gibbens and Ahrenfeldt Cultural Factors in Delinquency 1966) Hb:0-415-26411-1 Glueck and Glueck Ventures in Criminology (1964) Hb: 0-415-26412-X Mil…
Rome, Open for British Production: The lost world of ‘Britalian’ films, 1946-1954
Banging the gong: The promotional strategies of Britain’s J. Arthur Rank Organisation in the 1950s
This article addresses the neglect in academic studies of film culture of the publicist’s role, particularly in British film production and distribution. Taking the last decade of the British studio system (the 1950s) and the leading British studio (Rank) as its timeframe and focus, the article explores the role of the publicist in the film industry and film culture. After reviewing contemporary debates about publicity strategies and the importan…
Hollywood-on-Thames: The British productions of Warner Bros. – First National, 1931–1945
A few years after Warner Bros pioneered sound cinema, the company established a production base at Teddington in England to enable it, in the face of protectionist legislation, to maintain distribution in its most lucrative foreign market. The records of that operation have remained largely unexplored since the end of World War Two. This article uses them, in conjunction with contemporary reports in the trade press, to explore these first steps i…
Richard Farmer, Laura Mayne, Duncan Petrie and Melanie Williams, Transformation and Tradition in 1960s British Cinema
Jingan Young, Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948–1963
Sociology (7 works) · Art (6 works) · History (6 works) · Law (6 works) · Political science (6 works) · Art history (5 works) · Cinema and Media Studies (5 works) · Economics (3 works) · French Historical and Cultural Studies (3 works) · Media studies (3 works)