Angela Marino
Biographic Data
| ID | 3697979 |
|---|---|
| NAME | Angela Marino |
| GIVEN NAMES | Angela |
| FAMILY NAME | Marino |
| SIGNATURE | MARINO A |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Performance, Democracy, and the Commune in the Black Sheep Revolution
This article analyzes cultural production in theaters across three pivotal historical moments from the 1980s to the present, including the theater as ruins, refuge, and resistance. It begins with the theater in ruins as depicted in the 1986 film, The Black Sheep, by the legendary playwright, director, and filmmaker, Román Chalbaud, in which a commune of artists, outcasts, and misfits squat in the theater, taking shelter from a storm of state-spon…
Una mesa redonda sobre colectivismo
Este artículo presenta una discusión entre activistas, artistas y académicos para centrar el comunalismo como un proceso político y una metodología en y a través de los “Sures” políticos geográficos y culturales. Una de las preguntas centrales que plantea este artículo es, cómo crear diversas y heterogéneas estrategias para la sustentabilidad y creación del espíritu colectivo, durante las crisis coyunturales y estructurales del Sur Global, así co…
A Roundtable on Collectivism
This article presents a discussion among activists, artists, and scholars to center communalism as a political process and methodology in and across geographical and cultural political “Souths.” One of the central questions that this article raises is how to create diverse and heterogeneous strategies for the sustainability and creation of the collective spirit during the conjunctural and structural crises of the Global South and the exhaustion t…
Luis Valdez, Free Speech, and El Teatro in the Calendar Round
Reflections on Durational Art
These short reflections, from UC Berkeley faculty in a variety of disciplines, respond to the following question: "What does the phrase 'time-based art' mean to you? What are the central stakes, conventions, challenges, and opportunities of durational art in the contexts in which you work?" Collectively, they probe a wide range of practices and contexts, including, for example, Mexican festivals and midwestern American carnivals, Syrian documenta…
Site-Specific Performance by Mike Pearson (review)
Reviewed by: Site-Specific Performance by Mike Pearson Angela Marino Site-Specific Performance. By Mike Pearson. Basingstoke, UK: Palgrave Macmillan, 2010; pp. 272. In a North Lincolnshire village festival, the Fool stands on his designated hillside stone to recite the rules to the players of the Haxey Hood. Not far away at the Aberystwyth railway station, members of Mike Pearson’s own company, Brith Gof, hang in the buff against the bricks and i…
The politics of public space
No prominent works on this page.
The politics of public space
Site-Specific Performance by Mike Pearson (review)
Reviewed by: Site-Specific Performance by Mike Pearson Angela Marino Site-Specific Performance. By Mike Pearson. Basingstoke, UK: Palgrave Macmillan, 2010; pp. 272. In a North Lincolnshire village festival, the Fool stands on his designated hillside stone to recite the rules to the players of the Haxey Hood. Not far away at the Aberystwyth railway station, members of Mike Pearson’s own company, Brith Gof, hang in the buff against the bricks and i…
Reflections on Durational Art
These short reflections, from UC Berkeley faculty in a variety of disciplines, respond to the following question: "What does the phrase 'time-based art' mean to you? What are the central stakes, conventions, challenges, and opportunities of durational art in the contexts in which you work?" Collectively, they probe a wide range of practices and contexts, including, for example, Mexican festivals and midwestern American carnivals, Syrian documenta…
Luis Valdez, Free Speech, and El Teatro in the Calendar Round
Una mesa redonda sobre colectivismo
Este artículo presenta una discusión entre activistas, artistas y académicos para centrar el comunalismo como un proceso político y una metodología en y a través de los “Sures” políticos geográficos y culturales. Una de las preguntas centrales que plantea este artículo es, cómo crear diversas y heterogéneas estrategias para la sustentabilidad y creación del espíritu colectivo, durante las crisis coyunturales y estructurales del Sur Global, así co…
A Roundtable on Collectivism
This article presents a discussion among activists, artists, and scholars to center communalism as a political process and methodology in and across geographical and cultural political “Souths.” One of the central questions that this article raises is how to create diverse and heterogeneous strategies for the sustainability and creation of the collective spirit during the conjunctural and structural crises of the Global South and the exhaustion t…
Performance, Democracy, and the Commune in the Black Sheep Revolution
This article analyzes cultural production in theaters across three pivotal historical moments from the 1980s to the present, including the theater as ruins, refuge, and resistance. It begins with the theater in ruins as depicted in the 1986 film, The Black Sheep, by the legendary playwright, director, and filmmaker, Román Chalbaud, in which a commune of artists, outcasts, and misfits squat in the theater, taking shelter from a storm of state-spon…
Art (5 works) · Political science (5 works) · History (4 works) · Law (4 works) · Sociology (4 works) · Politics (3 works) · Art history (2 works) · Humanities (2 works) · Latin American Cultural Politics (2 works) · Latin American Literature Studies (2 works)