Phillip Mcintyre
Biographic Data
| ID | 3694441 |
|---|---|
| NAME | Phillip Mcintyre |
| GIVEN NAMES | Phillip |
| FAMILY NAME | Mcintyre |
| SIGNATURE | MCINTYRE P |
| AFFILIATIONS | University of Newcastle Australia |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
A creative ecosystem
Using a creative ecosystems approach, this paper demonstrates that journalism is deeply embedded in the interconnected ecosystem of publishing and, at a higher level, the creative industries. Analysis of data from seven regional areas in New South Wales and Victoria revealed that newsrooms and journalists are vertically integrated with national and international journalistic practices and economic imperatives and also horizontally integrated with…
Entrepreneurship in the Creative Industries
This book places the creative industries and entrepreneurship firmly within a systemic approach to creativity and cultural production.
ANZCA News
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Pursuing extreme romance
Innovation is at all times accompanied by tradition and creative action of all types takes place against a backdrop of continuity and change, as stated by Keith Negus and Michael Pickering in their 2004 book Creativity, Communication and Cultural Value. On page 91, they write: ‘It is only by thinking about their interrelationship that we can understand processes of creativity and cultural change.’ These assertions can be seen most readily in the …
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
Systemic Creativity
There has been a steady move away from a Romantic view of creativity towards a more rationally based research approach to this topic. Mihaly Csikszentmihalyi has argued that views of creativity, as an object of research, have needed to make a shift from a Ptolemaic perspective toward a more Copernican one. Others have similarly argued that creativity comes about through the confluence of a set of multiple factors that coalesce in an essentially n…
The ‘creative treatment of actuality’
Grierson defined documentary as ‘the creative treatment of actuality’. The aim of this article is to add to existing discussions of this phrase. Attention will be given to documentary as art, and the Griersonian notion of ‘artist’. An examination of the relationship between art, creativity and documentary production and consumption will rationalize and reconceptualize creativity for documentary practice. This reconceptualization of documentary cr…
Copyright and Creativity
Copyright law is entangled with the Romantic conception of the creative process. So is the music industry. This Romantic conception has been challenged more recently to the point where there has been a paradigmatic shift of the conception of creative activity within the research community. This change has not as yet occurred for popular conceptions of creativity, nor has the law changed its basis. Once these older views are substituted with the r…
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
Paul McCartney and the creation of 'Yesterday
By applying Mihaly Csikszentmihalyi's systems model of creativity, evidence can be presented to claim that despite 'Yesterday's promotion as a Romantic piece of creative activity, perpetuating the myth of the mystically inspired freely expressive artist, the creation of 'Yesterday' can be seen as a more considered and rational process than otherwise mythologised. The definition of creativity assumes an activity whereby products, processes and ide…
Copyright and Creativity
Copyright law is entangled with the Romantic conception of the creative process. So is the music industry. This Romantic conception has been challenged more recently to the point where there has been a paradigmatic shift of the conception of creative activity within the research community. This change has not as yet occurred for popular conceptions of creativity, nor has the law changed its basis. Once these older views are substituted with the r…
The ‘creative treatment of actuality’
Grierson defined documentary as ‘the creative treatment of actuality’. The aim of this article is to add to existing discussions of this phrase. Attention will be given to documentary as art, and the Griersonian notion of ‘artist’. An examination of the relationship between art, creativity and documentary production and consumption will rationalize and reconceptualize creativity for documentary practice. This reconceptualization of documentary cr…
Systemic Creativity
There has been a steady move away from a Romantic view of creativity towards a more rationally based research approach to this topic. Mihaly Csikszentmihalyi has argued that views of creativity, as an object of research, have needed to make a shift from a Ptolemaic perspective toward a more Copernican one. Others have similarly argued that creativity comes about through the confluence of a set of multiple factors that coalesce in an essentially n…
Pursuing extreme romance
Innovation is at all times accompanied by tradition and creative action of all types takes place against a backdrop of continuity and change, as stated by Keith Negus and Michael Pickering in their 2004 book Creativity, Communication and Cultural Value. On page 91, they write: ‘It is only by thinking about their interrelationship that we can understand processes of creativity and cultural change.’ These assertions can be seen most readily in the …
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial.These considerations include acts of listening, selecting and editing.I…
ANZCA News
ANZCA News
ANZCA News
ANZCA News
ANZCA News
Entrepreneurship in the Creative Industries
This book places the creative industries and entrepreneurship firmly within a systemic approach to creativity and cultural production.
A creative ecosystem
Using a creative ecosystems approach, this paper demonstrates that journalism is deeply embedded in the interconnected ecosystem of publishing and, at a higher level, the creative industries. Analysis of data from seven regional areas in New South Wales and Victoria revealed that newsrooms and journalists are vertically integrated with national and international journalistic practices and economic imperatives and also horizontally integrated with…
Sociology (11 works) · Political science (10 works) · Media studies (6 works) · Creativity (5 works) · Creativity in Education and Neuroscience (5 works) · Cultural Industries and Urban Development (5 works) · Aesthetics (4 works) · Art (4 works) · Artistic and Creative Research (4 works) · Law (4 works)