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Joshua Tucker

Biographic Data

ID3693119
NAMEJoshua Tucker
GIVEN NAMESJoshua
FAMILY NAMETucker
SIGNATURETUCKER J
AFFILIATIONSBrown University
VERIFIEDNo
TOTAL WORKS25
TOTAL CITATIONS90
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2025
H-INDEX4
  • Misinformation Beyond Traditional Feeds: Evidence from a WhatsApp Deactivation Experiment in Brazil

    Tiago Ventura, Rajeshwari Majumdar et al.•ARTICLE•The Journal of Politics•2025•References: 6

  • Sounding the Vernacular Sea

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2025•Cited by: 1•References: 29

    This article brings ecocritical insights from music studies to bear upon the traditional song repertoire of Nova Scotia in order to ask how those songs shape and reflect attitudes toward the marine environment and how they register or interrogate those attitudes in times of crisis. It centers on and contextualizes a 2019 performance from the province's rugged Eastern Shore, both a site of managed underdevelopment and a depopulated wilderness of i…

  • The Diffusion and Reach of (Mis)Information on Facebook during the U.S. 2020 Election

    Open Access•Sandra Gonzalez-Bailon, David Lazer et al.•ARTICLE•Sociological Science•2024

    Social media creates the possibility for rapid, viral spread of content, but how many posts actually reach millions? And is misinformation special in how it propagates? We answer these questions by analyzing the virality of and exposure to information on Facebook during the U.S. 2020 presidential election. We examine the diffusion trees of the approximately 1 B posts that were re-shared at least once by U.S.-based adults from July 1, 2020, to Feb…

  • Political Knowledge and Misinformation in the Era of Social Media: Evidence From the 2015 UK Election

    Open Access•Kevin Munger, Philip J Egan et al.•ARTICLE•British Journal of Political…•2022•Cited by: 11•References: 36

    Does social media educate voters, or mislead them? This study measures changes in political knowledge among a panel of voters surveyed during the 2015 UK general election campaign while monitoring the political information to which they were exposed on the Twitter social media platform. The study's panel design permits identification of the effect of information exposure on changes in political knowledge. Twitter use led to higher levels of knowl…

  • The (Null) Effects of Clickbait Headlines on Polarization, Trust, and Learning

    Open Access•Kevin Munger, Mario Luca et al.•ARTICLE•Public Opinion Quarterly•2020•Cited by: 16•References: 27

    Clickbait” headlines designed to entice people to click are frequently used by both legitimate and less-than-legitimate news sources. Contemporary clickbait headlines tend to use emotional partisan appeals, raising concerns about their impact on consumers of online news. This article reports the results of a pair of experiments with different sets of subject pools: one conducted using Facebook ads that explicitly target people with a high prefere…

  • Making Music Indigenous: Popular Music in the Peruvian Andes

    Joshua A Tucker, Joshua Tucker•BOOK•Making Music Indigenous•2019•Cited by: 4

  • Social Media, Political Polarization, and Political Disinformation: A Review of the Scientific Literature

    Open Access•Joshua Tucker, Andrew Guess et al.•ARTICLE•SSRN Electronic Journal•2018

  • How Accurate Are Survey Responses on Social Media and Politics

    Allison M Gue, Kevin Munger et al.•ARTICLE•Political Communication•2018•Cited by: 45•References: 24

    How accurate are survey-based measures of social media use, in particular about political topics? We answer this question by linking original survey data collected during the U.S. 2016 election campaign with respondents’ observed social media activity. We use supervised machine learning to classify whether these Twitter and Facebook account data are content related to politics. We then benchmark our survey measures on frequency of posting about p…

  • Communism's Shadow: Historical Legacies and Contemporary Political Attitudes

    Grigore Pop-Eleches, Joshua A Tucker et al.•BOOK•Communism's Shadow•2017

    It has long been assumed that the historical legacy of Soviet Communism would have an important effect on post-communist states. However, prior research has focused primarily on the institutional legacy of communism. "Communism's Shadow" instead turns the focus to the individuals who inhabit post-communist countries, presenting a rigorous assessment of the legacy of communism on political attitudes. Post-communist citizens hold political, economi…

  • Communism's Shadow: Historical Legacies and Contemporary Political Attitudes

    Grigore Pop-Eleches, Joshua A Tucker et al.•BOOK•Communism's Shadow•2017

  • Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance

    Joshua A Tucker, Joshua Tucker•ARTICLE•American Music•2016

    Book Review| July 01 2016 Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance. Edited by Donna A. Buchanan. SOAS Musicology Series. Farnham, Surrey: Ashgate, 2014. ISBN 978-1-472-41583-7. Cloth. Pp. xiv, 194. $104.95. Joshua Tucker Joshua Tucker Brown University Search for other works …

  • Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2014

    Book Review| October 01 2014 Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene. Frederick Moehn. 2012. Durham: Duke University Press. xxv, 289 pp., black and white photographs, map, musical examples, appendices, notes, bibliography, discography, index. Cloth, $89.95; paper, $24.95. Joshua Tucker Joshua Tucker Search for other works by this author on:…

  • Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Comparative Studies in Society…•2014•Cited by: 3•References: 28

    This article uses commentary on and consumption of popular music as a lens to explore how Peruvian immigrants in Spain experience new notions of belonging and alterity as they tack between official Spanish discourses about difference and otherness and distinct notions of unity and sameness that circulate within the country's wider Latin American community. I examine the uneven, tentative emergence of a local Latino identity, and how this formatio…

  • From The World of the Poor to the Beaches of Eisha: Chicha , Cumbia , and the Search for a Popular Subject in Peru

    Open Access•Joshua A Tucker, Joshua Tucker•CHAPTER•Cumbia!•2013

  • Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2013•Cited by: 2•References: 20

    This article explores the way that different popular musical genres stage distinct visions of Andean experience in contemporary Peru. It argues that the varying notions of aesthetic and social legitimacy attached to competing musical genres can be traced to dissimilar ideologies of indigenous difference, which emerged at different historical moments and are therefore tied to distinct politics of cultural identity. By exploring the way that indivi…

  • Committees of Apsa

    Open Access•Jonathan Benjamin-Alvarado, Taeku Lee et al.•ARTICLE•PS Political Science & Politics•2012•Cited by: 1•References: 1

    The administrative committee consists of the president, president-elect, treasurer, and four other council members whose main duties include preparing agendas for council meetings and annual business meetings and acting on behalf of the council to dispose of policy issues deemed of insufficient weight to require decisions by the council

  • Permitted Indians and Popular Music in Contemporary Peru: The Poetics and Politics of Indigenous Performativity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2011•Cited by: 4•References: 14

    O a generation ago, two dark futures were widely foreseen for the indigenous peoples of Latin America: either they would wither away in irredentist isolation, resistant to the spirit of modern times, or they would be forced into the urban proletariat, losing their distinct identities as they dissolved into the continent’s underclass. Instead, over the past three decades, indigenous actors returned questions of cultural difference and survival to …

  • Music Radio and Global Mediation: Producing social distinction in the Andean public sphere

    Joshua A Tucker, Joshua Tucker•ARTICLE•Cultural Studies•2010

    This article offers a model for studying the dynamics of globalized popular musics, that fills methodological and theoretical lacunae in existing scholarly approaches. It deals with the emergence and circulation of a hybrid popular music called música ayacuchana, which over the 1990s became an important site of identification for the emergent Andean migrant middle class of Lima, Peru. Describing the role of radio stations and, particularly, DJs' …

  • Music and the Poetics of Production in the Bolivian Andes (review)

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2010

  • Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima

    Joshua A Tucker, Joshua Tucker•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 16

    This article, based on several years of fieldwork in Peru, describes the emergence and circulation of an Andean popular style called música ayacuchana, arguing that it was instrumental in defining Lima's emergent Andean bourgeoisie. While the music's cosmopolitan blend of local traditions, Andean "world" music, and international pop is noteworthy, I argue that its success must be understood in relation to the media circuits by which it reached it…

  • Cuba represent! Cuban arts, state power, and the making of new revolutionary cultures by Fernandes, Sujatha

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2009

  • Singing the classical, voicing the modern. The postcolonial politics of music in South India by Weidman, Amanda J

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2008

  • Performing democracy: Bulgarian music and musicians in transition by Buchanan, Donna A

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2008

  • Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific (review)

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2007

    Reviewed by: Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific Joshua Tucker Heidi Carolyn Feldman . Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middletown, CT: Wesleyan University Press, 2006. 306 pp. $50.00. ISBN: 0819568147/ 978-0819568151 (paper). Afro-Peruvian music has received much international attention since the 1995 release of David Byrne's Luaka Bop compilation The Soul of…

  • Vodou Nation: Haitian Art Music and Cultural Nationalism

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•The Journal of Latin American and…•2007

  • How Accurate Are Survey Responses on Social Media and Politics

    Allison M Gue, Kevin Munger et al.•ARTICLE•Political Communication•2018•Cited by: 45•References: 24

    How accurate are survey-based measures of social media use, in particular about political topics? We answer this question by linking original survey data collected during the U.S. 2016 election campaign with respondents’ observed social media activity. We use supervised machine learning to classify whether these Twitter and Facebook account data are content related to politics. We then benchmark our survey measures on frequency of posting about p…

  • The (Null) Effects of Clickbait Headlines on Polarization, Trust, and Learning

    Open Access•Kevin Munger, Mario Luca et al.•ARTICLE•Public Opinion Quarterly•2020•Cited by: 16•References: 27

    Clickbait” headlines designed to entice people to click are frequently used by both legitimate and less-than-legitimate news sources. Contemporary clickbait headlines tend to use emotional partisan appeals, raising concerns about their impact on consumers of online news. This article reports the results of a pair of experiments with different sets of subject pools: one conducted using Facebook ads that explicitly target people with a high prefere…

  • Political Knowledge and Misinformation in the Era of Social Media: Evidence From the 2015 UK Election

    Open Access•Kevin Munger, Philip J Egan et al.•ARTICLE•British Journal of Political…•2022•Cited by: 11•References: 36

    Does social media educate voters, or mislead them? This study measures changes in political knowledge among a panel of voters surveyed during the 2015 UK general election campaign while monitoring the political information to which they were exposed on the Twitter social media platform. The study's panel design permits identification of the effect of information exposure on changes in political knowledge. Twitter use led to higher levels of knowl…

  • Making Music Indigenous: Popular Music in the Peruvian Andes

    Joshua A Tucker, Joshua Tucker•BOOK•Making Music Indigenous•2019•Cited by: 4

  • Permitted Indians and Popular Music in Contemporary Peru: The Poetics and Politics of Indigenous Performativity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2011•Cited by: 4•References: 14

    O a generation ago, two dark futures were widely foreseen for the indigenous peoples of Latin America: either they would wither away in irredentist isolation, resistant to the spirit of modern times, or they would be forced into the urban proletariat, losing their distinct identities as they dissolved into the continent’s underclass. Instead, over the past three decades, indigenous actors returned questions of cultural difference and survival to …

  • Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Comparative Studies in Society…•2014•Cited by: 3•References: 28

    This article uses commentary on and consumption of popular music as a lens to explore how Peruvian immigrants in Spain experience new notions of belonging and alterity as they tack between official Spanish discourses about difference and otherness and distinct notions of unity and sameness that circulate within the country's wider Latin American community. I examine the uneven, tentative emergence of a local Latino identity, and how this formatio…

  • Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima

    Joshua A Tucker, Joshua Tucker•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 16

    This article, based on several years of fieldwork in Peru, describes the emergence and circulation of an Andean popular style called música ayacuchana, arguing that it was instrumental in defining Lima's emergent Andean bourgeoisie. While the music's cosmopolitan blend of local traditions, Andean "world" music, and international pop is noteworthy, I argue that its success must be understood in relation to the media circuits by which it reached it…

  • Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2013•Cited by: 2•References: 20

    This article explores the way that different popular musical genres stage distinct visions of Andean experience in contemporary Peru. It argues that the varying notions of aesthetic and social legitimacy attached to competing musical genres can be traced to dissimilar ideologies of indigenous difference, which emerged at different historical moments and are therefore tied to distinct politics of cultural identity. By exploring the way that indivi…

  • Sounding the Vernacular Sea

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2025•Cited by: 1•References: 29

    This article brings ecocritical insights from music studies to bear upon the traditional song repertoire of Nova Scotia in order to ask how those songs shape and reflect attitudes toward the marine environment and how they register or interrogate those attitudes in times of crisis. It centers on and contextualizes a 2019 performance from the province's rugged Eastern Shore, both a site of managed underdevelopment and a depopulated wilderness of i…

  • Committees of Apsa

    Open Access•Jonathan Benjamin-Alvarado, Taeku Lee et al.•ARTICLE•PS Political Science & Politics•2012•Cited by: 1•References: 1

    The administrative committee consists of the president, president-elect, treasurer, and four other council members whose main duties include preparing agendas for council meetings and annual business meetings and acting on behalf of the council to dispose of policy issues deemed of insufficient weight to require decisions by the council

  • Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific (review)

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2007

    Reviewed by: Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific Joshua Tucker Heidi Carolyn Feldman . Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Middletown, CT: Wesleyan University Press, 2006. 306 pp. $50.00. ISBN: 0819568147/ 978-0819568151 (paper). Afro-Peruvian music has received much international attention since the 1995 release of David Byrne's Luaka Bop compilation The Soul of…

  • Vodou Nation: Haitian Art Music and Cultural Nationalism

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•The Journal of Latin American and…•2007

  • Singing the classical, voicing the modern. The postcolonial politics of music in South India by Weidman, Amanda J

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2008

  • Performing democracy: Bulgarian music and musicians in transition by Buchanan, Donna A

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2008

  • Cuba represent! Cuban arts, state power, and the making of new revolutionary cultures by Fernandes, Sujatha

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Social Anthropology•2009

  • Music Radio and Global Mediation: Producing social distinction in the Andean public sphere

    Joshua A Tucker, Joshua Tucker•ARTICLE•Cultural Studies•2010

    This article offers a model for studying the dynamics of globalized popular musics, that fills methodological and theoretical lacunae in existing scholarly approaches. It deals with the emergence and circulation of a hybrid popular music called música ayacuchana, which over the 1990s became an important site of identification for the emergent Andean migrant middle class of Lima, Peru. Describing the role of radio stations and, particularly, DJs' …

  • Music and the Poetics of Production in the Bolivian Andes (review)

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2010

  • Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima

    Joshua A Tucker, Joshua Tucker•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 16

    This article, based on several years of fieldwork in Peru, describes the emergence and circulation of an Andean popular style called música ayacuchana, arguing that it was instrumental in defining Lima's emergent Andean bourgeoisie. While the music's cosmopolitan blend of local traditions, Andean "world" music, and international pop is noteworthy, I argue that its success must be understood in relation to the media circuits by which it reached it…

  • Permitted Indians and Popular Music in Contemporary Peru: The Poetics and Politics of Indigenous Performativity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2011•Cited by: 4•References: 14

    O a generation ago, two dark futures were widely foreseen for the indigenous peoples of Latin America: either they would wither away in irredentist isolation, resistant to the spirit of modern times, or they would be forced into the urban proletariat, losing their distinct identities as they dissolved into the continent’s underclass. Instead, over the past three decades, indigenous actors returned questions of cultural difference and survival to …

  • Committees of Apsa

    Open Access•Jonathan Benjamin-Alvarado, Taeku Lee et al.•ARTICLE•PS Political Science & Politics•2012•Cited by: 1•References: 1

    The administrative committee consists of the president, president-elect, treasurer, and four other council members whose main duties include preparing agendas for council meetings and annual business meetings and acting on behalf of the council to dispose of policy issues deemed of insufficient weight to require decisions by the council

  • From The World of the Poor to the Beaches of Eisha: Chicha , Cumbia , and the Search for a Popular Subject in Peru

    Open Access•Joshua A Tucker, Joshua Tucker•CHAPTER•Cumbia!•2013

  • Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity

    Joshua A Tucker, Joshua Tucker•ARTICLE•Latin American Music Review•2013•Cited by: 2•References: 20

    This article explores the way that different popular musical genres stage distinct visions of Andean experience in contemporary Peru. It argues that the varying notions of aesthetic and social legitimacy attached to competing musical genres can be traced to dissimilar ideologies of indigenous difference, which emerged at different historical moments and are therefore tied to distinct politics of cultural identity. By exploring the way that indivi…

  • Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2014

    Book Review| October 01 2014 Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene Contemporary Carioca: Technologies of Mixing in a Brazilian Musical Scene. Frederick Moehn. 2012. Durham: Duke University Press. xxv, 289 pp., black and white photographs, map, musical examples, appendices, notes, bibliography, discography, index. Cloth, $89.95; paper, $24.95. Joshua Tucker Joshua Tucker Search for other works by this author on:…

  • Sounding the Latin Transatlantic: Music, Integration, and Ambivalent Ethnogenesis in Spain

    Open Access•Joshua A Tucker, Joshua Tucker•ARTICLE•Comparative Studies in Society…•2014•Cited by: 3•References: 28

    This article uses commentary on and consumption of popular music as a lens to explore how Peruvian immigrants in Spain experience new notions of belonging and alterity as they tack between official Spanish discourses about difference and otherness and distinct notions of unity and sameness that circulate within the country's wider Latin American community. I examine the uneven, tentative emergence of a local Latino identity, and how this formatio…

  • Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance

    Joshua A Tucker, Joshua Tucker•ARTICLE•American Music•2016

    Book Review| July 01 2016 Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance. Edited by Donna A. Buchanan. SOAS Musicology Series. Farnham, Surrey: Ashgate, 2014. ISBN 978-1-472-41583-7. Cloth. Pp. xiv, 194. $104.95. Joshua Tucker Joshua Tucker Brown University Search for other works …

  • Communism's Shadow: Historical Legacies and Contemporary Political Attitudes

    Grigore Pop-Eleches, Joshua A Tucker et al.•BOOK•Communism's Shadow•2017

    It has long been assumed that the historical legacy of Soviet Communism would have an important effect on post-communist states. However, prior research has focused primarily on the institutional legacy of communism. "Communism's Shadow" instead turns the focus to the individuals who inhabit post-communist countries, presenting a rigorous assessment of the legacy of communism on political attitudes. Post-communist citizens hold political, economi…

  • Communism's Shadow: Historical Legacies and Contemporary Political Attitudes

    Grigore Pop-Eleches, Joshua A Tucker et al.•BOOK•Communism's Shadow•2017

  • Social Media, Political Polarization, and Political Disinformation: A Review of the Scientific Literature

    Open Access•Joshua Tucker, Andrew Guess et al.•ARTICLE•SSRN Electronic Journal•2018

  • How Accurate Are Survey Responses on Social Media and Politics

    Allison M Gue, Kevin Munger et al.•ARTICLE•Political Communication•2018•Cited by: 45•References: 24

    How accurate are survey-based measures of social media use, in particular about political topics? We answer this question by linking original survey data collected during the U.S. 2016 election campaign with respondents’ observed social media activity. We use supervised machine learning to classify whether these Twitter and Facebook account data are content related to politics. We then benchmark our survey measures on frequency of posting about p…

  • Making Music Indigenous: Popular Music in the Peruvian Andes

    Joshua A Tucker, Joshua Tucker•BOOK•Making Music Indigenous•2019•Cited by: 4

  • The (Null) Effects of Clickbait Headlines on Polarization, Trust, and Learning

    Open Access•Kevin Munger, Mario Luca et al.•ARTICLE•Public Opinion Quarterly•2020•Cited by: 16•References: 27

    Clickbait” headlines designed to entice people to click are frequently used by both legitimate and less-than-legitimate news sources. Contemporary clickbait headlines tend to use emotional partisan appeals, raising concerns about their impact on consumers of online news. This article reports the results of a pair of experiments with different sets of subject pools: one conducted using Facebook ads that explicitly target people with a high prefere…

  • Political Knowledge and Misinformation in the Era of Social Media: Evidence From the 2015 UK Election

    Open Access•Kevin Munger, Philip J Egan et al.•ARTICLE•British Journal of Political…•2022•Cited by: 11•References: 36

    Does social media educate voters, or mislead them? This study measures changes in political knowledge among a panel of voters surveyed during the 2015 UK general election campaign while monitoring the political information to which they were exposed on the Twitter social media platform. The study's panel design permits identification of the effect of information exposure on changes in political knowledge. Twitter use led to higher levels of knowl…

  • The Diffusion and Reach of (Mis)Information on Facebook during the U.S. 2020 Election

    Open Access•Sandra Gonzalez-Bailon, David Lazer et al.•ARTICLE•Sociological Science•2024

    Social media creates the possibility for rapid, viral spread of content, but how many posts actually reach millions? And is misinformation special in how it propagates? We answer these questions by analyzing the virality of and exposure to information on Facebook during the U.S. 2020 presidential election. We examine the diffusion trees of the approximately 1 B posts that were re-shared at least once by U.S.-based adults from July 1, 2020, to Feb…

  • Misinformation Beyond Traditional Feeds: Evidence from a WhatsApp Deactivation Experiment in Brazil

    Tiago Ventura, Rajeshwari Majumdar et al.•ARTICLE•The Journal of Politics•2025•References: 6

  • Sounding the Vernacular Sea

    Joshua A Tucker, Joshua Tucker•ARTICLE•Ethnomusicology•2025•Cited by: 1•References: 29

    This article brings ecocritical insights from music studies to bear upon the traditional song repertoire of Nova Scotia in order to ask how those songs shape and reflect attitudes toward the marine environment and how they register or interrogate those attitudes in times of crisis. It centers on and contextualizes a 2019 performance from the province's rugged Eastern Shore, both a site of managed underdevelopment and a depopulated wilderness of i…

Political science (16 works) · Law (12 works) · Sociology (12 works) · History (11 works) · Art (10 works) · Politics (10 works) · Computer Science (9 works) · Diverse Musicological Studies (7 works) · Music History and Culture (6 works) · Economics (5 works)

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