Richard A Gordon
Biographic Data
| ID | 3693588 |
|---|---|
| NAME | Richard A Gordon |
| GIVEN NAMES | Richard A |
| FAMILY NAME | Gordon |
| SIGNATURE | GORDON R A |
| AFFILIATIONS | Bard College |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 2 |
Clinician bias in the diagnosis of posttraumatic stress disorder and borderline personality disorder
Following Estevanico: The Influential Presence of an African Slave in Sixteenth-century New World Historiography
Africans were ubiquitous not only to the Conquest of Mexico but also to the entire endeavor of Spanish invasion and colonization in the Americas. Because the majority of such Africans arrived as sl
The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei
2006). The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity in La última cena and Chico Rei. Journal of Latin American Cultural Studies: Vol. 15, No. 3, pp. 301-320
Recreating Caminha: The Earnest Adaptation of Brazil's Letter of Discovery in Humberto Mauro's Descobrimento do Brasil (1937)
Coinciding with the quincentenary of the Portuguese arrival in America in 1500, three Brazilian directors bookended the turn of the millennium with reconsiderations of the nation's colonial past. Luis Alberto Pereira's Hans Staden (1999), Lúzia Murat's Brava Gente Brasileira (2000), and Guel Arraes's Caramuru: A Invenção do Brasil (2001) return to a long-standing tendency among Brazilian filmmakers to reevaluate national origins and present-day c…
The Domestication of the Ensign Nun: "La monja alférez" (1944) and Mexican Identity
This essay explores how and why, during the Golden Age of Mexican cinema, a studio nationalizes and reforms a potentially problematic Spanish colonial figure, transforming her into a symbol of national identity. La monja alf?rez (1944) stars Mar?a F?lix and is directed by Emilio G?mez Muriel, both of whom place the film at the heart of Mexican cinema's ?poca de oro. The film rewrites Vida i sucesos de la monja alf?rez (1625), the alleged autobiog…
Commentary: Towards a Clinical Ethnography
Anorexia and Bulimia: Anatomy of a Social Epidemic
Culture and psychopathology - the notion of an ethnic disorder eating disorders - anorexia nervosa and bulimia the social dimensions of an epidemic a changing female identity the thin body the war against fat - obesity, dieting and exercise the templates of a disease the politics of anorexia
Chinese Village Life on Film
Investment Behavior and Business Cycles
M OST economists agree that the primary source of cyclical instability is to be found in the determinants of investment behavior. Current cycle theory largely takes the following simple form. Today's value of output is equal to today's aggregate demand, which is the sum of consumption and investment (plus government expenditures). Consumption is assumed to be more or less inflexibly tied to current or past income. Hence the essence of the problem…
Following Estevanico: The Influential Presence of an African Slave in Sixteenth-century New World Historiography
Africans were ubiquitous not only to the Conquest of Mexico but also to the entire endeavor of Spanish invasion and colonization in the Americas. Because the majority of such Africans arrived as sl
The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei
2006). The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity in La última cena and Chico Rei. Journal of Latin American Cultural Studies: Vol. 15, No. 3, pp. 301-320
Investment Behavior and Business Cycles
M OST economists agree that the primary source of cyclical instability is to be found in the determinants of investment behavior. Current cycle theory largely takes the following simple form. Today's value of output is equal to today's aggregate demand, which is the sum of consumption and investment (plus government expenditures). Consumption is assumed to be more or less inflexibly tied to current or past income. Hence the essence of the problem…
Chinese Village Life on Film
Anorexia and Bulimia: Anatomy of a Social Epidemic
Culture and psychopathology - the notion of an ethnic disorder eating disorders - anorexia nervosa and bulimia the social dimensions of an epidemic a changing female identity the thin body the war against fat - obesity, dieting and exercise the templates of a disease the politics of anorexia
The Domestication of the Ensign Nun: "La monja alférez" (1944) and Mexican Identity
This essay explores how and why, during the Golden Age of Mexican cinema, a studio nationalizes and reforms a potentially problematic Spanish colonial figure, transforming her into a symbol of national identity. La monja alf?rez (1944) stars Mar?a F?lix and is directed by Emilio G?mez Muriel, both of whom place the film at the heart of Mexican cinema's ?poca de oro. The film rewrites Vida i sucesos de la monja alf?rez (1625), the alleged autobiog…
Commentary: Towards a Clinical Ethnography
Recreating Caminha: The Earnest Adaptation of Brazil's Letter of Discovery in Humberto Mauro's Descobrimento do Brasil (1937)
Coinciding with the quincentenary of the Portuguese arrival in America in 1500, three Brazilian directors bookended the turn of the millennium with reconsiderations of the nation's colonial past. Luis Alberto Pereira's Hans Staden (1999), Lúzia Murat's Brava Gente Brasileira (2000), and Guel Arraes's Caramuru: A Invenção do Brasil (2001) return to a long-standing tendency among Brazilian filmmakers to reevaluate national origins and present-day c…
Following Estevanico: The Influential Presence of an African Slave in Sixteenth-century New World Historiography
Africans were ubiquitous not only to the Conquest of Mexico but also to the entire endeavor of Spanish invasion and colonization in the Americas. Because the majority of such Africans arrived as sl
The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei
2006). The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity in La última cena and Chico Rei. Journal of Latin American Cultural Studies: Vol. 15, No. 3, pp. 301-320
Clinician bias in the diagnosis of posttraumatic stress disorder and borderline personality disorder
Art (3 works) · Archaeology (2 works) · Art history (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works) · Psychology (2 works) · Sociology (2 works) · Ancient history (1 works) · Anorexia (1 works)