Verónica Rodríguez
Biographic Data
| ID | 3694707 |
|---|---|
| NAME | Verónica Rodríguez |
| GIVEN NAMES | Verónica |
| FAMILY NAME | Rodríguez |
| SIGNATURE | RODRÍGUEZ V |
| AFFILIATIONS | University of Virginia's College at Wise |
| ORCID | 0000-0003-0171-7460 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Sore not sorry
The symbolic power of Chimalpahin’s historiographic work on Nahua history
The Nahua historian Don Domingo de San Anton Muñon Chimalpahin Cuahuatlehuanintzin created one of the few long-standing works on the history of the Nahuas written in their language. This article analyzes the diverse native sources that Chimalpahin used in his works Las ocho relaciones and Memorial de Colhuacan. It focuses on Chimalpahin’s strategies for recomposing the Nahua archive, showing that he presents his prismatic version of Nahua history…
Cripping Solidarity in Contemporary Feminist Disability Theatre
Performing Endometriosis as placental dramaturgy
Performing Endometriosis is an autopathographic piece, written and performed by VR and directed by MM (coauthors of the present article). Divided into very short scenes (called Glimpses), Performing Endometriosis is a solo work about VR's lived experience of stage 4 endometriosis, where audiences are invited to encounter some key moments in her chronic illness journey. Most often experienced by women, endometriosis occurs when tissue similar to t…
Negotiation and Alliance on Display
In early colonial Mexico, theatrical representations were considered one of the most effective tools of evangelization. While traditional narratives of missionary work tend to underscore the control of the Franciscans over the Nahuas, and therefore over the production of cultural artifacts such as plays, power relations were not unilateral, as the Franciscans encountered linguistic and cultural barriers that required the collaboration of the Nahu…
Theatre and Performance Practices on the Spanish Stage
Theatre and Performance Practices on the Spanish Stage: An Introduction
Historia de las Indias (1552)
In 1552, Francisco López de Gómara published Historia de las Indias y conquista de México, which was quickly followed by immediate success, numerous editions, and censorship. Drawing on Marcel Bataillon's lectures in the Collège de France, French scholars from four different universities have put together a new comprehensive critical edition of the first part of Gómara's work, known as Historia de las Indias. The collaborative work of these schol…
Theatre and Performance Studies in English
Theatre and Performance Studies in English: An Introduction
Chimalpahin's Nahua Authority
This article provides an analysis of Chimalpahin's additions to Francisco López de Gómara's Historia de la conquista de México. In his account, Chimalpahin draws attention to the plurality of ethnic states, their cultural practices, and political conflicts. In this article, the author argues that Chimalpahin's modifications depict a Nahua version of the conquest in which the emphasis on the native's active participation reflects its effect in the…
The Open Constructed Public Sphere
This article looks at the ‘public’ ‘place’ of drama in Britain at present by offering an analysis of a contemporary version of an ancient Greek play by Aeschylus, entitled The Suppliant Women, written by David Greig, directed by Ramin Gray, and first performed at the Royal Lyceum Theatre Edinburgh in 2016. Following an agonistic (Chantal Mouffe), rather than a consensual (Jürgen Habermas) model of the public sphere, it argues that under globalisa…
Tercer Concilio Limense (1583-1591)
The organization of the new Spanish territories in the Americas forced the adaptation of several civil and ecclesiastic laws originally created for the Iberian Peninsula. Tercer Concilio Limense (1583–1591): Edición bilingüe de los decretos is a new edition of the resulting decrees that were adopted to contribute to the organization of Peru's new social order. After editing Decretos del Concilio Tercer Provincial Mexicano (1585), Luis Martínez Fe…
Design and Superconducting Levitation
When specific metals are cooled to a very low temperature (typically colder than about −200°C), they become superconductive and can make magnets levitate. This paper reports on a collaboration between physicists and designers to exploit this quantum levitation. The main goal of this collaboration was to create artistic displays, experiments and videos to engage a large public with fundamental physics. Beyond its public success, this “SupraDesign”…
Acta de nacimiento de Epikeia
Acta de nacimiento de EPIKEIA
No prominent works on this page.
Acta de nacimiento de Epikeia
Acta de nacimiento de EPIKEIA
Design and Superconducting Levitation
When specific metals are cooled to a very low temperature (typically colder than about −200°C), they become superconductive and can make magnets levitate. This paper reports on a collaboration between physicists and designers to exploit this quantum levitation. The main goal of this collaboration was to create artistic displays, experiments and videos to engage a large public with fundamental physics. Beyond its public success, this “SupraDesign”…
Tercer Concilio Limense (1583-1591)
The organization of the new Spanish territories in the Americas forced the adaptation of several civil and ecclesiastic laws originally created for the Iberian Peninsula. Tercer Concilio Limense (1583–1591): Edición bilingüe de los decretos is a new edition of the resulting decrees that were adopted to contribute to the organization of Peru's new social order. After editing Decretos del Concilio Tercer Provincial Mexicano (1585), Luis Martínez Fe…
The Open Constructed Public Sphere
This article looks at the ‘public’ ‘place’ of drama in Britain at present by offering an analysis of a contemporary version of an ancient Greek play by Aeschylus, entitled The Suppliant Women, written by David Greig, directed by Ramin Gray, and first performed at the Royal Lyceum Theatre Edinburgh in 2016. Following an agonistic (Chantal Mouffe), rather than a consensual (Jürgen Habermas) model of the public sphere, it argues that under globalisa…
Theatre and Performance Studies in English
Theatre and Performance Studies in English: An Introduction
Chimalpahin's Nahua Authority
This article provides an analysis of Chimalpahin's additions to Francisco López de Gómara's Historia de la conquista de México. In his account, Chimalpahin draws attention to the plurality of ethnic states, their cultural practices, and political conflicts. In this article, the author argues that Chimalpahin's modifications depict a Nahua version of the conquest in which the emphasis on the native's active participation reflects its effect in the…
Negotiation and Alliance on Display
In early colonial Mexico, theatrical representations were considered one of the most effective tools of evangelization. While traditional narratives of missionary work tend to underscore the control of the Franciscans over the Nahuas, and therefore over the production of cultural artifacts such as plays, power relations were not unilateral, as the Franciscans encountered linguistic and cultural barriers that required the collaboration of the Nahu…
Theatre and Performance Practices on the Spanish Stage
Theatre and Performance Practices on the Spanish Stage: An Introduction
Historia de las Indias (1552)
In 1552, Francisco López de Gómara published Historia de las Indias y conquista de México, which was quickly followed by immediate success, numerous editions, and censorship. Drawing on Marcel Bataillon's lectures in the Collège de France, French scholars from four different universities have put together a new comprehensive critical edition of the first part of Gómara's work, known as Historia de las Indias. The collaborative work of these schol…
Performing Endometriosis as placental dramaturgy
Performing Endometriosis is an autopathographic piece, written and performed by VR and directed by MM (coauthors of the present article). Divided into very short scenes (called Glimpses), Performing Endometriosis is a solo work about VR's lived experience of stage 4 endometriosis, where audiences are invited to encounter some key moments in her chronic illness journey. Most often experienced by women, endometriosis occurs when tissue similar to t…
Sore not sorry
The symbolic power of Chimalpahin’s historiographic work on Nahua history
The Nahua historian Don Domingo de San Anton Muñon Chimalpahin Cuahuatlehuanintzin created one of the few long-standing works on the history of the Nahuas written in their language. This article analyzes the diverse native sources that Chimalpahin used in his works Las ocho relaciones and Memorial de Colhuacan. It focuses on Chimalpahin’s strategies for recomposing the Nahua archive, showing that he presents his prismatic version of Nahua history…
Cripping Solidarity in Contemporary Feminist Disability Theatre
Political science (6 works) · Art (5 works) · History (5 works) · Latin American history and culture (5 works) · Law (5 works) · Sociology (4 works) · Theatre and Performance Studies (4 works) · Archaeology (3 works) · Feminism (3 works) · Historical Studies in Latin America (3 works)