Lies Van De Vijver
Biographic Data
| ID | 3693006 |
|---|---|
| NAME | Lies Van De Vijver |
| GIVEN NAMES | Lies |
| FAMILY NAME | Van De Vijver |
| SIGNATURE | VAN DE VIJVER L |
| AFFILIATIONS | Ghent University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Mapping Movie Magazines
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Going to the exclusive show
This is a case study of the exploitation and experience of Disney’s animated feature films from the 1930s to the 1980s in Ghent (Belgium). It is a historical study of programming practices and financial strategies which constructed childhood memories on watching Disney. The study is a contribution to a historical understanding of the implications of global distribution of film as cultural products and the counter pull of localism. Using a multi-m…
Crisis At The Capitole
This article examines local film culture based on an analysis of actual attendance and revenue figures from the major first-run cinema of Ghent, the Capitole, between 1953 and 1971. Using unique archival material captured in a database containing information on 801 films, this cultural economic analysis explores issues like financial policy, programming strategies and taste patterns in a pivotal period of crisis in the film market. A first analys…
The Phoenix Picturehouse
Cinemagoing as a Conditional Part of Everyday Life
This paper is part of the recent shift within the New Cinema History' from the attention for the film text to a broader consideration of the social and cultural history of cinema. In the last years, research did not only concentrate on the production and meanings of the pictures, but it also saw an increased interest in the distribution, exploitation and consumption of film. Interest for film as a consumable good has come from various disciples s…
Social Class, Experiences of Distinction and Cinema in Postwar Ghent
This chapter contains sections titled: Social Class, Pillars, Cinema Spaces of Distinction Distinction on the Screen Experiences of Distinction Conclusion References
Film en het moderne leven in Limburg
Film en het moderne leven in Limburg
Social Class, Experiences of Distinction and Cinema in Postwar Ghent
This chapter contains sections titled: Social Class, Pillars, Cinema Spaces of Distinction Distinction on the Screen Experiences of Distinction Conclusion References
Cinemagoing as a Conditional Part of Everyday Life
This paper is part of the recent shift within the New Cinema History' from the attention for the film text to a broader consideration of the social and cultural history of cinema. In the last years, research did not only concentrate on the production and meanings of the pictures, but it also saw an increased interest in the distribution, exploitation and consumption of film. Interest for film as a consumable good has come from various disciples s…
Going to the exclusive show
This is a case study of the exploitation and experience of Disney’s animated feature films from the 1930s to the 1980s in Ghent (Belgium). It is a historical study of programming practices and financial strategies which constructed childhood memories on watching Disney. The study is a contribution to a historical understanding of the implications of global distribution of film as cultural products and the counter pull of localism. Using a multi-m…
Crisis At The Capitole
This article examines local film culture based on an analysis of actual attendance and revenue figures from the major first-run cinema of Ghent, the Capitole, between 1953 and 1971. Using unique archival material captured in a database containing information on 801 films, this cultural economic analysis explores issues like financial policy, programming strategies and taste patterns in a pivotal period of crisis in the film market. A first analys…
The Phoenix Picturehouse
Mapping Movie Magazines
Challenges to Comparative Oral Histories of Cinema Audiences
This article reflects on the challenges of comparative oral history analysis by taking the BA/Leverhulme-funded project Mapping European Cinema: a comparative project on cinema-going experiences in the 1950s (2016-2017) as a case study. The aim of MEC was to test new methodologies in order to explore and compare programming patterns and cinema-going experiences in European cities that were similar in terms of population and film exhibition struct…
Art (5 works) · Movie theater (5 works) · Cinema and Media Studies (4 works) · Political science (4 works) · Sociology (4 works) · Visual arts (4 works) · Art history (3 works) · History (3 works) · Advertising (2 works) · Business (2 works)