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Barrett Watten

Biographic Data

ID3693103
NAMEBarrett Watten
GIVEN NAMESBarrett
FAMILY NAMEWatten
SIGNATUREWATTEN B
AFFILIATIONSEnglish, Wayne State University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS6
AUTHOR COUNT9
EDITOR COUNT1
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Language Writing and Louis Zukofsky’s “A”-24: Three Interviews

    Open Access•Benoît Bondroit, Carla Harryman et al.•ARTICLE•Transatlantica•2022

    focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…

  • Liberation and the historical present: Gertrude Stein @ Zero Hour

    Barrett Watten•ARTICLE•Textual Practice•2022

  • Presentism and Periodization in Language Writing, Conceptual Art, and Conceptual Writing

    Barrett Watten•ARTICLE•Journal of Narrative Theory•2011•References: 5

    Presentism and Periodization in Language Writing, Conceptual Art, and Conceptual Writing Barrett Watten (bio) In this essay, I contrast three movements of contemporary art practice involving language—Language writing, conceptual art, and the recently emerged movement of conceptual writing—in terms of how each formally and historically encodes concepts of presentism and periodization. While each of these movements constructs a version of "the pres…

  • Diasporic Avant-Gardes

    Open Access•Carrie Noland, Barrett Watten•BOOK•Diasporic Avant-Gardes•2009

    Diasporic Avant-Gardes draws into dialogue two differing traditions of poetic practice: the diasporic and the avant-garde. This interdisciplinary collection examines the unacknowledged affinities (and

  • The Turn to Language and the 1960s

    Barrett Watten•ARTICLE•Critical Inquiry•2002•Cited by: 1•References: 1

  • The Poetics of New Meaning

    Barrett Watten•ARTICLE•Qui Parle•2001

    Research Article| December 01 2001 The Poetics of New Meaning Barrett Watten Barrett Watten Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 1–14. https://doi.org/10.1215/quiparle.12.2.1 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Barrett Watten; The Poetics of New Meaning. Qui Parle 1 December 2001; 12 (2): 1–14. doi: https://doi.org/10.1215/quiparle.12.2.1 Download citation file: Z…

  • New Meaning and Poetic Vocabulary: From Coleridge to Jackson Mac Low

    Barrett Watten•ARTICLE•Poetics Today•1997•Cited by: 1

    This essay charts development in American modernist and postmodern poetics of use of preestablished, nonauthorial for literary composition. While Coleridgean concept of diction is normative and hierarchical in its separation of appropriate and inappropriate lexicons for literature, is both open-ended and critical, allowing new meaning of jargons, dialects, idioms, and technical senses into poetry. The emergence of may be discerned in a historicis…

  • Post-Soviet Subjectivity in Arkadii Dragomoshchenko und Ilya Kabakov

    Open Access•Barrett Watten•ARTICLE•Postmodern Culture•1993

    Postmodern Culture - Volume 3, Number 2, January 1993

  • Radical poetics

    Barrett Watten•ARTICLE•Cultural Studies•1992

  • Aesthetic Tendency and the Politics of Poetry: A Manifesto

    Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Cited by: 4

  • Aesthetic Tendency and the Politics of Poetry: A Manifesto

    Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Cited by: 4

  • The Turn to Language and the 1960s

    Barrett Watten•ARTICLE•Critical Inquiry•2002•Cited by: 1•References: 1

  • New Meaning and Poetic Vocabulary: From Coleridge to Jackson Mac Low

    Barrett Watten•ARTICLE•Poetics Today•1997•Cited by: 1

    This essay charts development in American modernist and postmodern poetics of use of preestablished, nonauthorial for literary composition. While Coleridgean concept of diction is normative and hierarchical in its separation of appropriate and inappropriate lexicons for literature, is both open-ended and critical, allowing new meaning of jargons, dialects, idioms, and technical senses into poetry. The emergence of may be discerned in a historicis…

  • Aesthetic Tendency and the Politics of Poetry: A Manifesto

    Ron Silliman, Carla Harryman et al.•ARTICLE•Social Text•1988•Cited by: 4

  • Radical poetics

    Barrett Watten•ARTICLE•Cultural Studies•1992

  • Post-Soviet Subjectivity in Arkadii Dragomoshchenko und Ilya Kabakov

    Open Access•Barrett Watten•ARTICLE•Postmodern Culture•1993

    Postmodern Culture - Volume 3, Number 2, January 1993

  • New Meaning and Poetic Vocabulary: From Coleridge to Jackson Mac Low

    Barrett Watten•ARTICLE•Poetics Today•1997•Cited by: 1

    This essay charts development in American modernist and postmodern poetics of use of preestablished, nonauthorial for literary composition. While Coleridgean concept of diction is normative and hierarchical in its separation of appropriate and inappropriate lexicons for literature, is both open-ended and critical, allowing new meaning of jargons, dialects, idioms, and technical senses into poetry. The emergence of may be discerned in a historicis…

  • The Poetics of New Meaning

    Barrett Watten•ARTICLE•Qui Parle•2001

    Research Article| December 01 2001 The Poetics of New Meaning Barrett Watten Barrett Watten Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 1–14. https://doi.org/10.1215/quiparle.12.2.1 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Barrett Watten; The Poetics of New Meaning. Qui Parle 1 December 2001; 12 (2): 1–14. doi: https://doi.org/10.1215/quiparle.12.2.1 Download citation file: Z…

  • The Turn to Language and the 1960s

    Barrett Watten•ARTICLE•Critical Inquiry•2002•Cited by: 1•References: 1

  • Diasporic Avant-Gardes

    Open Access•Carrie Noland, Barrett Watten•BOOK•Diasporic Avant-Gardes•2009

    Diasporic Avant-Gardes draws into dialogue two differing traditions of poetic practice: the diasporic and the avant-garde. This interdisciplinary collection examines the unacknowledged affinities (and

  • Presentism and Periodization in Language Writing, Conceptual Art, and Conceptual Writing

    Barrett Watten•ARTICLE•Journal of Narrative Theory•2011•References: 5

    Presentism and Periodization in Language Writing, Conceptual Art, and Conceptual Writing Barrett Watten (bio) In this essay, I contrast three movements of contemporary art practice involving language—Language writing, conceptual art, and the recently emerged movement of conceptual writing—in terms of how each formally and historically encodes concepts of presentism and periodization. While each of these movements constructs a version of "the pres…

  • Language Writing and Louis Zukofsky’s “A”-24: Three Interviews

    Open Access•Benoît Bondroit, Carla Harryman et al.•ARTICLE•Transatlantica•2022

    focuses on the twenty-fourth and final movement of Louis Zukofsky's "A". "A"-24 was composed by musician Celia Thaew-Zukofsky and given to her husband on the occasion of his sixty-fourth birthday in January 1968. Therefore, it should be considered as one of those numerous "found objects" which only became part of Zukofsky's "poem of a life" through a process of quotation. Over two hundred pages or so, the score redistributes quotations taken from…

  • Liberation and the historical present: Gertrude Stein @ Zero Hour

    Barrett Watten•ARTICLE•Textual Practice•2022

Art (9 works) · Philosophy (8 works) · Literature (7 works) · Poetry (5 works) · Poetry Analysis and Criticism (5 works) · Sociology (5 works) · Linguistics (4 works) · Philosophy (4 works) · Poetics (4 works) · Art, Politics, and Modernism (3 works)

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